Template:Short description Template:Use mdy dates
Template:Nihongo, occasionally nicknamed Otokomatsuri, is a Japanese anime director. He started at animation studio Vega Entertainment, and later joined Shaft. He is best known for directing Puella Magi Madoka Magica and its subsequent film trilogy alongside Akiyuki Shinbo, the latter trilogy which subsequently garnered ¥2 billion, making it a box-office success.[1]
Early life
Miyamoto was interested in animation from a young age and was particularly interested in timing processes regarding characteristics like lip-sync timing or footstep sounds and whether they aligned with the screen images.[2] After highs school, he went to a science-based university as per his parents' wishes but found that he still loved animation, so he went to a vocational school, Template:Ill.[2]
Career
After graduating from vocational school, he joined the anime industry in 2002 as a production manager and assistant director for Vega Entertainment on their adaptation of Leiji Matsumoto's Gun Frontier manga series.[3][4] In 2003 and 2004, he debuted as an episode director and storyboard artist (respectively) with F-Zero: GP Legend,[5] and started directing Vega's outsourced episodes for Madhouse at the time too.
Around 2006, he happened to find himself at studio Shaft by chance.[2] He studied under director Shin Oonuma for about a year and quickly became a prominent director alongside Akiyuki Shinbo, Oonuma, and Tatsuya Oishi.[2] In 2008, he debuted as a chief unit director with (Zoku) Sayonara, Zetsubou-Sensei alongside Shinbo.[6] In the following years, Miyamoto directed several more series with Shinbo like Maria Holic in 2009 and Arakawa Under the Bridge in 2010 (both with Miyamoto acting as series director); and in 2011, they directed Puella Magi Madoka Magica which became a critical hit and, alongside Bakemonogatari, is considered to be one of the series that pushed the studio into the spotlight.[7][8] Prior to joining the series' staff, he had known that the project was underway due to seeing the production materials, like Gekidan Inu Curry's production designs, next to the copy machine at the Shaft office while he was working on Arakawa Under the Bridge. Eventually, Miyamoto was given the role of series director again and joined the Madoka Magica project 3-4 months before the series started airing. During this time, Miyamoto also created a "Shaft directing manual" for first-time outside directors and younger staff to help them with directing Madoka and subsequent series with the so-called "Shaft style."[9]
Subsequently, Miyamoto was tasked with directing the series' film trilogy, with Shinbo acting as chief director over the films, and Miyamoto acting as director instead of series director.[10] He wasn't given the job right away, but instead happened to be asked by Shaft president Mitsutoshi Kubota around October of 2011 when the two bumped into each other at a convenience store next to the Shaft office one day. Although their credits differed from the TV counterparts, their jobs were essentially the same as before, according to Miyamoto. The first two films were compilations with updated visuals, and the third film was created as a sequel. Miyamoto intended to direct the work as its overall film director without doing unit direction; however, the directors that the staff tried to recruit were busy, and Miyamoto was made to act as a unit director on the film anyway. The only other directors involved to help were unit director Takashi Kawabata and assistant director Hiroyuki Terao, who were recruited due to the fact that it would've been impossible for Miyamoto to finish the film on his own.
In 2018, it was announced that the spin-off Magia Record mobile game would receive an adaptation by the studio; the following year, it was announced that Miyamoto would serve as an assistant director and director alongside Shaft directors Kenjirou Okada, Midori Yoshizawa, Doroinu of Gekidan Inu Curry, with Shinbo serving as an animation supervisor on the project.[11]
In 2023, it was announced that Shinbo and Miyamoto would both return in their respective roles of chief director and director for the fourth Madoka Magica film.[12]
Yoyogi Animation Academy invited him to give a special lecture to students in collaboration with The Quintessential Quintuplets~ in August of 2024.[13]
Style
Miyamoto described himself as being a "heretic" at ShaftTemplate:Emdashsomeone who, in a company of many differing directors, is only good at doing "plain work", and isn't particularly original or creative. Shinbo described Miyamoto in a similar way, but said that he was more like a professional craftsman who leaves their mark in places that cannot be seen. Due to this, Shinbo has said that Miyamoto is a director whose work often exceeds his expectations. Shinbo himself likes to cut the space between dialogue when characters talk, though he mentioned that Miyamoto seems to cut dialogue pauses more than Shinbo to a point that the silence between characters talking is close to zero. Miyamoto said that it's like characters who have already started thinking of a response to the person who is actively talking, and thus begin speaking either directly after the person talking has stopped or interrupting their speech entirely.
Shaft producer Yasuhiro Okada, who was the animation producer for the Madoka Magica film trilogy, described Miyamoto as being the best director capable of absorbing and expressing Shinbo's flavor.
Personal life
Miyamoto is married and has a child who was born near the end of production of the Kizumonogatari trilogy. When his wife was in labor, Miyamoto was at the hospital and continued to text with Shaft's producers and staff regarding the film; and the director, Tatsuya Oishi, joked that Miyamoto should name them "Nekketsu" (after the second film in the trilogy, which Miyamoto was in charge of as unit director).
Works
Television series
Template:Color box In "Director(s)" column highlights Miyamoto's directorial works.
OVAs/ONAs
Films
Year | Title | Director(s) | Studio | SBTemplate:Efn | EDTemplate:Efn | Other roles and notes | Ref(s) |
---|---|---|---|---|---|---|---|
2012 | Puella Magi Madoka Magica the Movie: Beginnings | Template:Yes | Shaft | Template:No | Template:Yes | [10][109] | |
Puella Magi Madoka Magica the Movie: Eternal | Template:Yes | Template:No | Template:Yes | [10][110] | |||
2013 | Puella Magi Madoka Magica the Movie: Rebellion | Template:Yes | Template:No | Template:Yes | [10][111] | ||
2016 | Kizumonogatari II: Nekketsu | Akiyuki Shinbo Template:Small Tatsuya Oishi |
Shaft | Template:No | Template:Yes | [112] | |
2017 | Kizumonogatari III: Reiketsu | Akiyuki Shinbo Template:Small Tatsuya Oishi |
Template:No | Template:Yes | [113] | ||
Fireworks | Akiyuki Shinbo Template:Small Nobuyuki Takeuchi |
Shaft | Template:No | Template:Yes | [114] | ||
2025 | Puella Magi Madoka Magica the Movie: Walpurgisnacht: Rising | Template:Yes | Shaft | Template:TBA | Template:TBA | [115][116] |
Video games
Year | Title | Studio | Roles and notes | Ref(s) |
---|---|---|---|---|
2016 | Fate/EXTELLA | Shaft | Opening cinematic director | [117] |
2017 2020 |
Magia Record | Shaft | Transformation sequence director Cutscene director and storyboard artist |
[118][119] |
Notes
Works cited
References
External links
Template:Yukihiro Miyamoto Template:Puella Magi Madoka Magica Template:Authority control
- ↑ Template:Cite web
- ↑ 2.0 2.1 2.2 2.3 Shaft Shizuoka Studio Aoi display, part of the Template:Nihongo at the Template:Nihongo. October 12, 2024, to November 10, 2024.
- ↑ 3.0 3.1 Template:Cite AV media
- ↑ 4.0 4.1 Template:Cite AV media
- ↑ 5.0 5.1 Template:Cite AV media
- ↑ 6.0 6.1 Template:Cite web
- ↑ 7.0 7.1 Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite magazine
- ↑ 10.0 10.1 10.2 10.3 Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ 41.0 41.1 Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite AV media
- ↑ Template:Cite AV media