Template:Short description Template:About Template:Use American English Template:Use mdy dates Template:Infobox film
Rise of the Guardians is a 2012 American animated fantasy action-adventure film produced by DreamWorks Animation and distributed by Paramount Pictures. The film was directed by Peter Ramsey (in his feature directorial debut) from a screenplay by David Lindsay-Abaire, based on the book series The Guardians of Childhood and the short film The Man in the Moon by William Joyce. It stars the voices of Chris Pine, Alec Baldwin, Jude Law, Isla Fisher, and Hugh Jackman. The film tells a story about Guardians Santa Claus, the Tooth Fairy, the Easter Bunny, and the Sandman, who enlist Jack Frost to stop the evil Pitch Black from engulfing the world in darkness in a fight of dreams.
Rise of the Guardians premiered at the Mill Valley Film Festival on October 10, 2012, and was theatrically released in the United States on November 21. The film received generally positive reviews from critics and audiences, but despite grossing $306.9 million worldwide against a budget of $145 million, it was a disappointment at the box-office and lost the studio an estimated $87 million due to marketing and distribution costs.[1][2] It was nominated for the Golden Globe Award for Best Animated Feature Film and the Annie Award for Best Animated Feature.[3]
It was the last DreamWorks Animation film to be distributed by Paramount Pictures. Starting with The Croods in 2013, 20th Century Fox would distribute DreamWorks' films until Captain Underpants: The First Epic Movie in 2017. Until the release of Ruby Gillman, Teenage Kraken in 2023, Rise of the Guardians was previously DreamWorks Animation's biggest box-office bomb.
Plot
Jack Frost emerges from a frozen pond with amnesia and finds himself invisible to the mortal realm. Three centuries later, the Man in the Moon alerts Nicholas St. North of the resurgence of Pitch Black, who threatens to unleash nightmares upon children. North rallies his fellow Guardians, E. Aster Bunnymund, Sanderson Mansnoozie, and Toothiana, and they discover that Jack has been chosen to join their ranks. Transported to the North Pole, Jack is told by North that every Guardian has a center, which is something they foster in children. Jack knows nothing of his center and resists the call to become a Guardian.
While visiting Tooth's palace, Jack learns that every baby tooth holds the childhood memories of its owner. Pitch kidnaps Tooth's subordinate fairies and steals all of the teeth, reducing children's belief in Tooth. To counter Pitch's plan, the other Guardians and Jack embark on a mission to collect teeth from children themselves. In their quest, they visit Jamie Bennett, a young boy who, still clinging to his belief, sees all of them except for Jack. On their way back to the North Pole, Pitch's Nightmares attack the Guardians and Pitch kills Sandy.
With Easter approaching, the Guardians travel to Bunny's Warren and assist in the egg-coloring preparations. Jack is lured to Pitch's lair, where he finds his teeth. Pitch distracts Jack long enough for the Nightmares to destroy all the eggs, causing children to stop believing in Bunny. Ashamed, Jack flees to Antarctica, where Pitch breaks his magic staff and throws him into a chasm. Unlocking the memories inside his teeth, Jack learns that he was once a human who sacrificed himself to save his younger sister. Inspired, he repairs his staff and rescues the kidnapped fairies.
Due to Pitch, every child in the world has stopped believing except Jamie, drastically weakening the Guardians. Finding Jamie's belief wavering, Jack makes it snow in his room, causing Jamie to be the first person to believe in him. Jack realizes that his center is fun and uses it to gather Jamie's friends, play, and diminish their fear, leading to renewed belief that bolsters the Guardians and resurrects Sandy. The children's dreams prove stronger than the Nightmares, who turn on Pitch and drag him to the underworld. Jack finally accepts his place as the Guardian of Fun.
Cast and characters
- Chris Pine as Jack Frost, the Spirit of Winter.[4] Jack is a teenage hellion who enjoys creating mischief and has no interest in being bound by rules or obligations; he just wants to use his staff to spread his winter magic for the sake of fun, but also wants to be believed in. Via his staff, he possesses potent cryokinesis. At the end of the film, Jack became the Guardian of Fun.
- Alec Baldwin as Nicholas St. North / Santa Claus, the leader of the Guardians,[4] and the Guardian of Wonder. He lives at the North Pole in the Ice Castle and is served by loyal North Pole natives, the Yetis (who built the castle and workshop) and the Christmas Elves. He has a Russian accent/culture persona, resembling Ded Moroz.[5]
- Jude Law as Pitch Black / Boogeyman, the Guardian of Fear and the Nightmare King. He has dark hair and wears a black cloak. Despite being the literal embodiment of terror, ironically, at the resolution, he is scared of his own nightmares after being forgotten.[4]
- Isla Fisher as Toothiana / Tooth Fairy, called Tooth for short, the Guardian of Memories.[4] Tooth is part human and part hummingbird, loosely resembling a Kinnari. Assisted by mini fairies that are split-off extensions of herself, she collects the children's teeth, which hold their most precious memories. Tooth stores them in her palace and returns memories when they are needed the most.[6]
- Hugh Jackman as E. Aster Bunnymund / Easter Bunny, called Bunny for short, the keeper and bringer of Easter eggs and Guardian of Hope. He shares Jackman's Australian accent.[4]
- Sandman is the Guardian of Dreams and the oldest of the Guardians,[7] being the first Guardian chosen by the Man in the Moon.[8] He doesn't speak, but communicates through sand images that he conjures above his head.[9]
- Dakota Goyo as Jamie Bennett, a child who has not given up on believing in the Guardians.[10]
- Georgie Grieve as Sophie Bennett, Jamie's little sister
- Jacob Bertrand as Monty
- Dominique Grund as Cupcake
- Olivia Mattingly as Mary, Jack's sister
Production
In 2005, William Joyce and Reel FX launched a joint venture, Aimesworth Amusements,[11] to produce CG-animated feature films,[12] one of which was set to be The Guardians of Childhood, based on Joyce's idea.[13] The film was not realized, but they did create a short animated film, The Man in the Moon, directed by Joyce, which introduced the Guardians idea,[13] and served as an inspiration for the film.[14]
Early in 2008, Joyce sold the film rights to DreamWorks Animation,[15] after the studio assured him it would respect his vision for the characters and that he would be involved with the creative process.[16] In November 2009, it was revealed that DreamWorks had hired Peter Ramsey to make his feature debut as director of what was then titled The Guardians, and playwright David Lindsay-Abaire to write the script, Lindsay-Abaire previously co-wrote the screenplay for Robots, which Joyce previously produced.[17] The next month, Leonardo DiCaprio was announced to make his animated feature film debut as the lead character of the film—tentatively titled The Guardians—Jack Frost.[18] Joyce acted as a co-director for the first few years, but left this position after the death of his daughter Mary Katherine,[15] who died from complications relating to her brain cancer positive diagnosis in May 2010.[16] Joyce continued to work on the film only as an executive producer, while Ramsey took the helm solo as a full-time director, making him the first African American to direct a big-budget CG animated film as well as making it one of the first DreamWorks films to have only one director instead of two and not have a co-director.[19] As with some previous DreamWorks films, Guillermo del Toro came on board to join Joyce as an executive producer. Present almost from the beginning,[20] he was able to help shape the story, character design, theme and structure of the film.[21] He said he was proud that the filmmakers were making parts of the film "dark and moody and poetic," and expressed hope this might "set a different tone for family movies, for entertainment movies."[20] The final title, Rise of the Guardians was announced in early 2011, along with the first cast.[4]
Roger Deakins, the cinematographer who had already worked on the previous DreamWorks' film, How to Train Your Dragon, advised on the lighting to achieve its real look. He selected photographic references for color keys, and during the production gave notes on contrast, saturation, depth of field and light intensity.[22] The film contains a lot of special effects, particularly the volumetric particles for depicting Sandman and Pitch.[23] For this, DreamWorks Animation developed OpenVDB, a more efficient tool and format for manipulating and storing volume data, like smoke and other amorphous materials. OpenVDB had been already used on Puss in Boots and Madagascar 3: Europe's Most Wanted, and was released in August 2012 for free as an open-source project with a hope to become an industry standard.[24]
Although the film is based on Joyce's book series, it contains differences from the books. The book series, begun in 2011, explains the origins of the characters, while the film takes place about 300 years after the books, and shows how the characters function in present time. Joyce explained, "Because I don't want people to read the book and then go see the movie and go, 'Oh, I like the book better,' and I also didn't want them to know what happens in the movie. And I also knew that during the progress of film production, a lot of things can change. So I wanted to have a sort of distance, so we were able to invoke the books and use them to help us figure out the world of the movie, but I didn't want them to be openly competitive to each other."[15] The idea for the Guardians came from Joyce's daughter, who asked him "if he thought Santa Claus had ever met the Easter Bunny." The film includes a dedication to her,[16] as well a song, "Still Dream," sung over the end credits.[25]
Originally, the film was set to be released on November 2, 2012, but DreamWorks Animation pushed the film to November 21, 2012, to avoid competition with Pixar's upcoming film Monsters University, which in turn had been pushed to November 2, 2012, to avoid competition with The Twilight Saga: Breaking Dawn – Part 2.[26] Monsters University was then pushed to June 21, 2013, with Disney's Wreck-It Ralph taking its place.[27]
Music
Template:Main French composer Alexandre Desplat composed the original music for the film, which was released on November 13, 2012, by Varèse Sarabande. The score was recorded in London at Abbey Road Studios and Air Studios, and performed by the London Symphony Orchestra, with a choral contribution by London Voices. David Lindsay-Abaire wrote the lyrics for the end-credit song, "Still Dream", which was performed by soprano Renée Fleming.[28] Stravinsky's "Firebird Suite" can also be heard during the scene where North first appears. This film marks the first time that a DreamWorks Animation film has not been composed or have any involvement from Hans Zimmer or a member of his Remote Control Productions family of composers (mainly John Powell, Henry Jackman, Lorne Balfe, Harry Gregson-Williams or his brother Rupert Gregson-Williams).
Release
Rise of the Guardians had its premiere on October 10, 2012, at The Mill Valley Film Festival in Mill Valley, California,[29] followed by the international premiere at The International Rome Film Festival on November 13, 2012.[30][31] Under distribution by Paramount Pictures, the film was released on November 21, 2012, in American theaters.[26] Digitally re-mastered into IMAX 3D, it was shown in limited international and domestic IMAX theaters.[32] It was the second film released in the firm Barco's Auro 11.1 3D audio format, after Red Tails.[33] The film was also shown in Dolby Atmos, a surround sound technology introduced in 2012.[34] Rise of the Guardians was the last DreamWorks Animation film distributed by Paramount, as DreamWorks has signed a five-year distribution deal with 20th Century Fox, which started in 2013 with The Croods.[35]
Home media
Rise of the Guardians was released on Blu-ray Disc (2D and 3D) and DVD on March 12, 2013.[36]
That was the last DreamWorks Animation home media release to be distributed by Paramount Home Entertainment, since 20th Century Fox announced its distribution agreement with DreamWorks Animation a few months before the theatrical release.[35] The film was more successful at home media sales than at the box office, having at the end of the second quarter of 2013 "the highest box office to DVD conversion ratio among major releases."[37] In the first quarter of 2013, it sold 3.2 million home entertainment units worldwide,[38] and in the second quarter 0.9 million units, for a total of 4.1 million units.[39]
It was re-released on DVD on November 5, 2013, and comes with a wind-up marching elf toy.[40] As of October 2014, 5.8 million home entertainment units were sold worldwide.[41] In July 2014, the film's distribution rights were purchased by DreamWorks Animation from Paramount Pictures and transferred to 20th Century Fox.[42] The rights were moved to Universal Pictures in 2018 after the buyout of DreamWorks Animation by Comcast/NBCUniversal. It was re-released on DVD and Blu-ray on June 5, 2018, by Universal Pictures Home Entertainment.
Reception
Critical response
On the review aggregator website Rotten Tomatoes, the film has an approval rating of 75% based on 160 reviews, with an average rating of 6.60/10. The website's critical consensus reads: "A sort of Avengers for the elementary school set, Rise of the Guardians is wonderfully animated and briskly paced, but it's only so-so in the storytelling department."[43] Metacritic, which assigns a rating out of 100 top reviews from mainstream critics, calculated a score of 58 based on 37 reviews, which indicates "mixed or average reviews".[44] Audiences polled by CinemaScore gave the film an excellent grade of "A" on an A+ to F scale.[45]
Carrie Rickey of The Philadelphia Inquirer gave the film three and a half stars out of four and found that the film's characters have "a primal familiarity, as though they were developed by a tag team of Maurice Sendak and Walt Disney."[46] Olly Richards of Empire wrote, "It's gorgeously designed, deftly written and frequently laugh-out-loud funny. For child or adult, this is a fantasy to get lost in."[47] The Washington PostTemplate:'s Michael O'Sullivan also gave the film a positive review and said, "Thoughts become things. That's the message of Rise of the Guardians, a charming if slightly dark and cobwebbed animated feature about how believing in something makes it real, or real enough."[48] Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote in his review, "There's an audience for this film. It's not me. I gather younger children will like the breakneck action, the magical ability to fly and the young hero who has tired of only being a name." Though he did say, "Their parents and older siblings may find the 89-minute running time quite long enough."[49]
Todd McCarthy of The Hollywood Reporter called the film "a lively but derivative 3D storybook spree for some unlikely action heroes."[14] Conversely, Justin Chang in Variety said, "Even tots may emerge feeling slightly browbeaten by this colorful, strenuous and hyperactive fantasy, which has moments of charm and beauty but often resembles an exploding toy factory rather than a work of honest enchantment."[50] Joe Morgenstern of The Wall Street Journal found that the film "lacks a resonant center," and that the script, "seems to have been written by committee, with members lobbying for each major character, and the action, set in vast environments all over the map, spreads itself so thin that a surfeit of motion vitiates emotion."[51]
Box office
Rise of the Guardians grossed $103.4 million in the United States and Canada, and $203.5 million in other countries, for a worldwide total of $306.9 million.[52]
In North America, the film opened to $32.3 million over its extended five-day weekend, and with $23.8 million over the three-day weekend, it reached fourth place behind The Twilight Saga: Breaking Dawn – Part 2, Skyfall, and Lincoln. The film's opening was the lowest debut for a DreamWorks Animation film since Flushed Away.[45] While the film did gross more than double of its $145 million budget, it still did not turn a profit for DreamWorks Animation due to its high distribution and marketing costs, forcing the studio to take an $87 million write-down.[1] This marked the first time that the studio had lost money on an animated film since Sinbad: Legend of the Seven Seas.[1][2] As a result of this combined with other factors, in February 2013, the studio announced it was laying off 350 employees as part of a company-wide restructuring.[2]
Additionally, the studio was heavily dependent on the success of Rise of the Guardians to fund other studio projects, most notably, the ill-fated Me and My Shadow project. But due to the failure to gain a stable box office response, it heavily affected the studio's ability to release original movies.Script error: No such module "Unsubst".
Accolades
Video games
Template:Main A video game based on the film was released by D3 Publisher on November 20, 2012, in North America,[90] and released on November 23, 2012, in Europe.[91] It allows gamers to lead the Guardians in their battle against Pitch. The game is a 3D beat-em-up, where the player travels through each of the worlds: Burgess, North Pole, Bunnymund Valley, Tooth Palace and Sandman's Ship, to fight Pitch's army of Nightmares. The player can switch between all five guardians at any time, and freely customize their powers, and they learn new special abilities as they level up. All the game versions support up to 4-player gameplay.[92] It is available on the Wii, Wii U, Xbox 360, PlayStation 3, Nintendo DS, and Nintendo 3DS.[93]
Another video game, also of the same name, was released by DreamWorks Animation for iOS on April 6, 2012, over seven months before the console versions.[94]
Possible sequel
After the release of the film, the creators of Rise of the Guardians expressed hope that the strong average grade of "A" given to the film by audiences surveyed by CinemaScore and an enthusiastic word-of-mouth would gather support for the "chance to make a sequel or two."[95] Author and co-producer of the series, William Joyce, also mentioned in March 2013 that he was still in talks about a sequel with DreamWorks Animation: "There is something that we are proposing that we hope they will want to do."[96]
See also
Notes
References
External links
Template:Commons Template:Wikiquote
- ↑ 1.0 1.1 1.2 Template:Cite news
- ↑ 2.0 2.1 2.2 Template:Cite news
- ↑ Template:Cite news
- ↑ 4.0 4.1 4.2 4.3 4.4 4.5 Template:Cite press release
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite news
- ↑ 13.0 13.1 Template:Cite news
- ↑ 14.0 14.1 Template:Cite news
- ↑ 15.0 15.1 15.2 Template:Cite news
- ↑ 16.0 16.1 16.2 Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite web
- ↑ Template:Cite news
- ↑ 20.0 20.1 Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ 26.0 26.1 Template:Cite web
- ↑ Template:Cite news
- ↑ Template:Cite press release
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite web
- ↑ Template:Cite magazine
- ↑ Template:Cite press release
- ↑ Template:Cite news
- ↑ 35.0 35.1 Template:Cite magazine
- ↑ Template:Cite web
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite video
- ↑ Template:Cite press release
- ↑ Template:Cite news
- ↑ Template:Cite webTemplate:RT data
- ↑ Template:Cite web
- ↑ 45.0 45.1 Template:Cite news
- ↑ 'Rise of the Guardians,' protecting truth, justice and the childhood way 'Rise of the Guardians,' protecting truth, justice and the childhood way Template:Webarchive Retrieved February 17, 2013
- ↑ Template:Cite web
- ↑ Template:Cite news
- ↑ Template:Cite web
- ↑ Template:Cite news
- ↑ A Visionary Director's Sumptuous 'Pi' Template:Webarchive Retrieved February 17, 2013
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedBOM - ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite web
- ↑ Template:Cite news
- ↑ Template:Cite news
- ↑ Template:Cite press release
- ↑ Template:Cite news
- ↑ Template:Cite web
- ↑ Template:Cite news
- ↑ Template:Cite news