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Phil Tippett (born September 27, 1951) is an American film director and visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation.[1][2] Over his career, he has assisted ILM and DreamWorks, and in 1984 formed his own company, Tippett Studio.

His work has appeared in movies such as the original Star Wars trilogy, Jurassic Park, and RoboCop. In 2021, he released his long-gestating stop-motion film Mad God, which was funded through Kickstarter and distributed by Shudder.

Early life

Tippett was born in Berkeley, California. When he was seven, he saw Ray Harryhausen's special effects classic, The 7th Voyage of Sinbad, and his life's direction was set.[3] After completing a bachelor's degree in art at the University of California, Irvine, he went to work at the Cascade Pictures animation studio in nearby Los Angeles.

Career

Stop motion

In 1975, while still working at Cascade Pictures, Tippett and Jon Berg were hired by George Lucas at Industrial Light & Magic to create a stop-motion holographic chess scene for the original Star Wars film.[4] When Star Wars was being released in theatres, in 1977, Joe Dante and Jon Davison approached Tippett to create the fish for Roger Corman's Piranha. It was released in 1978, with a credit.

In 1978, Tippett headed the ILM animation department with Jon Berg for The Empire Strikes Back, released in 1980. For this film, Tippett co-developed the animation technique called go motion to animate the sinister AT-AT Imperial Walkers and the hybrid alien tauntauns. In 1981, he continued using go motion for Dragonslayer, and received his first Academy Award nomination for its extraordinarily realistic dragon animation. By 1983, Tippett led the famed Lucasfilm creature shop for Return of the Jedi, for which he won his first Oscar in 1984.

In 1984, Tippett Studio was born when Tippett left ILM and set up a studio in his garage to create a 10-minute experimental film, Prehistoric Beast. The realism of the dinosaurs it depicted and the film's reflection of contemporary scientific theory led to the 1985 CBS animated documentary Dinosaur!. The next year, in 1986, Dinosaur! earned Tippett Studio its first award, a Primetime Emmy Award for Outstanding Special Visual Effects.[5]

In the 1986 movie Howard the Duck, he modeled the Dark Overlord creatures. The same year, producer Jon Davison hired Tippett to create the animated robot sequences for RoboCop. The ED-209 stop-motion model was animated by Tippett[6] but designed by Craig Hayes[6] (also known as Craig Davies[7]), who also built the full size models. As one of the setpieces of the movie, the ED-209's look and animated sequences were under the close supervision of director Paul Verhoeven, who sometimes acted out the robot's movements himself. ED-209 was voiced by producer Jon Davison. The project became the start of a long and successful collaboration between Davies and Tippett.

Tipped also did stop motion work for the 2024 TV-show Star Wars: Skeleton Crew.[8]

Computer generated effects

In 1991, Tippett was hired to create the dinosaur effects for the Steven Spielberg blockbuster Jurassic Park using his go motion technique made famous in the film Dragonslayer. However, animator Steve “Spaz” Williams - part of the CGI team at Industrial Light & Magic - created animated test footage of a T. rex that Spielberg loved.

When Tippett was told that Jurassic Park dinosaurs would be computer-generated, he was shocked, exclaiming "I've just become extinct", a line Spielberg borrows and uses in the movie.[9] Far from being extinct, Tippett evolved as stop-motion animation gave way to computer-generated imagery or CGI. Because of Tippett's background and understanding of animal movement and behavior, Spielberg kept Tippett on to supervise the animation on 50 dinosaur shots for Jurassic Park. Tippett supervised both the Tippett Studio and ILM animators, resulting in realistic digital dinosaurs that breathe, flex, twitch and react. His effort earned him a second Oscar.[10]

Work done on Jurassic Park resulted in the development by Tippett Studio's Craig Hayes of the DID (Dinosaur Input Device - as described by ILM in Disney+ documentary Light & Magic, S1 episode 6) which was pivotal in the transition from stop motion to computer generated animation in bringing creatures to life. Tippett is also the subject of a humorous internet meme regarding his credit in the film ("Dinosaur Supervisor"), which is displayed with the tagline "One job, Phil! You had one job!", implying that because he didn't supervise the dinosaurs properly, he was responsible for the on-screen deaths. Mashable interviewed Tippett in April 2014 about this meme, which he called "beyond silly" and "such a waste of time".[11]

In June 2015, after media attention due to his new credit of "Dinosaur Consultant" in Jurassic World and the ensuing deaths in the film, Tippett tweeted: "to be fair, there were a lot of dinosaurs. It was a large job."[12]

In 1995, Tippett Studio was hired to create the giant, hostile alien arachnids in Paul Verhoeven's adaptation of Robert A. Heinlein's classic science fiction novel Starship Troopers. Tippett marshaled a team of 100 animators, model makers, computer artists and technicians and expanded his all-CGI facility. Because of the intensity of his involvement, and his ability to pre-visualize the hordes of teeming arachnids, Verhoeven has credited Tippett with co-directing the large-scale battle sequences for the film. The excellence of this work resulted in Tippett's sixth nomination in 1997 for an Academy Award.

During 1997–98, Tippett supervised animation and effects for Universal's Virus and Disney's My Favorite Martian. In 1998–99 he and Craig Hayes co-supervised the visual effects on Jan De Bont's The Haunting, for DreamWorks. Under Tippett and Hayes' lead, Tippett Studio created over 100 complex effects shots that expressed the horrific character of the house and the spirits that live there.

In 2000, Tippett joined director Ivan Reitman as the visual effects supervisor on the DreamWorks science fiction comedy Evolution. In just under a year, Tippett Studio designed, realized and animated over 17 extraterrestrial creatures in 175 shots.

Throughout 2001 and into 2002, Tippett changed direction to focus on developing and directing his own film. Tippett achieved this with Starship Troopers 2: Hero of the Federation, by partnering with his longtime associates, writer Ed Neumeier and producer Jon Davison, with whom he worked on the original Starship Troopers and Robocop.

Mad God

In 1990, Tippett began work on an independent animated film, Mad God; but as he became involved in establishing his own studio, he set the project aside. He returned to the project in 2010, but did not have the budget to complete it, so he started a Kickstarter with a goal of $40,000. On June 16, 2012, the project was successfully funded, exceeding the goal and obtaining $124,156.[13]

The film was first screened December 11, 2021 and continued screening through mid-2022.[14] It took 30 years to complete. A year before it was finished, Tippett had a mental breakdown, causing him to be admitted to a psychiatric ward.[15]

Awards

Year Organisation Work Category/award Notes Result Ref.
2022 The Ray Harryhausen Awards Phil Tippett Harryhausen Hall of Fame 2022 Template:Won [16]
1998 70th Academy Awards Starship Troopers Best Visual Effects with Scott E. Anderson, Alec Gillis and John Richardson Template:Nom
1997 69th Academy Awards Dragonheart with Scott Squires, James Straus and Kit West Template:Nom
1993 66th Academy Awards Jurassic Park with Dennis Muren, Stan Winston and Michael Lantieri Template:Won [17]
47th BAFTAs Best Special Visual Effects Template:Won [18]
1988 61st Academy Awards Willow Best Visual Effects with Richard Edlund, Dennis Muren and Ken Ralston Template:Nom
42nd BAFTAs RoboCop Best Special Visual Effects with Rob Bottin, Peter Kuran, and Rocco Gioffre Template:Nom
15th Saturn Awards Best Special Effects Template:Won
1986 38th Primetime Emmy Awards Dinosaur! Outstanding Special Visual Effects Template:Won [19]
1984 56th Academy Awards Return of the Jedi Special Achievement Award for Visual Effects with Richard Edlund, Dennis Muren and Ken Ralston Template:Won [17]
1982 54th Academy Awards Dragonslayer Best Visual Effects with Dennis Muren, Ken Ralston and Brian Johnson Template:Nom

Selected filmography

Year Title Animation Visual effects Consultant Director Notes
1977 The Crater Lake Monster Template:No Template:No Template:No Template:No Miniatures building Template:Small
Star Wars Template:Yes Template:No Template:No Template:No Stop-motion
1978 Piranha Template:No Template:Yes Template:No Template:No Creature design
Creature animation
Model construction Template:Small
1980 The Empire Strikes Back Template:Yes Template:No Template:No Template:No Go-motion
1981 Dragonslayer Template:Yes Template:No Template:No Template:No
1983 Return of the Jedi Template:No Template:No Template:No Template:No Makeup design
1984 Indiana Jones and the Temple of Doom Template:No Template:No Template:Yes Template:No Effects creative consultant
Prehistoric Beast Template:Yes Template:No Template:No Template:Yes Short film; go-motion
1985 Dinosaur! Template:Yes Template:No Template:No Template:No Documentary film; go-motion
1986 Howard the Duck Template:Yes Template:No Template:No Template:No Go-motion supervisor: ILM visual effects unit
1987 RoboCop Template:Yes Template:No Template:No Template:No ED-209 go-motion shots
1988 Willow Template:Yes Template:No Template:No Template:No Two-headed dragon go-motion sequence
1989 Honey, I Shrunk the Kids Template:No Template:Yes Template:No Template:No Creature design
1990 RoboCop 2 Template:Yes Template:No Template:No Template:No Go-motion animation
1993 Jurassic Park Template:No Template:Yes Template:No Template:No Dinosaur supervisor
Coneheads Template:Yes Template:No Template:No Template:No Creature animation
1996 Dragonheart Template:No Template:Yes Template:No Template:No Dragon design
1997 Starship Troopers Template:No Template:Yes Template:No Template:No Creature visuals
2001 Evolution Template:No Template:Yes Template:No Template:No Visual effects supervisor
2004 Starship Troopers 2: Hero of the Federation Template:No Template:No Template:No Template:Yes Television film for Encore Action
2008 The Spiderwick Chronicles Template:Yes Template:No Template:No Template:No Animation supervisor
2009 The Twilight Saga: New Moon Template:No Template:Yes Template:No Template:No Visual effects supervisor
2010 The Twilight Saga: Eclipse Template:No Template:Yes Template:No Template:No
2011 MutantLand[20] Template:Yes Template:Yes Template:Yes Template:Yes Short film; also writer
The Twilight Saga: Breaking Dawn – Part 1 Template:No Template:Yes Template:No Template:No Visual effects supervisor
2012 The Twilight Saga: Breaking Dawn – Part 2 Template:No Template:No Template:Yes Template:No
2015 Jurassic World Template:No Template:No Template:Yes Template:No Dinosaur consultant
Star Wars: The Force Awakens Template:Yes Template:No Template:No Template:No Millennium Falcon chess scene supervisor
2018 Jurassic World: Fallen Kingdom Template:No Template:No Template:Yes Template:No Dinosaur consultant
2020 Prop Culture Template:No Template:No Template:No Template:No Disney+; guest star as himself, episode "Honey, I Shrunk the Kids"
2021 Mad God Template:Yes Template:Yes Template:Yes Template:Yes
2024 Alien: Romulus Template:Yes Template:No Template:No Template:No Stop motion rat.[21]
TBA Sentinel Template:Yes Template:Yes Template:Yes Template:Yes

References

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External links

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