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Keiko Takemiya

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Template:Short description Template:Use mdy dates Template:Infobox comics creator Template:Nihongo is a Japanese manga artist, professor and university administrator. As part of the Year 24 Group, she was a leading figure in [[Shōjo manga|Template:Transliteration manga]] scene in the 1970s creating such manga as Kaze to Ki no Uta, Toward the Terra, Natsu e no Tobira. Additionally she became head of the Faculty of Manga at Kyoto Seika University, and then later became the president of the university.[1][2]

Career

Keiko Takemiya is included in the Year 24 Group, a term coined by academics and critics to refer to a group of female authors in the early 1970s who helped transform [[Shōjo manga|Template:Transliteration manga]] (manga for girls) from being created primarily by male authors to being created by female authors.[3][4] These women were born in the year 1949 in the Gregorian calendar, or Shōwa 24 – the 24th year of the Shōwa era in the Japanese calendar which resulted in the name "Year 24".[5][3]

The addition of realism to the stories of Takemiya, as well as other Template:Transliteration manga creators such as Moto Hagio, and Yumiko Oshima is cited as a reason for the increased popularity of the genre.[6]

As part of the Year 24 Group, Takemiya pioneered a genre of Template:Transliteration manga about love between young men called Template:Transliteration (Template:Lit. "boy love"). In 1970, she published a historical short story titled Sunroom Nite ("In the Sunroom") in Bessatsu Shōjo Comic, which is possibly the first Template:Transliteration manga ever published. Illustrating a tragic romance between a Romani boy and his wealthy classmate, it contains the earliest known male–male kiss in Template:Transliteration manga.[7]

Takemiya cites her influences as being [[Shōnen manga|Template:Transliteration manga]] (manga for boys), the works of Shotaro Ishinomori, films, and documentaries. In 1972, after publishing Template:Nihongo, Takemiya traveled to Europe to learn more about life there as research for Template:Transliteration ("The Poem of Wind and Trees"). After that, she traveled to different parts of Europe on an almost annual basis.[4]

Among her best known works are the manga Template:Transliteration and Toward the Terra, which are noted for being pioneering series of the 1970s and 1980s.[3] She received the 9th Seiun Award for best science fiction manga for Toward the Terra in 1978,[8] and the 25th (1979) Shogakukan Manga Award in the Template:Transliteration and Template:Transliteration category for both Template:Transliteration and Toward the Terra in 1980.[9][10] She is regarded as "one of the first successful crossover women artists" to create both Template:Transliteration and Template:Transliteration manga.[11] Many of her series have been adapted into anime, including Toward the Terra in 1980 and 2007,[9] Template:Transliteration ("The Door into Summer") in 1981,[12] Andromeda Stories in 1982,[13] and Template:Transliteration in 1987.[14] In 1983, Takemiya served as a special designer on the theatrical anime film Crusher Joe: The Movie, alongside other notable manga artists.[15]

Since 2000, Takemiya has taught at Kyoto Seika University's Faculty of Manga.[16][17][18] That university is the only one in Japan with its own manga department as well as a museum showcasing manga art.[19] In 2010, the university offered a Masters graduate degree, where Takemiya would teach.[20] She served as Dean of the Faculty of Manga from April 2008 until March 2013. She was also president of the university from April 2014 to March 2018.[21] During her tenure at Kyoto Seika, Takemiya started the Template:Nihongo project, which uses digital technology to create accurate reproductions of manga artwork and manuscripts, for both its preservation and to produce material suitable for art exhibitions,[22] with a focus on Template:Transliteration manga art.[23]

In 2001, she received the Template:Ill for women who contribute to society.[24][25] From 2009 to 2014, she served as a member of the selection committee for the Tezuka Osamu Cultural Prizes.[26] In 2012, she received the Japan Cartoonists Association's Minister of Education, Culture, Sports, Science and Technology Award in recognition of her entire body of work.[27] In 2014, she was awarded the Medal of Honor with Purple Ribbon by the Ministry of Internal Affairs and Communications of Japan for her contributions to manga.[28][29]

In January 2016, Takemiya published her first autobiography, Template:Nihongo. The book documents the Template:Transliteration manga revolution of the 1970s and the creation of Template:Transliteration and Toward the Terra.[30] In March 2021, she published her second autobiography, Template:Nihongo. Its text was compiled from Takemiya's interviews with journalist Keiko Chino, first published in the Template:Transliteration column of the Template:Transliteration newspaper.[31][32]

Takemiya's work is featured in the catalogue for The Citi Exhibition: Manga (2019), including an interview where she discusses the Genga (Dash) project (pages 253-267).[33]

In 2019, the Japanese Diet proposed and then ultimately withdrew a bill that could increase copyright control on the internet for publishers. Takemiya opposed the bill, saying it could harm the creation of fan fiction. “Fan fiction represents a love for manga,” Takemiya said. “We don’t want the close relationship between artists and fans to collapse.”[34]

Works

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References

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Further reading

External links

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Template:Keiko Takemiya Template:Year 24 Group Template:Shogakukan Manga Award - Shōjo Template:Shogakukan Manga Award - Shōnen

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