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Editorial cartoonist

From CartoonWiki
Pulitzer Prize-winning editorial cartoonist Steve Benson at the Freedom From Religion Foundation 2019 National Convention in Madison, Wisconsin. Photograph by Peter Rimar
Pulitzer Prize-winning editorial cartoonist Steve Benson at the Freedom From Religion Foundation 2019 National Convention in Madison, Wisconsin.

An editorial cartoonist, also known as a political cartoonist, is an artist who creates editorial cartoons containing political or social commentary. These cartoons are commonly used to reflect, critique, and provoke discussion about current events, public figures, and policies in national or international contexts.

Definition and Purpose

Editorial cartoons often emphasize satire and caricature, using humor and exaggerated illustrations to criticize or draw attention to political and social issues. The intent is to convey complex ideas quickly and effectively, often using minimal text or no words at all, making them accessible across language barriers.

The primary purpose of editorial cartoons is to stimulate public discourse, provoke thought, and provide critical perspectives on societal issues. They can be supportive, critical, or humorous, depending on the cartoonist's viewpoint and the topic addressed.

Artistic Style and Techniques

Editorial cartoonists typically use caricatured art styles to highlight the features and characteristics of political figures or subjects. Common techniques include:

  • Caricature: Exaggeration of physical features for satirical effect.
  • Symbolism: Using objects or characters to represent larger concepts (e.g., Uncle Sam for the United States).
  • Satire and Irony: Highlighting contradictions or absurdities in political situations.
  • Metaphor: Using visual metaphors to represent complex ideas or relationships.

Traditional cartoons were hand-drawn using ink and later scanned for newspaper reproduction. Today, many cartoonists use digital tools for faster production and distribution.

Historical Background

The roots of editorial cartooning can be traced back to ancient times, such as Egyptian hieroglyphs and medieval woodcut prints. Modern political cartoons evolved during the Enlightenment and were popularized in the 18th and 19th centuries, particularly by figures like James Gillray and Thomas Nast, who used them as tools for political commentary.

Cartoonists historically acted in the role of the court jester, using humor and wit to critique power structures while entertaining the public.

International Tradition

Editorial cartooning is a global tradition, with notable practices in:

Platforms and Syndication

Political cartoons commonly appear in:

Syndication services have become the dominant way for political cartoons to reach wide audiences as staff cartoonist positions have declined in many newspapers.

Risk and Controversy

Due to the provocative nature of political cartoons, cartoonists often face criticism, censorship, and personal threats. Prominent cases include:

  • Kurt Westergaard (2005): Death threats following his depiction of Muhammad in Jyllands-Posten.
  • Charlie Hebdo (2015): A terrorist attack resulting in the deaths of 12 staff members, including five cartoonists, due to the magazine’s depiction of Muhammad.

Awards and Recognition

Notable awards for editorial cartooning include:

Associations and Organizations

Prominent organizations supporting editorial cartoonists include:

Notable Collections and Books

Several significant collections and books have chronicled the art of editorial cartooning, such as:

  • Attack of the Political Cartoonists by J.P. Trostle (2004)
  • Today's Cartoon by John Chase (1962)
  • Best Editorial Cartoons of the Year by Pelican Publishing
  • The Herblock Book by Herbert Block

Editorial cartooning remains a powerful medium for critical commentary, balancing art and journalism to challenge authority and engage the public.

External links