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'''''Sor Pampurio''''' is an Italian [[comic strip]] series created by [[Carlo Bisi]] (1929-1978). | '''''Sor Pampurio''''' is an Italian [[comic strip]] series created by [[Carlo Bisi]] (1929-1978). | ||
[[File:Sor Pampurio 28th July 1929.jpg|thumb|28th July 1929 comic.]] | |||
== Background == | == Background == | ||
Started in 1929, the comic strips were published, with some breaks, by ''[[Il Corriere dei Piccoli]]'' until 1978.<ref name=fvf>Paolo Gallarinari (cured by), ''Un maestro dell'ironia borghese. Carlo Bisi fumettista e illustratore nella cultura del suo tempo'', ANAFI, 2011.</ref> Every episode starts depicting Sor Pampurio ("Mr. Pampurio")'s happiness about his new house, a happiness that turns in a few frames, for a reason or another, in an increasing discontent and in a new moving at the end of any story.<ref name=xsz>B.P. Boschesi, ''Manuale dei fumetti'', Mondadori, 1976.</ref> | Started in 1929, the comic strips were published, with some breaks, by ''[[Il Corriere dei Piccoli]]'' until 1978.<ref name=fvf>Paolo Gallarinari (cured by), ''Un maestro dell'ironia borghese. Carlo Bisi fumettista e illustratore nella cultura del suo tempo'', ANAFI, 2011.</ref> Every episode starts depicting Sor Pampurio ("Mr. Pampurio")'s happiness about his new house, a happiness that turns in a few frames, for a reason or another, in an increasing discontent and in a new moving at the end of any story.<ref name=xsz>B.P. Boschesi, ''Manuale dei fumetti'', Mondadori, 1976.</ref> |
Revision as of 09:17, 1 January 2025
Template:Short description Template:Infobox comic book title Sor Pampurio is an Italian comic strip series created by Carlo Bisi (1929-1978).
Background
Started in 1929, the comic strips were published, with some breaks, by Il Corriere dei Piccoli until 1978.[1] Every episode starts depicting Sor Pampurio ("Mr. Pampurio")'s happiness about his new house, a happiness that turns in a few frames, for a reason or another, in an increasing discontent and in a new moving at the end of any story.[2]
The comic strip received some very different critical interpretations: during the years it was accused of being an uncritical adhesion of fascist values or marked as "bourgeois comics", while on the contrary other critics considered the comics positively as a slight parody of bourgeois values, a symbolic critic to the rampant consumerism and a reflection about the inability to achieve happiness through material values.[1]