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Hambone's Meditations: Difference between revisions

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== Publication history ==
== Publication history ==
''Hambone's Meditations'' was created by [[James Pinckney Alley|J.P. Alley]], the first editorial cartoonist of ''The Commercial Appeal''. The character of Hambone was inspired by Alley's encounter with a philosophical former [[Slavery in the United States|slave]], Tom Hunley of [[Greenwood, Mississippi#Notable people|Greenwood, Mississippi]]. Hunley told a [[Works Progress Administration]] interviewer how he met J. P. Alley:
''Hambone's Meditations'' was created by [[James Pinckney Alley|J.P. Alley]], the first editorial cartoonist of ''The Commercial Appeal''. The character of Hambone was inspired by Alley's encounter with a philosophical former [[Slavery in the United States|slave]], Tom Hunley of [[Greenwood, Mississippi#Notable people|Greenwood, Mississippi]]. Hunley told a [[Works Progress Administration]] interviewer how he met J. P. Alley:
{{quote|Mr. J.P. really did stay here in Greenwood once. You say you heard dat an' didn't know whether to believe or not? Well, yes ma'am, he was here sho nuff. Dat's been somethin' like 25 year ago. He had an office over de Crumont&mdash;does you remember de Crumont? You mus' have been jest a li'l chile when it closed up. Well, upstairs, dat was where Mr. J.P. had his office&mdash;leastways his li'l room where he did his drawin' at. Twan't no regular office. I cleant up that place in dem days, an' I come trompin' up de stairs wit my mop an' bucket de fust time Mr. J.P. ever seed me. He cotch one glimpse of me, an' he jump an' holler: "Bless goodness, uncle! You stand right there 'til I can git yo' picture." Den he hole up his fingers like dis and squinch he eye at me, and fus' thing I knowed he had my picture. "Now," he says, "I got to get a name for you." And sho nuff, I'se comin' up de stairs one day a-gnawin' on a big ham-bone what a white lady had guv me. "I got it!" he hollers, "Hambone! From now on yo' name is Hambone!" An' dats what I been ever since, wit my picture in de ''Commercial Appeal'' ever' morning. Mr. J.P. he went on back to Memphis, and he dead now, but Young Mister an' his momma what was Mr. J.P.'s lady, dey draws my picture now. Hambone! Yassuh, Mr. J.P. Alley was sho one fine young white man.<ref>[http://msgw.org/slaves/hunley-xslave.htm MSG Web Library: Tom Hunley]</ref>}}
{{blockquote|Mr. J.P. really did stay here in Greenwood once. You say you heard dat an' didn't know whether to believe or not? Well, yes ma'am, he was here sho nuff. Dat's been somethin' like 25 year ago. He had an office over de Crumont&mdash;does you remember de Crumont? You mus' have been jest a li'l chile when it closed up. Well, upstairs, dat was where Mr. J.P. had his office&mdash;leastways his li'l room where he did his drawin' at. Twan't no regular office. I cleant up that place in dem days, an' I come trompin' up de stairs wit my mop an' bucket de fust time Mr. J.P. ever seed me. He cotch one glimpse of me, an' he jump an' holler: "Bless goodness, uncle! You stand right there 'til I can git yo' picture." Den he hole up his fingers like dis and squinch he eye at me, and fus' thing I knowed he had my picture. "Now," he says, "I got to get a name for you." And sho nuff, I'se comin' up de stairs one day a-gnawin' on a big ham-bone what a white lady had guv me. "I got it!" he hollers, "Hambone! From now on yo' name is Hambone!" An' dats what I been ever since, wit my picture in de ''Commercial Appeal'' ever' morning. Mr. J.P. he went on back to Memphis, and he dead now, but Young Mister an' his momma what was Mr. J.P.'s lady, dey draws my picture now. Hambone! Yassuh, Mr. J.P. Alley was sho one fine young white man.<ref>{{Cite web|url=http://msgw.org/slaves/hunley-xslave.htm|title=MSGenWeb Library Slave Narrative Project - Tom Hunley - Leflore County|website=msgw.org}}</ref>}}


The strip and character were popular enough that Hambone's image was used on a variety of products, including sweets and cigars, in the 1920s and 1930s.<ref name=Hughes />
The strip and character were popular enough that Hambone's image was used on a variety of products, including sweets and cigars, in the 1920s and 1930s.<ref name=Hughes />


When the elder Alley died April 16, 1934, his wife Nona and sons [[Cal Alley]] and James P. Alley, Jr. took over the strip.
When the elder Alley died April 16, 1934, his wife Nona and sons [[Cal Alley]] and James P. Alley Jr. took over the strip.


Four ''Hambone's Meditations'' strip collections were published, in 1917, 1919, 1934, and 1972.<ref name=Drew>Drew, Bernard A. "James P. Alley (1885–1934) and Calvin Alley (1915–1970)," ''Black Stereotypes in Popular Series Fiction, 1851–1955: Jim Crow Era Authors and Their Characters'' (McFarland, 2015), pp. 107–112.</ref>
Four ''Hambone's Meditations'' strip collections were published, in 1917, 1919, 1934, and 1972.<ref name=Drew>Drew, Bernard A. "James P. Alley (1885–1934) and Calvin Alley (1915–1970)," ''Black Stereotypes in Popular Series Fiction, 1851–1955: Jim Crow Era Authors and Their Characters'' (McFarland, 2015), pp. 107–112.</ref>
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{{cquote|The grinning simpleton Hambone, through his exaggerated lips, spoke in dialect, saying such things as, 'Ef tomorrow evuh ''do'' come, I reck'n Ole Tom gwine be de busies' man in de ''whole worl'''!!!' Judge and civil rights leader [[Benjamin Hooks]] related this image to 'total and colossal indifference to negroes and their accomplishments.'<ref>Honey, Michael K. '"Going Down Jericho Road: The Memphis Strike, Martin Luther King's Last Campaign'' (W. W. Norton, 2007), p. 128.</ref>}}
{{cquote|The grinning simpleton Hambone, through his exaggerated lips, spoke in dialect, saying such things as, 'Ef tomorrow evuh ''do'' come, I reck'n Ole Tom gwine be de busies' man in de ''whole worl'''!!!' Judge and civil rights leader [[Benjamin Hooks]] related this image to 'total and colossal indifference to negroes and their accomplishments.'<ref>Honey, Michael K. '"Going Down Jericho Road: The Memphis Strike, Martin Luther King's Last Campaign'' (W. W. Norton, 2007), p. 128.</ref>}}


The presence of Hambone on the front page of the ''Commercial Appeal'' was noted unfavorably by journalist [[Garry Wills]] while covering the aftermath of [[Assassination of Martin Luther King Jr.|Martin Luther King's assassination]].<ref>{{Cite web|url=https://classic.esquire.com/article/1968/8/1/martin-luther-king-is-still-on-the-case|title=Martin Luther King is Still on the Case! &#124; Esquire &#124; AUGUST 1968}}</ref>  
The presence of Hambone on the front page of the ''Commercial Appeal'' was noted unfavorably by journalist [[Garry Wills]] while covering the aftermath of [[Assassination of Martin Luther King Jr.|Martin Luther King's assassination]].<ref>{{Cite web|url=https://classic.esquire.com/article/1968/8/1/martin-luther-king-is-still-on-the-case|title=Martin Luther King Is Still on the Case! &#124; Esquire &#124; AUGUST 1968|first=Garry|last=Wills|website=Esquire &#124; The Complete Archive}}</ref>


Pressure from [[D'Army Bailey]] and [[Civil rights movement|civil rights]] groups—including marchers in the [[Memphis sanitation strike]] chanting "Hambone just go!"<ref name=Drew /><ref name=Hughes />—brought the long-running cartoon series to an end in 1968.<ref>{{Cite web |url=http://tri-statedefenderonline.com/articlelive/articles/4626/1/DArmy-Bailey-Once-a-radical-still-an-activist/Page1.html |author=Henry, Wiley |title=D'Army Bailey: Once a radical, still an activist | publisher = Tri-State Defender |date = February 11, 2010 |access-date=2010-11-11 |archive-url=https://web.archive.org/web/20110717100435/http://tri-statedefenderonline.com/articlelive/articles/4626/1/DArmy-Bailey-Once-a-radical-still-an-activist/Page1.html |archive-date=2011-07-17 |url-status=dead }}</ref>
Pressure from [[D'Army Bailey]] and [[Civil rights movement|civil rights]] groups—including marchers in the [[Memphis sanitation strike]] chanting "Hambone just go!"<ref name=Drew /><ref name=Hughes />—brought the long-running cartoon series to an end in 1968.<ref>{{Cite web |url=http://tri-statedefenderonline.com/articlelive/articles/4626/1/DArmy-Bailey-Once-a-radical-still-an-activist/Page1.html |author=Henry, Wiley |title=D'Army Bailey: Once a radical, still an activist | publisher = Tri-State Defender |date = February 11, 2010 |access-date=2010-11-11 |archive-url=https://web.archive.org/web/20110717100435/http://tri-statedefenderonline.com/articlelive/articles/4626/1/DArmy-Bailey-Once-a-radical-still-an-activist/Page1.html |archive-date=2011-07-17 |url-status=dead }}</ref>

Revision as of 23:42, 24 December 2024

Template:Short description Template:Infobox comic strip Hambone's Meditations was a comic strip produced from 1916 to 1968, and syndicated initially by the McClure Newspaper Syndicate and later by the Bell Syndicate.[1] Produced by two generations of the Alley family, the one-panel cartoon originated with the Memphis, Tennessee, newspaper The Commercial Appeal, where it ran on the front page. The title character was a stereotypical African-American man with wide eyes and exaggerated large lips. He dispensed folk wisdom in caricatured dialect.

Publication history

Hambone's Meditations was created by J.P. Alley, the first editorial cartoonist of The Commercial Appeal. The character of Hambone was inspired by Alley's encounter with a philosophical former slave, Tom Hunley of Greenwood, Mississippi. Hunley told a Works Progress Administration interviewer how he met J. P. Alley: Template:Blockquote

The strip and character were popular enough that Hambone's image was used on a variety of products, including sweets and cigars, in the 1920s and 1930s.[2]

When the elder Alley died April 16, 1934, his wife Nona and sons Cal Alley and James P. Alley Jr. took over the strip.

Four Hambone's Meditations strip collections were published, in 1917, 1919, 1934, and 1972.[1]

Story and characters

Hambone's Meditations was inspired by cartoonist Kin Hubbard's Abe Martin of Brown County (syndicated 1904 to 1930), a hillbilly antihero prone to wisecracks jokes and the utterance of popular sayings.[2] The thrust of Hambone's Meditations was essentially similar, transposed onto a Southern rural African-American stereotype. Hambone was depicted as disheveled in appearance, with wide eyes and exaggerated large lips.

The introduction to the 1919 strip collection, published by Jahl & Co., typifies the majority white readership's relationship to Hambone's Meditations: Template:Blockquote

Controversy and cancellation of the strip

Historian Michael Honey described the humiliation felt by African Americans due to by Hambone's Meditations: Template:Cquote

The presence of Hambone on the front page of the Commercial Appeal was noted unfavorably by journalist Garry Wills while covering the aftermath of Martin Luther King's assassination.[3]

Pressure from D'Army Bailey and civil rights groups—including marchers in the Memphis sanitation strike chanting "Hambone just go!"[1][2]—brought the long-running cartoon series to an end in 1968.[4]

In popular culture

Luther Dickinson released an album in 2012 titled Hambone's Meditations (Songs of the South Records). It was nominated for the 2013 Grammy Award for Best Folk Album.

See also

References

Template:Reflist

External links

  1. 1.0 1.1 1.2 Drew, Bernard A. "James P. Alley (1885–1934) and Calvin Alley (1915–1970)," Black Stereotypes in Popular Series Fiction, 1851–1955: Jim Crow Era Authors and Their Characters (McFarland, 2015), pp. 107–112.
  2. 2.0 2.1 2.2 Hughes, Franklin. "Hambone's Meditations," Jim Crow Museum of Racist Memorabilia website, Ferris State University (Dec. 2015).
  3. Template:Cite web
  4. Template:Cite web