The Adventures of Tintin (film): Difference between revisions

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The Adventures of Tintin (occasionally subtitled The Secret of the Unicorn)^[1] is a 2011 animated adventure film based on Hergé's Tintin comic book series. It was directed by Steven Spielberg, who produced the film with Peter Jackson and Kathleen Kennedy. Steven Moffat, Edgar Wright, and Joe Cornish wrote the screenplay for the film. It stars Jamie Bell as Tintin, Andy Serkis, and Daniel Craig. In the film, Tintin, Snowy, and Captain Haddock search for the treasure of the Unicorn, a ship once captained by Haddock's ancestor Sir Francis Haddock, but they face dangerous pursuit by Ivan Ivanovitch Sakharine, who is the descendant of Sir Francis's nemesis Red Rackham.

Spielberg and Hergé admired each other's work; the director acquired the film rights to The Adventures of Tintin after the author's death in 1983, and re-optioned them in 2002. Filming was due to begin in October 2008 for a 2010 release, but the release was delayed to 2011 after Universal Pictures backed out of producing the film with Paramount Pictures, which had provided $30 million in pre-production; Columbia Pictures replaced Universal as co-financer. The delay resulted in Thomas Brodie-Sangster, who was originally cast as Tintin, departing and being replaced by Bell. The film draws inspiration from the Tintin volumes The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham's Treasure. Principal photography began in January 2009 and finished that July, with a combination of voice acting, motion capture and traditional computer animation being used.

The Adventures of Tintin premiered in Brussels, Hergé's home region, on 22 October 2011. It was theatrically released in Europe by Sony on 26 October and in the United States by Paramount on 21 December in Digital 3D and IMAX 3D formats. The film received positive reviews from critics, who praised the motion-capture animation, the faithful character designs, visual effects, action sequences, cast performances and musical score. The Adventures of Tintin was also a commercial success, grossing over $374 million, and received numerous awards and nominations, including being the first motion-captured animated film to win the Golden Globe Award for Best Animated Feature Film, while John Williams was nominated for an Academy Award for Best Original Score. A sequel directed by Jackson has been announced, but has since stalled in development hell.

Plot

In a post-war Brussels, while browsing in an outdoor market with his pet dog Snowy, young journalist Tintin purchases a model of a ship known as the Unicorn. He is then accosted by an Interpol officer named Barnaby and a ship collector named Ivan Ivanovitch Sakharine, who both unsuccessfully attempt to purchase the model from Tintin. After Tintin takes the model home to his apartment, it gets accidentally broken during a chase between Snowy and a cat. A parchment scroll then slips out and rolls under a piece of furniture. Meanwhile, bumbling police detectives Thomson and Thompson are on the trail of a pickpocket named Aristides Silk.

After visiting Maritime Library to uncover the history surrounding the Unicorn, Tintin returns to find the Unicorn has been stolen. Suspecting Sakharine, he heads to Marlinspike Hall and accuses him of the theft, but noticing Sakharine's model is not broken he realizes there are two Unicorn models. Tintin then returns home to his apartment to find it ransacked. Snowy shows him the scroll, but they are interrupted by the arrival of Barnaby, who is then assassinated while attempting to recover the Unicorn. Tintin places the scroll in his wallet, but is pickpocketed by Silk the next morning.

Later, Tintin is abducted and imprisoned by accomplices of Sakharine on the SS Karaboudjan. He learns that Sakharine formed an alliance with the ship's staff and led a mutiny to take control. On board, Tintin meets Archibald Haddock, the ship's captain who is permanently drunk and unaware of most of his past. Tintin, Haddock and Snowy eventually outrun the crew, escape from the Karaboudjan in a lifeboat, and attempt to use a second one to fake their deaths, but Sakharine sees through the ruse and sends a seaplane to find and capture them. Feeling cold and thirsty on the lifeboat ride, Haddock foolishly uses a stowaway bottle of whisky to light a fire in the boat, accidentally causing a massive explosion that flips the boat upside down and leaves the trio stranded on top of it. The trio seizes the plane, and uses it to fly towards the fictitious Moroccan port of Bagghar. However, the seaplane crashes in a desert due to low fuel and a thunderstorm.

While trekking through the desert, Haddock hallucinates and remembers his ancestor, Sir Francis Haddock, the 17th-century captain of the Unicorn whose treasure-laden ship was attacked by the crew of a pirate ship, led by Red Rackham, later revealed to be Sakharine's ancestor. Sir Francis surrendered and eventually sank the Unicorn and most of the treasure, to prevent it from falling into Rackham's hands. The story implies there were three Unicorn models, each containing a scroll; together, the scrolls can reveal coordinates of the location of the sunken Unicorn and its treasure.

The third model is in Bagghar, possessed by Omar ben Salaad. Sakharine causes a distraction during a Bianca Castafiore concert that results in him stealing the third scroll. A chase through the city ensues during which he gains all the scrolls. Just as he is ready to give up, Tintin is persuaded by Haddock to continue. With help from Thomson and Thompson, Tintin and Haddock track Sakharine back to Brussels and set up a trap, but Sakharine uses his pistol to resist arrest. When his men fail to save him, Sakharine challenges Haddock to a sword fight with the cranes at the dock. Sakharine threatens to destroy the scrolls after Haddock corners him, but Tintin manages to snatch them from him. After the fight, Sakharine is pushed overboard by Haddock and then arrested by Thomson and Thompson.

Tintin, Haddock and Snowy are guided by the three scrolls back to Marlinspike Hall. Haddock notes a globe with an island he knows doesn't exist and presses it, causing the globe to open and reveal some of the treasure that Sir Francis had managed to recover along with his hat and a clue to the UnicornTemplate:'s location. The film ends with both men agreeing to set up an expedition to find the shipwreck and the rest of the treasure.

Voice cast

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Jamie Bell as Tintin.^[2] Bell replaced Thomas Brodie-Sangster, who dropped out when filming was delayed in October 2008.^[3] Jackson suggested Bell to take on the role after previously casting him as Jimmy in his King Kong remake.^[4]
Andy Serkis as Captain Archibald Haddock and Sir Francis Haddock.^[5] Spielberg suggested Serkis, given he played Gollum in Jackson's The Lord of the Rings trilogy and King Kong in the 2005 remake, which were both roles requiring motion capture, and also because he considers Serkis a "great and funny actor".^[6] Serkis joked he was concerned Jackson wanted him to play Tintin's dog, Snowy,^[7] who was animated traditionally, i.e., without motion capture.^[8] Serkis remarked upon reading the comics again for the role that they had a surreal Pythonesque quality.^[9] The actor researched seamen, and gave Haddock a Scottish accent as he felt the character had "a rawness, an emotional availability, a more Celtic kind of feel".^[6]
Daniel Craig as Ivan Ivanovitch Sakharine, the main antagonist and descendant of Red Rackham; and Red Rackham the pirate who attacked the Unicorn, the ship captained by Sir Francis Haddock.^[2] Spielberg described Sakharine as a "champagne villain, cruel when he has to be but with a certain elegance to him". Jackson and Spielberg decided to promote Sakharine from a relatively minor character to the villain, and while considering an "interesting actor" to portray him, Spielberg came up with Craig, with whom he had worked on Munich. Craig joked he followed "the English tradition of playing bad guys".^[6]
Nick Frost and Simon Pegg as Thomson and Thompson respectively, bumbling police detectives who are almost identical despite not being related. The duo was invited out of necessity to have a comedy team that could act identical.^[6] Spielberg invited Pegg to the set and offered him the role after he had completed How to Lose Friends & Alienate People.^[10]
Toby Jones as Aristides Silk, a pickpocket and self-confessed kleptomaniac.^[5]^[11]
Daniel Mays as Allan, Captain Haddock's former first mate.
Mackenzie Crook as Tom, a thug on the Karaboudjan.
Gad Elmaleh as Omar ben Salaad, an Arab potentate.^[5] Elmaleh stated his accent was "the childhood coming back".^[6]
Enn Reitel as Nestor, Sakharine's butler; and Mr. Crabtree, a vendor who sells the Unicorn to Tintin.
Tony Curran as Lieutenant Delcourt, an ally of Tintin.^[12]
Joe Starr as Barnaby Dawes, an Interpol agent who tries to warn Tintin about purchasing the Unicorn and ends up being shot by Sakharine's thugs on Tintin's doorstep.
Kim Stengel as Bianca Castafiore, a comical opera singer. While Castafiore was absent from the three stories, Jackson said she was added for her status as an "iconic character" and because she would be a fun element of the plot.^[6] Renée Fleming provides the singing voice for Castafiore.
Sonje Fortag as Mrs. Finch, Tintin's landlady.
Cary Elwes and Phillip Rhys as French seaplane pilots working for Sakharine. Elwes came across Spielberg in the cereal aisle of a grocery store shortly after Spielberg visited Robert Zemeckis on the A Christmas Carol set and persuaded Spielberg to cast him on the film due to being a huge Tintin fan. Spielberg appreciated Elwes' devotion to the franchise and cast him as one of the pilots because they were the last of the parts to be cast, which Elwes gratefully accepted regardless of its size because being part of the film meant so much for him.^[13]
Nathan Meister as a Market artist who bears a resemblance to Hergé.
Mark Ivanir as Afgar Outpost Soldier/Secretary.
Sebastian Roché as Pedro/1st Mate.
Ron Bottitta as a Unicorn Lookout.
Sana Etoile as a Press Reporter.

Production

Development

Steven Spielberg became an avid fan of The Adventures of Tintin in 1981 after a review compared Raiders of the Lost Ark to the comics.^[8] Meanwhile, Hergé—who disliked the previous live-action film versions and the Hergé's Adventures of Tintin animated series—became a fan of Spielberg. Michael Farr, author of Tintin: The Complete Companion, recalled Hergé "thought Spielberg was the only person who could ever do Tintin justice".^[14] Hergé had been looking to use the medium of film to make Tintin more current, as he felt that the animated films Tintin and the Temple of the Sun and Tintin and the Lake of Sharks had failed to capture the essence of the books.^[15] Spielberg and his production partner Kathleen Kennedy of Amblin Entertainment were scheduled to meet with Hergé in 1983 while filming Indiana Jones and the Temple of Doom in London. Hergé died that week, but his widow Fanny Remi decided to give them the rights.^[8] A three-year-long option to film the comics was finalized in 1984,^[14] with Universal Pictures as distributor.^[16]

Spielberg commissioned E.T. the Extra-Terrestrial writer Melissa Mathison to script a film about Tintin battling ivory hunters in Africa.^[14] Spielberg saw Tintin as an "Indiana Jones for kids" and wanted Jack Nicholson to play Haddock.^[17] Unsatisfied with the script, Spielberg continued production on Indiana Jones and the Last Crusade; the rights returned to the Hergé Foundation. Claude Berri and Roman Polanski became interested in filming the property, while Warner Bros. Pictures negotiated for the rights, but they could not guarantee the "creative integrity" that the Foundation found in Spielberg.^[14] In 2001, Spielberg revealed his interest in depicting Tintin with computer animation.^[18] In November 2002, his studio DreamWorks Pictures reestablished the option to film the series.^[19] Spielberg originally said he would only produce the film.^[20] In 2004, French magazine Capital reported Spielberg was intending a trilogy based on The Secret of the Unicorn / Red Rackham's Treasure, The Seven Crystal Balls / Prisoners of the Sun and The Blue Lotus / Tintin in Tibet.^[21] By then, Spielberg had reverted to his idea of a live-action adaptation and called Peter Jackson to ask if Weta Digital would create a computer-generated Snowy.^[22]

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Jackson, a longtime fan of the comics,^[23] had used motion capture in The Lord of the Rings and King Kong; he suggested that a live-action adaptation would not do justice to the comic books and that motion capture was instead the best way of representing Hergé's world of Tintin.^[22] A week of filming took place in November 2006 in Playa Vista, Los Angeles on the stage where James Cameron shot Avatar.^[24] Andy Serkis had been cast, while Jackson stood in for Tintin.^[9] During the shoot, Cameron and Robert Zemeckis were present.^[22] The footage was transmitted to Weta Digital,^[24] who produced a 20-minute test reel that depicted photorealistic characters.^[25] Spielberg said he would not mind filming it digitally because he saw it as an animated film, and reiterated his live-action work would always be filmed traditionally.^[26] Lead designer Chris Guise visited Brussels to see the inspiration for Hergé's sceneries.^[27]

An official announcement about the collaboration was made in May 2007, although both filmmakers had to wait to film it: Spielberg was preparing Indiana Jones and the Kingdom of the Crystal Skull while Jackson was planning The Lovely Bones.^[25] Spielberg had considered two books to become the main story, The Crab with the Golden Claws and The Secret of the Unicorn, with the main plot eventually following the latter and its immediate sequel, Red Rackham's Treasure. Jackson felt the former's story "wasn't really robust enough to sustain a feature film", but the filmmakers still included elements from the comic, such as the Karaboudjan and the first meeting of Tintin and Haddock. Spielberg invited Edgar Wright to write the script for the film, but Wright was busy and instead recommended other names, including Steven Moffat.^[28] In October 2007, Moffat joined as the screenwriter for two of the Tintin films.^[29] Moffat said he was "love bombed" by Spielberg into accepting the offer to write the films, with the director promising to shield him from studio interference with his writing.^[30] Moffat finished one draft, but not another due to the 2007–08 Writers Guild of America strike. He then became executive producer of Doctor Who, and was allowed to leave by Spielberg and Jackson.^[31] Wright then returned and agreed to take over the script alongside Joe Cornish, a fan of Tintin with whom Wright was working at the time. After two drafts of the script, Wright left to begin filming Scott Pilgrim vs. the World., while Cornish stayed on to finish the script under the guidance of Spielberg and Jackson.^[28]

More filming took place in March 2008.^[9] However, that August (a month before principal photography would have begun), Universal turned down their option to co-produce due to the poor box office performances of recent motion-captured animated films such as Monster House and Beowulf, as well as Spielberg and Jackson's request for a combined 30% of the gross.^[32] Paramount Pictures (DreamWorks' distributor) had hoped to partner with Universal on the project, having spent $30 million on pre-production. Spielberg gave a ten-minute presentation of footage, hoping they would approve filming to begin in October. Paramount, along with their subsidiary Nickelodeon Movies, offered to produce as long as the directors found a studio that was willing to co-produce the film: Spielberg and Jackson agreed,^[3]^[16] and by the end of October negotiated with Sony's Columbia Pictures to co-finance and distribute the first film internationally.^[33]^[34]^[35] Sony only agreed to finance two films, though Jackson said a third may still happen.^[22]

Filming and visual effects

Principal photography began in Los Angeles on 26 January 2009; the release date was pushed from 2010 to 2011.^[2] Spielberg finished his film—after 32 days of shooting—in March 2009. Jackson was present for the first week of filming and supervised the rest of the shoot via a bespoke videoconferencing program.^[23] Simon Pegg said Jackson's voice would "be coming over the Tannoy like God".^[36] During filming, various directors, including Guillermo del Toro, Stephen Daldry and David Fincher visited. Spielberg wanted to treat the film like live-action, moving his camera around.^[22] He revealed: "Every movie I made, up until Tintin, I always kept one eye closed when I've been framing a shot", because he wanted to see the movie in 2-D, the way viewers would. "On Tintin, I have both of my eyes open".^[37] Jackson took the hands-on approach to directing Weta Digital during post-production, which Spielberg supervised through video conferencing.^[4] Spielberg said "there will be no cell phones, no TV sets, no modern cars. Just timeless Europe".^[38] His frequent collaborator and cinematographer Janusz Kamiński served as lighting consultant for Weta, and Jackson said the film would look "film noirish, very atmospheric". Spielberg finished six weeks of additional motion-capture filming in mid-July 2009.^[22]^[39] Post production was finished in September 2011.^[40] From the very beginning to the very end, the film took a total of seven years in production.

To improve the quality of the indoor lighting nuances, Weta Digital and NVIDIA developed a piece of ray tracing software called PantaRay, which requires 100 to 1,000 times more computation than traditional shadow-map based solutions.^[41] For the performance of "Snowy", various models served as a reference for actors on-set, manipulated by property master Brad Elliott. According to animators, Snowy was the hardest character to animate and develop, due to the type of coat he has as well as being white. Later, a dog's motion was captured digitally so the animators had inspiration for realistic movements. His vocal effects were taken from various breeds of dogs.^[42]

Music

Template:Main John Williams composed the musical score for The Adventures of Tintin. It was the first time Williams had composed the score of a film since 2008's Indiana Jones and the Kingdom of the Crystal Skull,^[43] as well as his first score for an animated film. Most of the score was written while the animation was still in the early stages, with Williams seeking to employ "the old Disney technique of doing music first and have the animators trying to follow what the music is doing". Eventually, several cues had to be revised during the editing of the film. The composer decided to employ various musical styles, with "1920s, 1930s European jazz" for the opening credits and "pirate music" for the battle at sea.^[44] The score was released on 21 October 2011 by Sony Classical Records.^[45]

Release

The film's first press-screening was held in Belgium on 10 October 2011.^[46] The world première was held in Brussels, Belgium on 22 October 2011—attended by Princess Astrid and her younger daughters, Princess Luisa Maria and Princess Laetitia Maria, with the Paris première later the same day.^[47] Sony later released the film during late October and early November 2011 in Europe, Latin America and India. The film was released in Quebec on 9 December.^[48] Paramount distributed the film in Asia, New Zealand, United Kingdom, and all other English-speaking territories. They released the film in the United States on 21 December.^[49]^[50]

A video game entitled The Adventures of Tintin: The Secret of the Unicorn, developed by game developer Ubisoft,^[51] was released to coincide with the release date of the film. Gameloft released a game for mobile devices to coincide with the film's European launch.^[52]

On 13 March 2012, Paramount Home Entertainment released The Adventures of Tintin on DVD and Blu-ray. Both formats of the film were also released as combo packs, with each pack including 11 behind-the-scenes featurettes.^[53] During its first week, The Adventures of Tintin Blu-ray was the number-one-selling HD movie after selling 504,000 units and generating $11.09 million in sales.^[54] The film was also the second-highest-selling home media seller during its first week, with 50% of its profits coming from its Blu-ray market.^[55]

Reception

Critical response

Template:Rotten Tomatoes prose Template:MC film Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.^[56]

Colin Covert of the Star Tribune gave the film four stars out of four and said that Spielberg's first venture into animation was his most delightful dose of pure entertainment since Raiders of the Lost Ark.^[57] Amy Biancolli of the San Francisco Chronicle wrote: "Such are the timeless joys of the books (and now the movie), this sparkling absurdity and knack for buckling swash under the worst of circumstances. The boy may have the world's strangest cowlick, but he sure can roll with the punches".^[58] Roger Ebert of Chicago Sun-Times gave the film three and a half stars out of four, calling it "an ambitious and lively caper, miles smarter than your average 3-D family film". He praised the setting of the film, stating its similarity to the original Tintin comic strips and was also pleased with the 3-D technology used in the film, saying that "Spielberg employed it as an enhancement to 2-D instead of an attention-grabbing gimmick".^[59] Peter Travers of Rolling Stone also gave the film three and a half stars out of four and wrote: "The movie comes at you in a whoosh, like a volcano of creative ideas in full eruption. Presented as the first part of a trilogy produced by Spielberg and Peter Jackson, The Adventures of Tintin hits home for the kid in all of us who wants to bust out and run free".^[60] Kenneth Turan of Los Angeles Times said: "Think of The Adventures of Tintin as a song of innocence and experience, able to combine a sweet sense of childlike wonder and pureness of heart with the most worldly and sophisticated of modern technology. More than anything, it's just a whole lot of fun".^[61]

Richard Corliss of Time wrote: "Motion capture, which transforms actors into cartoon characters in a vividly animated landscape, is the technique Spielberg has been waiting for—the Christmas gift … that he's dreamed of since his movie childhood".^[62] Jordan Mintzer of The Hollywood Reporter was also very positive about the film, describing it as "a good ol' fashioned adventure flick that hearkens back to the filmmaker's action-packed, tongue-in-cheek swashbucklers of the 1980s. Steven Spielberg's The Adventures of Tintin: The Secret of the Unicorn is a visually dazzling adaptation". Comparing it with another film, Mintzer said Tintin has "an altogether more successful mocap experience than earlier efforts like The Polar Express".^[63]

Belgian newspaper Le SoirTemplate:'s film critics Daniel Couvreur and Nicolas Crousse called the film "a great popular adventure movie", stating "[the film's] enthusiasm and childhood spirit are unreservedly infectious".^[64] Le Figaro praised the film, considering it to be "crammed with action, humor and suspense".^[65] Leslie Felperin of Variety wrote: "Clearly rejuvenated by his collaboration with producer Peter Jackson, and blessed with a smart script and the best craftsmanship money can buy, Spielberg has fashioned a whiz-bang thrill ride that's largely faithful to the wholesome spirit of his source but still appealing to younger, Tintin-challenged auds".^[66]

La Libre Belgique was, however, a little less enthusiastic; its film critic Alain Lorfèvre called the film "a technical success, [with] a Tintin vivid as it should be [and] a somewhat excessive Haddock".^[46] The GuardianTemplate:'s Xan Brooks gave the film two stars out of five, stating: "While the big set pieces are often exuberantly handled, the human details are sorely wanting. How curious that Hergé achieved more expression with his use of ink-spot eyes and humble line drawings than a bank of computers and an army of animators were able to achieve".^[67] Blog Critics writer Ross Miller said: "Author Hergé's wonderfully bold and diverse array of characters are a mixed bag when it comes to how they've been translated to the big-screen" and that while the mystery might be "perfectly serviceable for film ... the execution of it at times feels languid and stodgy, like it's stumbling along from one eye-catching setpiece to the next". However, he summed it up as "an enjoyable watch with some spectacular set-pieces, lavish visuals and some fine motion-capture performances".^[68]

Tom McCarthy, the author of a study of the Tintin books, described Hollywood's treatment in this film of its characters and stories as "truly execrable", stating that it ignores the books' key idea of inauthenticity. The themes of fakeness and phoniness and counterfeit that drive many of the original plots are replaced in the film with messages that feel "as though we have wandered into a seminar on monetisation through self-empowerment … It's like making a biopic of Nietzsche that depicts him as a born-again Christian, or of Gandhi as a trigger-happy Rambo blasting his way through the Raj".^[69]

Steve Rose from The Guardian wrote about one of the film's major criticisms: that The Adventures of Tintin, much like The Polar Express, crossed into the uncanny valley, thereby rendering Tintin "too human and not human at all".^[70] Manohla Dargis, one of the chief critics of The New York Times, called the movie "a marvel of gee-wizardry and a night's entertainment that can feel like a lifetime". The simplicity of the comic strip, she wrote, is a crucial part of the success of Tintin, who is "an avatar for armchair adventurers". Dargis noted that Tintin's appearance in the film "resembled Hergé's creation, yet was eerily different as if, like Pinocchio, his transformation into human form had been prematurely interrupted". Another major fault in the film, Dargis opines, is how it is overworked; she writes that there is "hardly a moment of downtime, a chance to catch your breath or contemplate the tension between the animated Expressionism and the photo-realist flourishes". Nevertheless, she singles out some of the "interludes of cinematic delight", approving of the visual imagination employed within the movie's numerous exciting scenes.^[71]

The film was named in New York magazine's David Edelstein's Top 10 List for 2011.^[72] It was also included in HitFix's top 10 films of 2011.^[73]

Box office

The Adventures of Tintin grossed $77,591,831 in North America and $296,402,120 in other territories for a worldwide total of $373,993,951.^[74]

In the United States, it is one of only 12 feature films to be released in over 3,000 theaters and still improve on its box office performance in its second weekend, increasing 17.6% from $9,720,993 to $11,436,160.^[75] On its first day, the film opened in the UK, France and Belgium, earning $8.6 million. In Belgium, Tintin's country of origin, the film made $520,000, while France provided $4.6 million, a number higher than other similar Wednesday debuts.^[76] In France, it was the second-best debut of the year for its first day after Harry Potter and the Deathly Hallows – Part 2.^[77] On its first weekend it topped the overseas box office with $56.2 million from 21 countries.^[78] In Belgium, it earned $1.99 million. It also earned the top spot in many major markets like France and the Maghreb region ($21 million), where it set a record opening weekend for an animated title; the UK, Ireland and Malta ($10.9 million), Germany ($4.71 million) and Spain ($3.75 million).^[79]^[80]^[81] It retained first place for a second consecutive and final weekend, earning $39.0 million from 45 territories.^[82] In its native Belgium it was up 20% to $2.39 million, while in France it plummeted 61% to $8.42 million. Its biggest debut was in Russia and the CIS ($4.81 million).^[83]^[84]

The film grossed Template:INRConvert on its opening weekend (11–13 November 2011) in India, an all-time record for a Spielberg film and for an animated feature in India. The film was released with 351 prints, the largest-ever release for an animated film.^[85]^[86]^[87] In four weeks, it became the highest-grossing animated film of all time in the country with Template:INRConvert.^[88]

Accolades

The Adventures of Tintin was nominated for Best Original Score at the 84th Academy Awards.^[89] It was the first all-digital motion-captured animated film (as well as the first non-Pixar film) to win a Golden Globe for Best Animated Feature Film.^[90] It also received two nominations at the 65th British Academy Film Awards in the categories of Best Animated Film and Best Special Visual Effects.^[91]

List of awards and nominations
Award	Category	Recipients and nominees	Result
Academy Awards^[89]	Best Original Score	John Williams	Template:Nom
Alliance of Women Film Journalists^[92]	Best Animated Film		Template:Nom
Annie Award^[93]	Best Animated Feature		Template:Nom
	Best Animated Effects in an Animated Production	Kevin Romond	Template:Won
	Best Music in a Feature	John Williams	Template:Won
	Best Writing in a Feature Production	Steven Moffat, Edgar Wright and Joe Cornish	Template:Nom
Art Directors Guild^[94]	Fantasy Film		Template:Nom
BAFTA Awards^[91]	Best Animated Film	Steven Spielberg	Template:Nom
BAFTA Awards^[91]	Best Special Effects	Joe Letteri, Keith Miller, Wayne Stables and Jamie Beard	Template:Nom
BMI Film & TV Awards^[95]	Film Music Award	John Williams	Template:Won
Chicago Film Critics Association	Best Animated Film		Template:Nom
Critics' Choice Movie Awards^[96]	Best Animated Feature		Template:Nom
Dallas-Fort Worth Film Critics	Best Animated Film		Template:Nom
Empire Awards^[97]	The Art of 3D		Template:Won
Florida Film Critics Circle^[98]	Best Animated Film		Template:Won
Golden Globe Awards^[90]	Best Animated Feature Film	Steven Spielberg	Template:Won
Golden Trailer Awards^[99]	Best Animation/Family		Template:Nom
Golden Trailer Awards^[99]	Best Pre-show Theatrical Advertising		Template:Nom
Grammy Awards^[100]	Best Score Soundtrack For Visual Media	John Williams	Template:Nom
Houston Film Critics Society^[101]	Best Animated Film		Template:Nom
Houston Film Critics Society^[101]	Best Original Score	John Williams	Template:Nom
IGN Best of 2011^[102]	Best Animated Movie^[103]		Template:Nom
IGN Best of 2011^[102]	Best Movie Actor	Andy Serkis^[104]	Template:Nom
Los Angeles Film Critics Association^[105]	Best Animation		Template:Nom
New York Film Critics Online	Best Animated Film		Template:Won
Online Film Critics Society^[106]	Best Animated Feature		Template:Nom
Producers Guild of America Award^[107]	Outstanding Producer of Animated Theatrical Motion Picture	Peter Jackson, Kathleen Kennedy and Steven Spielberg	Template:Won
Satellite Awards^[108]	Best Motion Picture, Animated or Mixed Media		Template:Won
Satellite Awards^[108]	Best Adapted Screenplay	Steven Moffat, Edgar Wright and Joe Cornish	Template:Nom
Saturn Awards^[109]	Best Animated Film		Template:Nom
	Best Director	Steven Spielberg	Template:Nom
	Best Music	John Williams	Template:Nom
	Best Production Design	Kim Sinclair	Template:Nom
	Best Editing	Michael Kahn	Template:Nom
	Best Special Effects	Scott E. Anderson, Matt Aitken, Joe Letteri, Matthias Menz and Keith Miller	Template:Nom
St. Louis Gateway Film Critics Association Awards	Best Animated Film		Template:Won
Toronto Film Critics Association	Best Animated Film		Template:Won
Visual Effects Society^[110]^[111]	Outstanding Visual Effects in an Animated Feature Motion Picture	Jamie Beard, Joe Letteri, Meredith Meyer-Nichols, Eileen Moran	Template:Nom
	Outstanding Animated Character in an Animated Feature Motion Picture	Tintin—Gino Acevedo, Gustav Ahren, Jamie Beard, Simon Clutterbuck	Template:Nom
	Outstanding Created Environment in an Animated Feature Motion Picture	Bagghar—Hamish Beachman, Adam King, Wayne Stables, Mark Tait	Template:Nom
		Docks—Matt Aitken, Jeff Capogreco, Jason Lazaroff, Alessandro Mozzato	Template:Nom
		Pirate Battle—Phil Barrenger, Keith F. Miller, Alessandro Saponi, Christoph Sprenger	Template:Nom
	Outstanding Virtual Cinematography in an Animated Feature Motion Picture	Matt Aitken, Matthias Menz, Keith F. Miller, Wayne Stables	Template:Nom
Washington D.C. Area Film Critics Association^[112]	Best Animated Feature		Template:Nom
Women Film Critics Circle^[113]	Best Family Film		Template:Nom
World Soundtrack Academy^[114]	Best Original Soundtrack of the Year	John Williams	Template:Nom
World Soundtrack Academy^[114]	Soundtrack Composer of the Year	John Williams	Template:Nom

Proposed sequels

Originally, the second Tintin film was to be based on Hergé's The Seven Crystal Balls and Prisoners of the Sun.^[115] However, screenwriter Anthony Horowitz later stated that those books would be the second sequel and another story would become the first sequel.^[116]

Peter Jackson announced that he would direct the sequel once he had finished The Hobbit trilogy.^[115] Two years before The Secret of the Unicorn, Jackson mentioned that his favorite Tintin stories were The Seven Crystal Balls, Prisoners of the Sun, The Black Island, and The Calculus Affair, but he had not yet decided which stories would form the basis of the second film. He added "it would be great" to use Destination Moon and Explorers on the Moon for a third or fourth film in the series.^[117]

By the time The Secret of the Unicorn was released, Spielberg said the book that would form the sequel had been chosen and that the Thomson and Thompson detectives would "have a much bigger role".^[118] The sequel would be produced by Spielberg and directed by Jackson.^[118] Kathleen Kennedy said the script might be completed by February or March 2012 and motion-captured in summer 2012, so that the film would be on track to be released by Christmas 2014 or mid-2015.^[119]

In the months following the release of The Secret of the Unicorn, Spielberg revealed that a story outline for the sequel had been completed and that it was based on two books.^[120] Horowitz tweeted that Professor Calculus would be introduced in the sequel.^[121]^[122] During a press tour in Belgium for The Hobbit: An Unexpected Journey, Jackson said he intended to shoot performance-capture in 2013, aiming for a release date in 2015.^[123]

In March 2013, Spielberg said: "Don't hold me to it, but we're hoping the film will come out around Christmas-time in 2015. We know which books we're making, we can't share that now but we're combining two books which were always intended to be combined by Hergé". He refused to confirm the names of the books, but said The Blue Lotus would probably be the third Tintin film.^[124] In December 2014, when Jackson was asked if the Tintin sequel would be his next project after The Hobbit trilogy, he said that it would be made "at some point soon", but he added that he wanted to direct two New Zealand films before that.^[125]

In June 2015, Jamie Bell stated that the sequel was titled Tintin and the Temple of the Sun and that he hoped shooting would begin in early 2016 for a possible release by the end of 2017 or early 2018.^[126] Later in November, Horowitz said that he was no longer working on the sequel, and did not know if it was still being made,^[127] and in March 2016, he confirmed that the script he had written for the sequel had been scrapped.^[128]

In March 2016, Scout.co.nz announced that Jackson would produce the sequel rather than direct. The website also announced that a third Tintin film was in development, with Jackson serving as executive producer. Bell and Serkis were reported to be reprising their roles in both films.^[129] Spielberg later announced that Jackson was still attached to directing the sequel, and that it would enter work once Jackson completed another Amblin Partners/DreamWorks production.^[130]

In March 2018, Spielberg reiterated the above, saying that "Peter Jackson has to do the second part. Normally, if all goes well, he will soon start working on the script. As it takes two years of animation work on the film, for you, I would not expect to see it for about three years. But Peter will stick to it. Tintin is not dead!"^[131]^[132] In interviews later the same year, Jackson affirmed his intent to make another Tintin film, but said that a script was yet to be written.^[133]

In an April 2022 interview with Forbes, Jamie Bell expressed interest in reprising his role saying. "He [Peter Jackson]’s always doing something, so if they said let’s get the band back together, we’d go do it. It’s going to be weird if I play Tintin at 45, but still, the technology allows it, so that’s fine."^[134] In April 2024, Andy Serkis stated that Jackson was working on the sequel.^[135]^[136]

Notes

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References

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External links

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@@ Line 2: / Line 2: @@
 {{redirect|The Adventures of Tintin: The Secret of the Unicorn|the comic|The Secret of the Unicorn}}
 {{Use British English|date=February 2024}}
-{{Use dmy dates|date=February 2024}}
+{{Use dmy dates|date=December 2024}}
 {{Infobox film
 | image          = The Adventures of Tintin - Secret of the Unicorn.jpg
@@ Line 18: / Line 18: @@
 * [[Kathleen Kennedy (producer)|Kathleen Kennedy]]
 }}
-| starring       = {{plainlist| <!-- PER BILLING BLOCK SEEN HERE: https://m.media-amazon.com/images/W/IMAGERENDERING_521856-T1/images/I/91AU3dOLJdL._AC_UF894,1000_QL80_.jpg -->
+| starring       = {{plainlist|
 * [[Jamie Bell]]
 * [[Andy Serkis]]
@@ Line 37: / Line 37: @@
 }}
 | distributor    = {{plainlist|
-* Paramount Pictures (United States, Canada, United Kingdom, Australia, New Zealand and select Asian territories)
+* Paramount Pictures (English-speaking territories and Asia except for India)<ref>{{cite web|url=https://ir.paramount.com/news-releases/news-release-details/paramount-pictures-and-sony-pictures-entertainment-announce/|title=Paramount Pictures and Sony Pictures Entertainment Announce the January 26 Start of Principal Photography on the 3D Motion Capture Feature 'The Adventures of Tintin: Secret of the Unicorn' Directed by Steven Spielberg and Starring Jamie Bell and Daniel Craig|publisher=[[Paramount Global|Paramount]]|access-date=29 December 2024}}</ref>
 * [[Sony Pictures Releasing International]] (International)<ref name="sonypictures">{{cite web|url=https://movieweb.com/sony-pictures-teams-up-with-paramount-for-tintin/|title=Sony Pictures Teams Up with Paramount for Tintin|publisher=MovieWeb|date=2 November 2008|access-date=7 April 2011|archive-date=12 January 2015|archive-url=https://web.archive.org/web/20150112071340/http://www.movieweb.com/sony-pictures-teams-up-with-paramount-for-tintin|url-status=live}}</ref>
 }}
@@ Line 52: / Line 52: @@
 }}
-'''''The Adventures of Tintin''''' (also known as '''''The Adventures of Tintin: The Secret of the Unicorn''''')<ref name=BBFC/> is a 2011 animated [[epic film|epic]] [[action-adventure film]] based on [[Hergé]]'s [[The Adventures of Tintin|comic book series of the same name]]. It was directed by [[Steven Spielberg]], who produced the film with [[Peter Jackson]] and [[Kathleen Kennedy (producer)|Kathleen Kennedy]]. [[Steven Moffat]], [[Edgar Wright]], and [[Joe Cornish]] wrote the screenplay for the film. It stars [[Jamie Bell]] as [[Tintin (character)|Tintin]], [[Andy Serkis]], and [[Daniel Craig]].<ref name="premiere.fr">{{cite web|url=https://www.premiere.fr/Cinema/Steven-Spielberg-Peter-Jackson-va-bientot-travailler-sur-la-suite-des-Aventures-de-Tintin|title=Steven Spielberg : "Peter Jackson va bientôt travailler sur la suite des Aventures de Tintin"|date=23 March 2018|website=Premiere.fr|access-date=17 August 2020|archive-date=4 August 2020|archive-url=https://web.archive.org/web/20200804115918/https://www.premiere.fr/Cinema/Steven-Spielberg-Peter-Jackson-va-bientot-travailler-sur-la-suite-des-Aventures-de-Tintin|url-status=live}}</ref><ref name="stuff.co.nz">{{cite web|url=https://www.stuff.co.nz/entertainment/film/102560728/tintin-steven-spielberg-says-its-up-to-sir-peter-jackson-to-revive-the-franchise|title=Tintin: Steven Spielberg says it's up to Sir Peter Jackson to revive the franchise|website=Stuff|date=24 March 2018 |access-date=9 February 2019|archive-date=11 August 2018|archive-url=https://web.archive.org/web/20180811232309/https://www.stuff.co.nz/entertainment/film/102560728/tintin-steven-spielberg-says-its-up-to-sir-peter-jackson-to-revive-the-franchise|url-status=live}}</ref><ref name="BBC2011">{{cite web | url=https://www.bbc.co.uk/news/entertainment-arts-15553417 | title=Tintin 2: Horowitz says story 'still under discussion' | publisher=BBC | date=2 November 2011 | access-date=24 June 2019 | first=Tim | last=Masters | archive-date=14 December 2019 | archive-url=https://web.archive.org/web/20191214182649/https://www.bbc.co.uk/news/entertainment-arts-15553417 | url-status=live }}</ref> In the film, Tintin, [[Snowy (character)|Snowy]], and [[Captain Haddock]] (Serkis) search for the treasure of the ''[[Unicorn (Tintin)|Unicorn]]'', a ship once captained by Haddock's ancestor [[Sir Francis Haddock]], but they face dangerous pursuit by [[Ivan Ivanovitch Sakharine]] (Craig), who is the descendant of Sir Francis's nemesis [[Red Rackham]].<ref name="empire" />
+'''''The Adventures of Tintin''''' (occasionally subtitled '''''The Secret of the Unicorn''''')<ref name=BBFC/> is a 2011 [[animated]] [[adventure film]] based on [[Hergé]]'s [[The Adventures of Tintin|''Tintin'' comic book series]]. It was directed by [[Steven Spielberg]], who produced the film with [[Peter Jackson]] and [[Kathleen Kennedy (producer)|Kathleen Kennedy]]. [[Steven Moffat]], [[Edgar Wright]], and [[Joe Cornish]] wrote the screenplay for the film. It stars [[Jamie Bell]] as [[Tintin (character)|Tintin]], [[Andy Serkis]], and [[Daniel Craig]]. In the film, Tintin, [[Snowy (character)|Snowy]], and [[Captain Haddock]] search for the treasure of the ''[[Unicorn (Tintin)|Unicorn]]'', a ship once captained by Haddock's ancestor [[Sir Francis Haddock]], but they face dangerous pursuit by [[Ivan Ivanovitch Sakharine]], who is the descendant of Sir Francis's nemesis [[Red Rackham]].
-Spielberg and Hergé admired each other's work; the director acquired the [[film rights]] to ''The Adventures of Tintin'' after the author's death in 1983, and re-optioned them in 2002. Filming was due to begin in October 2008 for a 2010 release, but the release was delayed to 2011 after [[Universal Pictures]] backed out of producing the film with [[Paramount Pictures]], which had provided $30 million in pre-production; [[Columbia Pictures]] replaced Universal as co-financer. The delay resulted in [[Thomas Brodie-Sangster]], who was originally cast as Tintin, departing and being replaced by Bell. The film draws inspiration from the ''Tintin'' volumes ''[[The Crab with the Golden Claws]]'' (1941), ''[[The Secret of the Unicorn]]'' (1943) and ''[[Red Rackham's Treasure]]'' (1944). [[Principal photography]] began in January 2009 and finished that July, with a combination of [[voice acting]], [[motion capture]] and traditional [[computer animation]] being used.
+Spielberg and Hergé admired each other's work; the director acquired the [[film rights]] to ''The Adventures of Tintin'' after the author's death in 1983, and re-optioned them in 2002. Filming was due to begin in October 2008 for a 2010 release, but the release was delayed to 2011 after [[Universal Pictures]] backed out of producing the film with [[Paramount Pictures]], which had provided $30 million in pre-production; [[Columbia Pictures]] replaced Universal as co-financer. The delay resulted in [[Thomas Brodie-Sangster]], who was originally cast as Tintin, departing and being replaced by Bell. The film draws inspiration from the ''Tintin'' volumes ''[[The Crab with the Golden Claws]]'', ''[[The Secret of the Unicorn]]'' and ''[[Red Rackham's Treasure]]''. [[Principal photography]] began in January 2009 and finished that July, with a combination of [[voice acting]], [[motion capture]] and traditional [[computer animation]] being used.
-''The Adventures of Tintin'' premiered in [[Brussels]], Hergé's home region, on 22 October 2011. It was theatrically released in Europe by [[Sony Pictures Releasing International]] on 26 October and in the United States by Paramount on 21 December 2011 in [[Digital 3D]] and [[IMAX 3D]] formats.<ref>{{cite news|title=Tintin Has World Premiere In His Hometown|url=https://www.today.com/news/tintin-has-world-premiere-his-hometown-wbna44997749|access-date=4 March 2023|via=[[Today (American TV program)|TODAY.com]]|date=22 October 2011|agency=Associated Press|archive-date=4 March 2023|archive-url=https://web.archive.org/web/20230304073518/https://www.today.com/news/tintin-has-world-premiere-his-hometown-wbna44997749|url-status=live}}</ref><ref name="reldates">{{cite web|url=http://www.us.movie.tintin.com |title=The Adventures of Tintin Official Movie Site|publisher=Paramount Pictures|archive-url=https://web.archive.org/web/20111013183713/http://www.us.movie.tintin.com/|archive-date=13 October 2011|df=dmy}}</ref> The film received positive reviews from critics, who praised the stylised [[motion capture]] animation (particularly the faithful character designs to Hergé's works), visual effects, action sequences, cast performances and musical score. The film was positively compared to Spielberg's ''[[Raiders of the Lost Ark]]'' (1981).<ref name="Rotten Tomatoes" /> ''The Adventures of Tintin'' was also a commercial success, grossing over $374 million,<ref name="Box office" /> and received numerous awards and nominations, including being the first motion-captured animated film (and first non-[[Pixar]] film) to win the [[Golden Globe Award for Best Animated Feature Film]],<ref>{{cite web|title=2012 GOLDEN GLOBES Nominees and Winners – Complete List!|url=https://www.broadwayworld.com/article/2012-GOLDEN-GLOBES-Are-Tonight-BroadwayWorld-to-Update-Winners-LIVE-20120115|date=January 15, 2012|website=Broadway World|access-date=15 April 2012|archive-date=5 May 2012|archive-url=https://web.archive.org/web/20120505141317/http://broadwayworld.com/article/2012-GOLDEN-GLOBES-Are-Tonight-BroadwayWorld-to-Update-Winners-LIVE-20120115|url-status=dead}}</ref> while [[John Williams]] was nominated for an [[Academy Awards|Academy Award]] for [[Academy Award for Best Original Score|Best Original Score]].<ref name="Goldberg, Matt">{{cite web|url=https://collider.com/saturn-award-nominations-2012/148931/|title=Saturn Award Nominations Announced; HUGO and HARRY POTTER Lead with 10 Nominations Each|work=[[Collider (website)|Collider]]|author=Goldberg, Matt|date=29 February 2012|access-date=1 March 2012|archive-date=15 November 2013|archive-url=https://web.archive.org/web/20131115210541/http://collider.com/saturn-award-nominations-2012/148931/|url-status=dead}}</ref> A sequel directed by Jackson has been announced, but has since stalled in [[development hell]].
+''The Adventures of Tintin'' premiered in [[Brussels]], Hergé's home region, on 22 October 2011. It was theatrically released in Europe by [[Sony Pictures Releasing International|Sony]] on 26 October and in the United States by Paramount on 21 December in [[Digital 3D]] and [[IMAX 3D]] formats. The film received positive reviews from critics, who praised the motion-capture animation, the faithful character designs, visual effects, action sequences, cast performances and musical score. ''The Adventures of Tintin'' was also a commercial success, grossing over $374 million, and received numerous awards and nominations, including being the first motion-captured animated film to win the [[Golden Globe Award for Best Animated Feature Film]], while [[John Williams]] was nominated for an [[Academy Awards|Academy Award]] for [[Academy Award for Best Original Score|Best Original Score]]. A sequel directed by Jackson has been announced, but has since stalled in [[development hell]].
 ==Plot==
-{{See also|The Secret of the Unicorn#Synopsis}}
+In a [[post-war]] [[Brussels]], while browsing in an outdoor market with his pet dog [[Snowy (character)|Snowy]], young journalist [[Tintin (character)|Tintin]] purchases a [[ship model|model]] of a ship known as the ''[[Unicorn (Tintin)|Unicorn]]''. He is then accosted by an [[Interpol]] officer named [[Barnaby (comics Tintin)|Barnaby]] and a ship collector named [[Ivan Ivanovitch Sakharine]], who both unsuccessfully attempt to purchase the model from Tintin. After Tintin takes the model home to his apartment, it gets accidentally broken during a chase between Snowy and a cat. A parchment scroll then slips out and rolls under a piece of furniture. Meanwhile, bumbling police detectives [[Thomson and Thompson]] are on the trail of a [[pickpocket]] named [[Aristides Silk]].
-In a [[Post-war]] [[Brussels]], [[Belgium]], while browsing in an outdoor market with his pet dog [[Snowy (character)|Snowy]], young journalist [[Tintin (character)|Tintin]] purchases a miniature model of a ship known as the ''[[Unicorn (Tintin)|Unicorn]]'', but is accosted by an [[Interpol]] officer named [[Barnaby (comics Tintin)|Barnaby]] and a ship collector named [[Ivan Ivanovitch Sakharine]], who both unsuccessfully attempt to purchase the model from Tintin. After Tintin takes the model home to his apartment, it gets accidentally broken during a chase between Snowy and a cat. A parchment scroll then slips out and rolls under a piece of furniture. Meanwhile, bumbling police detectives [[Thomson and Thompson]] are on the trail of a [[pickpocket]] named [[Aristides Silk]].
-After visiting Maritime Library to uncover the history surrounding the ''Unicorn'', Tintin returns to find the ''Unicorn'' has been stolen, suspecting Sakharine. He heads to [[Marlinspike Hall]] and accuses him of the theft, but noticing Sakharine's model is not broken he realizes there are two ''Unicorn'' models. Tintin then returns home to his apartment to find it ransacked. Snowy shows him the scroll, but they are interrupted by the arrival of Barnaby, who is then assassinated while attempting to recover the ''Unicorn''. Tintin places the scroll in his wallet, but is pickpocketed by Silk the next morning.
+After visiting Maritime Library to uncover the history surrounding the ''Unicorn'', Tintin returns to find the ''Unicorn'' has been stolen. Suspecting Sakharine, he heads to [[Marlinspike Hall]] and accuses him of the theft, but noticing Sakharine's model is not broken he realizes there are two ''Unicorn'' models. Tintin then returns home to his apartment to find it ransacked. Snowy shows him the scroll, but they are interrupted by the arrival of Barnaby, who is then assassinated while attempting to recover the ''Unicorn''. Tintin places the scroll in his wallet, but is pickpocketed by Silk the next morning.
-Later, Tintin is abducted and imprisoned by accomplices of Sakharine on the SS ''Karaboudjan''. He learns that Sakharine formed an alliance with the ship's staff and led a [[mutiny]] to take control. On board, Tintin meets [[Captain Haddock|Archibald Haddock]], the ship's captain who is permanently drunk and unaware of most of his past. Tintin, Haddock and Snowy eventually outrun the crew, escape from the ''Karaboudjan'' in a lifeboat, and attempt to use a second one to fake their deaths, but Sakharine sees through the ruse and sends a [[seaplane]] to find and capture them. Feeling cold and thirsty on the lifeboat ride, Haddock foolishly uses a stowaway bottle of [[scotch whisky]] to light a fire in the boat, accidentally causing a massive explosion that flips the boat upside down and leaves the trio stranded on top of it. The trio seizes the plane, and uses it to fly towards the fictitious [[French protectorate in Morocco|Moroccan]] port of [[Settings in The Adventures of Tintin|Bagghar]]. However, the seaplane crashes in a desert due to low fuel and a thunderstorm.
+Later, Tintin is abducted and imprisoned by accomplices of Sakharine on the SS ''Karaboudjan''. He learns that Sakharine formed an alliance with the ship's staff and led a [[mutiny]] to take control. On board, Tintin meets [[Captain Haddock|Archibald Haddock]], the ship's captain who is permanently drunk and unaware of most of his past. Tintin, Haddock and Snowy eventually outrun the crew, escape from the ''Karaboudjan'' in a lifeboat, and attempt to use a second one to fake their deaths, but Sakharine sees through the ruse and sends a [[seaplane]] to find and capture them. Feeling cold and thirsty on the lifeboat ride, Haddock foolishly uses a stowaway bottle of whisky to light a fire in the boat, accidentally causing a massive explosion that flips the boat upside down and leaves the trio stranded on top of it. The trio seizes the plane, and uses it to fly towards the fictitious [[French protectorate in Morocco|Moroccan]] port of [[Settings in The Adventures of Tintin|Bagghar]]. However, the seaplane crashes in a desert due to low fuel and a thunderstorm.
 While trekking through the desert, Haddock hallucinates and remembers his ancestor, [[Sir Francis Haddock]], the 17th-century captain of the ''Unicorn'' whose treasure-laden ship was attacked by the crew of a pirate ship, led by [[Red Rackham]], later revealed to be Sakharine's ancestor. Sir Francis surrendered and eventually sank the ''Unicorn'' and most of the treasure, to prevent it from falling into Rackham's hands. The story implies there were three ''Unicorn'' models, each containing a scroll; together, the scrolls can reveal coordinates of the location of the sunken ''Unicorn'' and its treasure.
-The third model is in Bagghar, possessed by [[Omar ben Salaad]]. Sakharine causes a distraction in a [[Bianca Castafiore]] concert that results in him stealing the third scroll. A chase through the city ensues during which he gains all the scrolls. Just as he is ready to give up, Tintin is persuaded by Haddock to continue. With help from Thomson and Thompson, Tintin and Haddock track Sakharine back to Brussels and set up a trap, but Sakharine uses his pistol to resist arrest. When his men fail to save him, Sakharine challenges Haddock to a sword fight with the cranes at the dock. Sakharine threatens to destroy the scrolls after Haddock corners him, but Tintin manages to snatch them from him. After the fight, Sakharine is pushed overboard by Haddock and then arrested by Thomson and Thompson.
+The third model is in Bagghar, possessed by [[Omar ben Salaad]]. Sakharine causes a distraction during a [[Bianca Castafiore]] concert that results in him stealing the third scroll. A chase through the city ensues during which he gains all the scrolls. Just as he is ready to give up, Tintin is persuaded by Haddock to continue. With help from Thomson and Thompson, Tintin and Haddock track Sakharine back to Brussels and set up a trap, but Sakharine uses his pistol to resist arrest. When his men fail to save him, Sakharine challenges Haddock to a sword fight with the cranes at the dock. Sakharine threatens to destroy the scrolls after Haddock corners him, but Tintin manages to snatch them from him. After the fight, Sakharine is pushed overboard by Haddock and then arrested by Thomson and Thompson.
-Tintin, Haddock and Snowy are guided by the three scrolls back to Marlinspike Hall. Haddock notes a globe with an island he knows doesn't exist and presses it, causing the globe to open and reveal some of the treasure that Sir Francis had managed to recover along with his hat and a clue to the ''Unicorn''{{'}}s location. The film ends with both men agreeing on setting up an expedition to find the shipwreck and the rest of the treasure.
+Tintin, Haddock and Snowy are guided by the three scrolls back to Marlinspike Hall. Haddock notes a globe with an island he knows doesn't exist and presses it, causing the globe to open and reveal some of the treasure that Sir Francis had managed to recover along with his hat and a clue to the ''Unicorn''{{'}}s location. The film ends with both men agreeing to set up an expedition to find the shipwreck and the rest of the treasure.
 == Voice cast ==
-{{See also|List of The Adventures of Tintin characters|l1=List of ''The Adventures of Tintin'' characters}}
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-* [[Jamie Bell]] as [[Tintin (character)|Tintin]].<ref name="pr">{{cite news |date=January 26, 2009 |title=Paramount Pictures and Sony Pictures Entertainment Announce the January 26 Start of Principal Photography on the 3D Motion Capture Feature 'The Adventures of Tintin: Secret of the Unicorn' Directed by Steven Spielberg and Starring Jamie Bell and Daniel Craig |publisher=[[PR Newswire]] |url=http://news.prnewswire.com/ViewContent.aspx?ACCT=109&STORY=/www/story/01-26-2009/0004960578&EDATE= |url-status=dead |access-date=26 January 2009 |archive-url=https://web.archive.org/web/20090201055406/http://news.prnewswire.com/ViewContent.aspx?ACCT=109&STORY=%2Fwww%2Fstory%2F01-26-2009%2F0004960578&EDATE= |archive-date=1 February 2009 |df=dmy-all}}</ref> Bell replaced [[Thomas Brodie-Sangster]], who dropped out when filming was delayed in October 2008.<ref name="delay" /> Jackson suggested Bell to take on the role after previously casting him as Jimmy in his ''[[King Kong (2005 film)|King Kong]]'' remake.<ref name="dig" />
+* [[Jamie Bell]] as [[Tintin (character)|Tintin]].<ref name="pr">{{cite news |date=26 January 2009 |title=Paramount Pictures and Sony Pictures Entertainment Announce the January 26 Start of Principal Photography on the 3D Motion Capture Feature 'The Adventures of Tintin: Secret of the Unicorn' Directed by Steven Spielberg and Starring Jamie Bell and Daniel Craig |publisher=[[PR Newswire]] |url=http://news.prnewswire.com/ViewContent.aspx?ACCT=109&STORY=/www/story/01-26-2009/0004960578&EDATE= |url-status=dead |access-date=26 January 2009 |archive-url=https://web.archive.org/web/20090201055406/http://news.prnewswire.com/ViewContent.aspx?ACCT=109&STORY=%2Fwww%2Fstory%2F01-26-2009%2F0004960578&EDATE= |archive-date=1 February 2009 }}</ref> Bell replaced [[Thomas Brodie-Sangster]], who dropped out when filming was delayed in October 2008.<ref name="delay" /> Jackson suggested Bell to take on the role after previously casting him as Jimmy in his ''[[King Kong (2005 film)|King Kong]]'' remake.<ref name="dig" />
 * [[Andy Serkis]] as [[Captain Haddock|Captain Archibald Haddock]] and [[List of The Adventures of Tintin characters#Sir Francis Haddock|Sir Francis Haddock]].<ref name="interpol">{{cite news |author=Fernandez |first1=Jay A. |last2=Kit |first2=Borys |date=27 January 2009 |title=Daniel Craig to star in "Tintin" |work=[[The Hollywood Reporter]] |url=https://www.hollywoodreporter.com/hr/content_display/news/e3ic323ae8a6486e91c8f3aab35cbff3722 |url-status=dead |access-date=27 January 2009 |archive-url=https://web.archive.org/web/20090131161003/http://www.hollywoodreporter.com/hr/content_display/news/e3ic323ae8a6486e91c8f3aab35cbff3722 |archive-date=31 January 2009}}</ref> Spielberg suggested Serkis, given he played [[Gollum]] in Jackson's [[The Lord of the Rings (film series)|''The Lord of the Rings'' trilogy]] and [[King Kong]] in the 2005 remake, which were both roles requiring [[motion capture]], and also because he considers Serkis a "great and funny actor".<ref name="who" /> Serkis joked he was concerned Jackson wanted him to play Tintin's dog, Snowy,<ref>{{cite news |year=2007 |title=The Cottage – Andy Serkis interview |work=indieLondon |url=http://www.indielondon.co.uk/Film-Review/the-cottage-andy-serkis-interview |url-status=dead |access-date=4 September 2008 |archive-url=https://web.archive.org/web/20081005001422/http://www.indielondon.co.uk/Film-Review/the-cottage-andy-serkis-interview |archive-date=5 October 2008}}</ref> who was animated traditionally, i.e., without motion capture.<ref name="raiders" /> Serkis remarked upon reading the comics again for the role that they had a surreal [[Monty Python|Pythonesque]] quality.<ref name="go" /> The actor researched seamen, and gave Haddock a Scottish accent as he felt the character had "a rawness, an emotional availability, a more Celtic kind of feel".<ref name="who" />
 * [[Daniel Craig]] as [[Ivan Ivanovitch Sakharine]], the main antagonist and descendant of [[Red Rackham]]; and Red Rackham the pirate who attacked the ''[[Unicorn (Tintin)|Unicorn]]'', the ship captained by Sir Francis Haddock.<ref name="pr" /> Spielberg described Sakharine as a "champagne villain, cruel when he has to be but with a certain elegance to him". Jackson and Spielberg decided to promote Sakharine from a relatively minor character to the villain, and while considering an "interesting actor" to portray him, Spielberg came up with Craig, with whom he had worked on ''[[Munich (2005 film)|Munich]]''. Craig joked he followed "the English tradition of playing bad guys".<ref name="who" />
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 == Production ==
 === Development ===
-In 1948, [[Hergé]] wrote to [[Walt Disney]] hoping to pitch ''[[The Adventures of Tintin]]'' into a potential animated feature in an effort to introduce the series to American audiences. The proposal fell through as Disney was busy working on ''[[Cinderella (1950 film)|Cinderella]]'' around that time, though Hergé did receive a [[Mickey Mouse]] trophy and a picture showing Tintin and Mickey shaking hands decades later.<ref>{{Cite web|url=https://www.facebook.com/Tintin/photos/herg%3C!--C3--%3EA9-and-walt-disneyin-1948-herg%3C!--C3--%3EA9-was-dreaming-about-introducing-the-tintin-ser/10150440311261500/|title=Facebook|website=[[Facebook]] |access-date=30 October 2023|archive-date=30 October 2023|archive-url=https://web.archive.org/web/20231030155203/https://www.facebook.com/Tintin/photos/herg%3C!--C3--%3EA9-and-walt-disneyin-1948-herg%3C!--C3--%3EA9-was-dreaming-about-introducing-the-tintin-ser/10150440311261500/|url-status=live}}</ref>
+[[Steven Spielberg]] became an avid fan of ''The Adventures of Tintin'' in 1981 after a review compared ''[[Raiders of the Lost Ark]]'' to the comics.<ref name="raiders">{{cite news |author=Nepales |first=Ruben V. |date=18 May 2008 |title=Spielberg may co-direct next with Peter Jackson |newspaper=[[Philippine Daily Inquirer]] |url=http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20080518-137261/Spielberg-may-co-direct-next-with-Peter-Jackson |url-status=dead |access-date=18 May 2008 |archive-url=https://web.archive.org/web/20080518115708/http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20080518-137261/Spielberg-may-co-direct-next-with-Peter-Jackson |archive-date=18 May 2008 }}</ref> Meanwhile, Hergé—who disliked the previous live-action film versions and the ''[[Hergé's Adventures of Tintin]]'' animated series—became a fan of Spielberg. [[Michael Farr]], author of ''Tintin: The Complete Companion'', recalled Hergé "thought Spielberg was the only person who could ever do Tintin justice".<ref name="moguls">{{cite news |last=Dawson |first=Jeff |date=27 May 2007 |title=Tintin and the Movie Moguls? |work=The Sunday Times |location=UK |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article1830463.ece |url-status=dead |access-date=3 September 2008 |archive-url=https://web.archive.org/web/20081205054131/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article1830463.ece |archive-date=5 December 2008}}</ref> Hergé had been looking to use the medium of film to make Tintin more current, as he felt that the animated films ''[[Tintin and the Temple of the Sun]]'' and ''[[Tintin and the Lake of Sharks]]'' had failed to capture the essence of the books.<ref name="TheRealHergé">{{cite book |last=Lye |first=Sian |date=30 November 2020 |editor-first= |title=The Real Hergé: The Inspiration Behind Tintin |publisher=Pen and Sword Books |pages=144 |chapter=Chapter 16 |isbn=978-1526763907}}</ref> Spielberg and his production partner [[Kathleen Kennedy (producer)|Kathleen Kennedy]] of [[Amblin Entertainment]] were scheduled to meet with Hergé in 1983 while filming ''[[Indiana Jones and the Temple of Doom]]'' in London. Hergé died that week, but his widow [[:fr:Fanny Rodwell|Fanny Remi]] decided to give them the rights.<ref name="raiders" /> A three-year-long option to film the comics was finalized in 1984,<ref name="moguls" /> with [[Universal Pictures]] as distributor.<ref name="uni" />
-[[Steven Spielberg]] became an avid fan of ''The Adventures of Tintin'' in 1981 after a review compared ''[[Raiders of the Lost Ark]]'' to the comics.<ref name="raiders">{{cite news |author=Nepales |first=Ruben V. |date=18 May 2008 |title=Spielberg may co-direct next with Peter Jackson |newspaper=[[Philippine Daily Inquirer]] |url=http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20080518-137261/Spielberg-may-co-direct-next-with-Peter-Jackson |url-status=dead |access-date=18 May 2008 |archive-url=https://web.archive.org/web/20080518115708/http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20080518-137261/Spielberg-may-co-direct-next-with-Peter-Jackson |archive-date=18 May 2008 |df=dmy}}</ref> Meanwhile, Hergé—who disliked the previous live-action film versions and the ''[[Hergé's Adventures of Tintin]]'' animated series—became a fan of Spielberg. [[Michael Farr]], author of ''Tintin: The Complete Companion'', recalled Hergé "thought Spielberg was the only person who could ever do Tintin justice".<ref name="moguls">{{cite news |last=Dawson |first=Jeff |date=27 May 2007 |title=Tintin and the Movie Moguls? |work=The Sunday Times |location=UK |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article1830463.ece |url-status=dead |access-date=3 September 2008 |archive-url=https://web.archive.org/web/20081205054131/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article1830463.ece |archive-date=5 December 2008}}</ref> Hergé had been looking to use the medium of film to make Tintin more current, as he felt that the animated films ''[[Tintin and the Temple of the Sun]]'' and ''[[Tintin and the Lake of Sharks]]'' had failed to capture the essence of the books.<ref name="TheRealHergé">{{cite book |last=Lye |first=Sian |date=30 November 2020 |editor-first= |title=The Real Hergé: The Inspiration Behind Tintin |publisher=Pen and Sword Books |pages=144 |chapter=Chapter 16 |isbn=978-1526763907}}</ref> Spielberg and his production partner [[Kathleen Kennedy (producer)|Kathleen Kennedy]] of [[Amblin Entertainment]] were scheduled to meet with Hergé in 1983 while filming ''[[Indiana Jones and the Temple of Doom]]'' in London. Hergé died that week, but his widow [[:fr:Fanny Rodwell|Fanny Remi]] decided to give them the rights.<ref name="raiders" /> A three-year-long option to film the comics was finalized in 1984,<ref name="moguls" /> with [[Universal Pictures]] as distributor.<ref name="uni" />
+Spielberg commissioned ''[[E.T. the Extra-Terrestrial]]'' writer [[Melissa Mathison]] to script a film about Tintin battling [[ivory]] hunters in Africa.<ref name="moguls" /> Spielberg saw Tintin as an "[[Indiana Jones]] for kids" and wanted [[Jack Nicholson]] to play Haddock.<ref>{{cite news|url=https://www.washingtontimes.com/news/2008/dec/29/culture-briefs-88727919/|work=The Washington Times|title=Culture Briefs|date=29 December 2008|access-date=31 December 2008|archive-date=31 January 2009|archive-url=https://web.archive.org/web/20090131221552/http://washingtontimes.com/news/2008/dec/29/culture-briefs-88727919/|url-status=live}}</ref> Unsatisfied with the script, Spielberg continued production on ''[[Indiana Jones and the Last Crusade]]''; the rights returned to the [[Hergé Foundation]]. [[Claude Berri]] and [[Roman Polanski]] became interested in filming the property, while [[Warner Bros. Pictures]] negotiated for the rights, but they could not guarantee the "creative integrity" that the Foundation found in Spielberg.<ref name="moguls" /> In 2001, Spielberg revealed his interest in depicting Tintin with [[computer animation]].<ref>{{cite news |author=Davidson |first=Paul |date=29 August 2001 |title=Enfin, a Tintin Movie |work=[[IGN]] |url=http://uk.movies.ign.com/articles/305/305331p1.html |url-status=dead |access-date=3 September 2008 |archive-url=https://web.archive.org/web/20090131224721/http://uk.movies.ign.com/articles/305/305331p1.html |archive-date=31 January 2009 }}</ref> In November 2002, his studio [[DreamWorks Pictures]] reestablished the option to film the series.<ref>{{cite news|title=Tintin 'to become movie hero'|work=BBC News Online|date=22 November 2002|url=http://news.bbc.co.uk/2/hi/entertainment/2502495.stm|access-date=10 October 2007|archive-date=10 September 2007|archive-url=https://web.archive.org/web/20070910102137/http://news.bbc.co.uk/2/hi/entertainment/2502495.stm|url-status=live}}</ref> Spielberg originally said he would only produce the film.<ref name="age">{{cite news |author=Head |first=Steve |date=17 December 2002 |title=An Interview with Steven Spielberg |work=[[IGN]] |url=https://www.ign.com/articles/2002/12/17/an-interview-with-steven-spielberg |url-status=live |access-date=30 June 2008 |archive-url=https://web.archive.org/web/20121104011515/http://www.ign.com/articles/2002/12/17/an-interview-with-steven-spielberg |archive-date=4 November 2012}}</ref> In 2004, French magazine ''[[Capital (French magazine)|Capital]]'' reported Spielberg was intending a trilogy based on ''The Secret of the Unicorn'' / ''Red Rackham's Treasure'', ''[[The Seven Crystal Balls]]'' / ''[[Prisoners of the Sun]]'' and ''[[The Blue Lotus]]'' / ''[[Tintin in Tibet]]''.<ref>{{cite news |author=Davidson |first=Paul |date=14 January 2004 |title=Spielberg Planning Tintin Trilogy? |work=[[IGN]] |url=http://uk.movies.ign.com/articles/463/463162p1.html |url-status=dead |access-date=3 September 2008 |archive-url=https://web.archive.org/web/20090131224726/http://uk.movies.ign.com/articles/463/463162p1.html |archive-date=31 January 2009}}</ref> By then, Spielberg had reverted to his idea of a live-action adaptation and called [[Peter Jackson]] to ask if [[Weta Digital]] would create a computer-generated Snowy.<ref name="empire">{{cite news|title=News Etc.|work=[[Empire (magazine)|Empire]]|date=June 2009|pages=20–25}}</ref>
-Spielberg commissioned ''[[E.T. the Extra-Terrestrial]]'' writer [[Melissa Mathison]] to script a film about Tintin battling [[ivory]] hunters in Africa.<ref name="moguls" /> Spielberg saw Tintin as an "[[Indiana Jones]] for kids" and wanted [[Jack Nicholson]] to play Haddock.<ref>{{cite news|url=https://www.washingtontimes.com/news/2008/dec/29/culture-briefs-88727919/|work=The Washington Times|title=Culture Briefs|date=29 December 2008|access-date=31 December 2008|archive-date=31 January 2009|archive-url=https://web.archive.org/web/20090131221552/http://washingtontimes.com/news/2008/dec/29/culture-briefs-88727919/|url-status=live}}</ref> Unsatisfied with the script, Spielberg continued production on ''[[Indiana Jones and the Last Crusade]]''; the rights returned to the [[Hergé Foundation]]. [[Claude Berri]] and [[Roman Polanski]] became interested in filming the property, while [[Warner Bros. Pictures]] negotiated for the rights, but they could not guarantee the "creative integrity" that the Foundation found in Spielberg.<ref name="moguls" /> In 2001, Spielberg revealed his interest in depicting Tintin with [[computer animation]].<ref>{{cite news |author=Davidson |first=Paul |date=29 August 2001 |title=Enfin, a Tintin Movie |work=[[IGN]] |url=http://uk.movies.ign.com/articles/305/305331p1.html |url-status=dead |access-date=3 September 2008 |archive-url=https://web.archive.org/web/20090131224721/http://uk.movies.ign.com/articles/305/305331p1.html |archive-date=31 January 2009 |df=dmy-all}}</ref> In November 2002, his studio [[DreamWorks Pictures]] reestablished the option to film the series.<ref>{{cite news|title=Tintin 'to become movie hero'|work=BBC News Online|date=22 November 2002|url=http://news.bbc.co.uk/2/hi/entertainment/2502495.stm|access-date=10 October 2007|archive-date=10 September 2007|archive-url=https://web.archive.org/web/20070910102137/http://news.bbc.co.uk/2/hi/entertainment/2502495.stm|url-status=live}}</ref> Spielberg originally said he would only produce the film.<ref name="age">{{cite news |author=Head |first=Steve |date=17 December 2002 |title=An Interview with Steven Spielberg |work=[[IGN]] |url=https://www.ign.com/articles/2002/12/17/an-interview-with-steven-spielberg |url-status=live |access-date=30 June 2008 |archive-url=https://web.archive.org/web/20121104011515/http://www.ign.com/articles/2002/12/17/an-interview-with-steven-spielberg |archive-date=4 November 2012}}</ref> In 2004, French magazine ''[[Capital (French magazine)|Capital]]'' reported Spielberg was intending a trilogy based on ''The Secret of the Unicorn'' / ''Red Rackham's Treasure'', ''[[The Seven Crystal Balls]]'' / ''[[Prisoners of the Sun]]'' and ''[[The Blue Lotus]]'' / ''[[Tintin in Tibet]]'' (which are separate stories, but both feature [[Chang Chong-Chen]]).<ref>{{cite news |author=Davidson |first=Paul |date=14 January 2004 |title=Spielberg Planning Tintin Trilogy? |work=[[IGN]] |url=http://uk.movies.ign.com/articles/463/463162p1.html |url-status=dead |access-date=3 September 2008 |archive-url=https://web.archive.org/web/20090131224726/http://uk.movies.ign.com/articles/463/463162p1.html |archive-date=31 January 2009}}</ref> By then, Spielberg had reverted to his idea of a live-action adaptation and called [[Peter Jackson]] to ask if [[Weta Digital]] would create a computer-generated Snowy.<ref name="empire">{{cite news|title=News Etc.|work=[[Empire (magazine)|Empire]]|date=June 2009|pages=20–25}}</ref>
 {{Quote box|width=40%|quote=We're making them look photorealistic; the fibres of their clothing, the pores of their skin and each individual hair. They look exactly like real people—but real Hergé people!|source=Peter Jackson explains the film's look<ref name=real/>}}
-Jackson, a longtime fan of the comics,<ref name="back">{{cite news |author=Abramowitz |first=Rachel |date=22 March 2009 |title='Tintin' project brings moguls together |work=Los Angeles Times |url=https://www.latimes.com/entertainment/news/movies/la-ca-tintinfilm22-2009mar22,0,603817.story?track=rss |url-status=live |access-date=23 March 2009 |archive-url=https://web.archive.org/web/20090327184937/http://www.latimes.com/entertainment/news/movies/la-ca-tintinfilm22-2009mar22,0,603817.story?track=rss |archive-date=27 March 2009}}</ref> had used [[motion capture]] in ''[[The Lord of the Rings (film series)|The Lord of the Rings]]'' and ''[[King Kong (2005 film)|King Kong]]''; he suggested that a live-action adaptation would not do justice to the comic books and that motion capture was instead the best way of representing Hergé's world of Tintin.<ref name="empire" /> A week of filming took place in November 2006 in [[Playa Vista, Los Angeles]], California, on the stage where [[James Cameron]] shot ''[[Avatar (2009 film)|Avatar]]''.<ref name="future">{{cite news |author=Waxman |first=Sharon |author-link=Sharon Waxman |date=22 May 2007 |title=Top Directors See the Future, and They Say It's in 3-D |work=The New York Times |url=https://www.nytimes.com/2007/05/22/movies/22dime.html?_r=1&ei=5070&en=d97d3fc56f20c686&ex=1183780800&oref=slogin&pagewanted=all |url-status=live |access-date=4 September 2008 |archive-url=https://web.archive.org/web/20130603172758/http://www.nytimes.com/2007/05/22/movies/22dime.html?_r=1&ei=5070&en=d97d3fc56f20c686&ex=1183780800&oref=slogin&pagewanted=all |archive-date=3 June 2013}}</ref> [[Andy Serkis]] had been cast, while Jackson stood in for Tintin.<ref name="go" /> During the shoot, Cameron and [[Robert Zemeckis]] (who directed and produced motion-captured animated films) were present.<ref name="empire" /> The footage was transmitted to Weta Digital,<ref name="future" /> who produced a twenty-minute test reel that demonstrated a photorealistic depiction of the characters.<ref name="real" /> Spielberg said he would not mind filming it digitally because he saw it as an animated film, and reiterated his live-action work would always be filmed traditionally.<ref>{{cite news |author= |first= |date=14 September 2010 |title=Holy Smoke!!! Quint visits with Steven Spielberg on the INDIANA JONES 4 set!!! Plus news on TINTIN & TRANSFORMERS 2!!! |work=[[Ain't It Cool News]] |url=https://www.aintitcool.com/node/34376 |url-status=live |access-date=8 February 2009 |archive-url=https://web.archive.org/web/20080512081421/http://www.aintitcool.com/node/34376 |archive-date=12 May 2008}}</ref> Lead designer Chris Guise visited Brussels to see the inspiration for Hergé's sceneries.<ref>"Tintin: Conceptual Design", ''The Adventures of Tintin'' DVD</ref>
+Jackson, a longtime fan of the comics,<ref name="back">{{cite news |author=Abramowitz |first=Rachel |date=22 March 2009 |title='Tintin' project brings moguls together |work=Los Angeles Times |url=https://www.latimes.com/entertainment/news/movies/la-ca-tintinfilm22-2009mar22,0,603817.story?track=rss |url-status=live |access-date=23 March 2009 |archive-url=https://web.archive.org/web/20090327184937/http://www.latimes.com/entertainment/news/movies/la-ca-tintinfilm22-2009mar22,0,603817.story?track=rss |archive-date=27 March 2009}}</ref> had used [[motion capture]] in ''[[The Lord of the Rings (film series)|The Lord of the Rings]]'' and ''[[King Kong (2005 film)|King Kong]]''; he suggested that a live-action adaptation would not do justice to the comic books and that motion capture was instead the best way of representing Hergé's world of Tintin.<ref name="empire" /> A week of filming took place in November 2006 in [[Playa Vista, Los Angeles]] on the stage where [[James Cameron]] shot ''[[Avatar (2009 film)|Avatar]]''.<ref name="future">{{cite news |author=Waxman |first=Sharon |author-link=Sharon Waxman |date=22 May 2007 |title=Top Directors See the Future, and They Say It's in 3-D |work=The New York Times |url=https://www.nytimes.com/2007/05/22/movies/22dime.html?_r=1&ei=5070&en=d97d3fc56f20c686&ex=1183780800&oref=slogin&pagewanted=all |url-status=live |access-date=4 September 2008 |archive-url=https://web.archive.org/web/20130603172758/http://www.nytimes.com/2007/05/22/movies/22dime.html?_r=1&ei=5070&en=d97d3fc56f20c686&ex=1183780800&oref=slogin&pagewanted=all |archive-date=3 June 2013}}</ref> [[Andy Serkis]] had been cast, while Jackson stood in for Tintin.<ref name="go" /> During the shoot, Cameron and [[Robert Zemeckis]] were present.<ref name="empire" /> The footage was transmitted to Weta Digital,<ref name="future" /> who produced a 20-minute test reel that depicted photorealistic characters.<ref name="real" /> Spielberg said he would not mind filming it digitally because he saw it as an animated film, and reiterated his live-action work would always be filmed traditionally.<ref>{{cite news |author= |first= |date=14 September 2010 |title=Holy Smoke!!! Quint visits with Steven Spielberg on the INDIANA JONES 4 set!!! Plus news on TINTIN & TRANSFORMERS 2!!! |work=[[Ain't It Cool News]] |url=https://www.aintitcool.com/node/34376 |url-status=live |access-date=8 February 2009 |archive-url=https://web.archive.org/web/20080512081421/http://www.aintitcool.com/node/34376 |archive-date=12 May 2008}}</ref> Lead designer Chris Guise visited Brussels to see the inspiration for Hergé's sceneries.<ref>"Tintin: Conceptual Design", ''The Adventures of Tintin'' DVD</ref>
-An official announcement about the collaboration was made in May 2007, although both filmmakers had to wait to film it: Spielberg was preparing ''[[Indiana Jones and the Kingdom of the Crystal Skull]]'' while Jackson was planning ''[[The Lovely Bones (film)|The Lovely Bones]]''.<ref name="real">{{cite news |author=McClintock |first1=Pamela |last2=Thompson |first2=Anne |date=14 May 2007 |title=Spielberg, Jackson team for Tintin |work=[[Variety (magazine)|Variety]] |url=https://variety.com/2007/film/markets-festivals/spielberg-jackson-team-for-tintin-1117964927/ |url-status=live |access-date=24 May 2007 |archive-url=https://web.archive.org/web/20070926215311/http://www.variety.com/article/VR1117964927.html?categoryid=13&cs=1&query=tintin |archive-date=26 September 2007}}</ref> Spielberg had considered two books to become the main story, ''[[The Crab with the Golden Claws]]'' and ''The Secret of the Unicorn'', with the main plot eventually following the latter and its immediate sequel, ''Red Rackham's Treasure''. Jackson felt the former's story "wasn't really robust enough to sustain a feature film", but the filmmakers still included elements from the comic, such as the ''Karaboudjan'' and the first meeting of Tintin and Haddock. Spielberg invited [[Edgar Wright]] to write the script for the film, but Wright was busy and instead recommended other names, including [[Steven Moffat]].<ref name="world">"The World of Tintin", ''The Adventures of Tintin'' DVD</ref> In October 2007, Moffat joined as the screenwriter for two of the ''Tintin'' films.<ref>{{cite news |author=Mayberry |first=Carly |date=2 October 2007 |title=Scribe Moffat on 'Tintin' case |work=[[The Hollywood Reporter]] |url=https://www.hollywoodreporter.com/hr/content_display/news/e3ia426500233e132c7ae7d566d04f0282e |access-date=2 October 2007 |archive-url=https://web.archive.org/web/20071018011523/http://www.hollywoodreporter.com/hr/content_display/news/e3ia426500233e132c7ae7d566d04f0282e <!-- Bot retrieved archive --> |archive-date=18 October 2007}}</ref> Moffat said he was "[[love bombing|love bombed]]" by Spielberg into accepting the offer to write the films, with the director promising to shield him from studio interference with his writing.<ref>{{cite news |author=Harlow |first=John |date=8 June 2008 |title=Police deployed against paparazzi |work=The Times |location=UK |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article4072239.ece |url-status=dead |access-date=12 June 2008 |archive-url=https://web.archive.org/web/20080904215021/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article4072239.ece |archive-date=4 September 2008}}</ref> Moffat finished a draft, but was unable to finish another due to the [[2007–08 Writers Guild of America strike|2007–2008 Writers Guild of America strike]]. He then became executive producer of ''[[Doctor Who]]'', leading Spielberg and Jackson (the latter being a fan of the show) to allow him to leave and fulfill his duty to the series.<ref>{{cite news|title=Dr Who writer denies Tintin row|work=BBC News Online|date=21 July 2008|url=http://news.bbc.co.uk/2/hi/entertainment/7517423.stm|access-date=3 September 2008|archive-date=24 July 2008|archive-url=https://web.archive.org/web/20080724015941/http://news.bbc.co.uk/2/hi/entertainment/7517423.stm|url-status=live}}</ref> Wright then returned and agreed to take over the script while [[Joe Cornish]], a fan of ''Tintin'' with whom Wright was working at the time, also worked with him. After two drafts of the script, Wright left in order to begin filming ''[[Scott Pilgrim vs. the World]].'', with Cornish staying on to finish the script under the guidance of Spielberg and Jackson.<ref name="world" />
+An official announcement about the collaboration was made in May 2007, although both filmmakers had to wait to film it: Spielberg was preparing ''[[Indiana Jones and the Kingdom of the Crystal Skull]]'' while Jackson was planning ''[[The Lovely Bones (film)|The Lovely Bones]]''.<ref name="real">{{cite news |author=McClintock |first1=Pamela |last2=Thompson |first2=Anne |date=14 May 2007 |title=Spielberg, Jackson team for Tintin |work=[[Variety (magazine)|Variety]] |url=https://variety.com/2007/film/markets-festivals/spielberg-jackson-team-for-tintin-1117964927/ |url-status=live |access-date=24 May 2007 |archive-url=https://web.archive.org/web/20070926215311/http://www.variety.com/article/VR1117964927.html?categoryid=13&cs=1&query=tintin |archive-date=26 September 2007}}</ref> Spielberg had considered two books to become the main story, ''[[The Crab with the Golden Claws]]'' and ''The Secret of the Unicorn'', with the main plot eventually following the latter and its immediate sequel, ''Red Rackham's Treasure''. Jackson felt the former's story "wasn't really robust enough to sustain a feature film", but the filmmakers still included elements from the comic, such as the ''Karaboudjan'' and the first meeting of Tintin and Haddock. Spielberg invited [[Edgar Wright]] to write the script for the film, but Wright was busy and instead recommended other names, including [[Steven Moffat]].<ref name="world">"The World of Tintin", ''The Adventures of Tintin'' DVD</ref> In October 2007, Moffat joined as the screenwriter for two of the ''Tintin'' films.<ref>{{cite news |author=Mayberry |first=Carly |date=2 October 2007 |title=Scribe Moffat on 'Tintin' case |work=[[The Hollywood Reporter]] |url=https://www.hollywoodreporter.com/hr/content_display/news/e3ia426500233e132c7ae7d566d04f0282e |access-date=2 October 2007 |archive-url=https://web.archive.org/web/20071018011523/http://www.hollywoodreporter.com/hr/content_display/news/e3ia426500233e132c7ae7d566d04f0282e <!-- Bot retrieved archive --> |archive-date=18 October 2007}}</ref> Moffat said he was "[[love bombing|love bombed]]" by Spielberg into accepting the offer to write the films, with the director promising to shield him from studio interference with his writing.<ref>{{cite news |author=Harlow |first=John |date=8 June 2008 |title=Police deployed against paparazzi |work=The Times |location=UK |url=http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article4072239.ece |url-status=dead |access-date=12 June 2008 |archive-url=https://web.archive.org/web/20080904215021/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article4072239.ece |archive-date=4 September 2008}}</ref> Moffat finished one draft, but not another due to the [[2007–08 Writers Guild of America strike]]. He then became executive producer of ''[[Doctor Who]]'', and was allowed to leave by Spielberg and Jackson.<ref>{{cite news|title=Dr Who writer denies Tintin row|work=BBC News Online|date=21 July 2008|url=http://news.bbc.co.uk/2/hi/entertainment/7517423.stm|access-date=3 September 2008|archive-date=24 July 2008|archive-url=https://web.archive.org/web/20080724015941/http://news.bbc.co.uk/2/hi/entertainment/7517423.stm|url-status=live}}</ref> Wright then returned and agreed to take over the script alongside [[Joe Cornish]], a fan of ''Tintin'' with whom Wright was working at the time. After two drafts of the script, Wright left to begin filming ''[[Scott Pilgrim vs. the World]].'', while Cornish stayed on to finish the script under the guidance of Spielberg and Jackson.<ref name="world" />
-More filming took place in March 2008.<ref name="go">{{cite news|title=Tintin a Go-go|work=[[Empire (magazine)|Empire]]|date=3 September 2008|page=22}}</ref> However, in August that year (a month before principal photography would have begun), [[Universal Pictures]] turned down their option to co-produce the film due to the poor box office performances of other recent motion-captured animated films, such as ''[[Monster House (film)|Monster House]]'' (2006) and ''[[Beowulf (2007 film)|Beowulf]]'' (2007), as well as Spielberg and Jackson's request for a combined 30% of the gross.<ref>{{Cite news |date=September 20, 2008 |title=Universal deems Tintin movie too expensive: report |newspaper=The Economic Times |url=https://economictimes.indiatimes.com/universal-deems-tintin-movie-too-expensive-report/articleshow/3505638.cms?from=mdr |url-status=live |access-date=13 April 2020 |archive-url=https://web.archive.org/web/20200908062758/https://economictimes.indiatimes.com/universal-deems-tintin-movie-too-expensive-report/articleshow/3505638.cms?from=mdr |archive-date=8 September 2020}}</ref> [[Paramount Pictures]] (DreamWorks' distributor) had hoped to partner with Universal on the project, having spent $30 million on pre-production. Spielberg gave a ten-minute presentation of footage, hoping they would approve filming to begin in October. Paramount, along with their subsidiary [[Nickelodeon Movies]], offered to produce as long as the directors found a studio that was willing to co-produce the film: Spielberg and Jackson agreed<ref name="delay">{{cite news |author=Thompson |first=Anne |author-link=Anne Thompson (film critic) |date=9 October 2008 |title=Films up in the air after studios split |work=[[Variety (magazine)|Variety]] |url=https://variety.com/2008/film/columns/films-up-in-the-air-after-studios-split-1117993747/ |url-status=live |access-date=15 October 2008 |archive-url=https://web.archive.org/web/20081014031035/http://www.variety.com/article/VR1117993747.html?categoryid=2508&cs=1 |archive-date=14 October 2008}}</ref><ref name="uni">{{cite news |author=Eller |first=Claudia |date=19 September 2008 |title=Amazing story: a 'no' to Spielberg |work=Los Angeles Times |url=https://www.latimes.com/business/la-fi-tintin19-2008sep19,0,5882061.story |url-status=live |access-date=19 September 2008 |archive-url=https://web.archive.org/web/20080919103853/http://www.latimes.com/business/la-fi-tintin19-2008sep19,0,5882061.story |archive-date=19 September 2008}}</ref> and negotiated with [[Sony Pictures|Sony]]'s [[Columbia Pictures]] to co-finance and distribute the first film internationally by the end of October.<ref name="rivals">{{cite news|last=Cieply|first=Michael|title=Rivals in Talks to Finance 'Tintin' Films|work=[[The New York Times]]|date=1 November 2008|url=https://www.nytimes.com/2008/11/01/business/media/01tintin.html?em|access-date=1 November 2008|archive-date=3 June 2013|archive-url=https://web.archive.org/web/20130603153052/http://www.nytimes.com/2008/11/01/business/media/01tintin.html?em|url-status=live}}</ref><ref name="sony">{{cite news|last=Thompson|first=Anne|url=https://variety.com/2008/film/features/sony-paramount-financing-tintin-1117995106/|title=Sony/Paramount financing 'Tintin'|work=[[Variety (magazine)|Variety]]|date=31 October 2008|access-date=1 November 2008|author-link=Anne Thompson (film critic)|archive-date=20 June 2011|archive-url=https://web.archive.org/web/20110620165625/http://www.variety.com/article/VR1117995106|url-status=live}}</ref><ref>{{cite news |author=Eller |first=Claudia |date=31 October 2008 |title=Paramount and Sony might co-parent "Tintin" |work=[[Los Angeles Times]] |url=https://latimesblogs.latimes.com/entertainmentnewsbuzz/2008/10/paramount-and-s.html |url-status=live |access-date=1 November 2008 |archive-url=https://web.archive.org/web/20081106110258/http://latimesblogs.latimes.com/entertainmentnewsbuzz/2008/10/paramount-and-s.html |archive-date=6 November 2008}}</ref> Sony only agreed to finance two films, though Jackson said a third film may still happen.<ref name="empire" />
+More filming took place in March 2008.<ref name="go">{{cite news|title=Tintin a Go-go|work=[[Empire (magazine)|Empire]]|date=3 September 2008|page=22}}</ref> However, that August (a month before principal photography would have begun), Universal turned down their option to co-produce due to the poor box office performances of recent motion-captured animated films such as ''[[Monster House (film)|Monster House]]'' and ''[[Beowulf (2007 film)|Beowulf]]'', as well as Spielberg and Jackson's request for a combined 30% of the gross.<ref>{{Cite news |date=20 September 2008 |title=Universal deems Tintin movie too expensive: report |newspaper=The Economic Times |url=https://economictimes.indiatimes.com/universal-deems-tintin-movie-too-expensive-report/articleshow/3505638.cms?from=mdr |url-status=live |access-date=13 April 2020 |archive-url=https://web.archive.org/web/20200908062758/https://economictimes.indiatimes.com/universal-deems-tintin-movie-too-expensive-report/articleshow/3505638.cms?from=mdr |archive-date=8 September 2020}}</ref> [[Paramount Pictures]] (DreamWorks' distributor) had hoped to partner with Universal on the project, having spent $30 million on pre-production. Spielberg gave a ten-minute presentation of footage, hoping they would approve filming to begin in October. Paramount, along with their subsidiary [[Nickelodeon Movies]], offered to produce as long as the directors found a studio that was willing to co-produce the film: Spielberg and Jackson agreed,<ref name="delay">{{cite news |author=Thompson |first=Anne |author-link=Anne Thompson (film critic) |date=9 October 2008 |title=Films up in the air after studios split |work=[[Variety (magazine)|Variety]] |url=https://variety.com/2008/film/columns/films-up-in-the-air-after-studios-split-1117993747/ |url-status=live |access-date=15 October 2008 |archive-url=https://web.archive.org/web/20081014031035/http://www.variety.com/article/VR1117993747.html?categoryid=2508&cs=1 |archive-date=14 October 2008}}</ref><ref name="uni">{{cite news |author=Eller |first=Claudia |date=19 September 2008 |title=Amazing story: a 'no' to Spielberg |work=Los Angeles Times |url=https://www.latimes.com/business/la-fi-tintin19-2008sep19,0,5882061.story |url-status=live |access-date=19 September 2008 |archive-url=https://web.archive.org/web/20080919103853/http://www.latimes.com/business/la-fi-tintin19-2008sep19,0,5882061.story |archive-date=19 September 2008}}</ref> and by the end of October negotiated with [[Sony Pictures|Sony]]'s [[Columbia Pictures]] to co-finance and distribute the first film internationally.<ref name="rivals">{{cite news|last=Cieply|first=Michael|title=Rivals in Talks to Finance 'Tintin' Films|work=[[The New York Times]]|date=1 November 2008|url=https://www.nytimes.com/2008/11/01/business/media/01tintin.html?em|access-date=1 November 2008|archive-date=3 June 2013|archive-url=https://web.archive.org/web/20130603153052/http://www.nytimes.com/2008/11/01/business/media/01tintin.html?em|url-status=live}}</ref><ref name="sony">{{cite news|last=Thompson|first=Anne|url=https://variety.com/2008/film/features/sony-paramount-financing-tintin-1117995106/|title=Sony/Paramount financing 'Tintin'|work=[[Variety (magazine)|Variety]]|date=31 October 2008|access-date=1 November 2008|author-link=Anne Thompson (film critic)|archive-date=20 June 2011|archive-url=https://web.archive.org/web/20110620165625/http://www.variety.com/article/VR1117995106|url-status=live}}</ref><ref>{{cite news |author=Eller |first=Claudia |date=31 October 2008 |title=Paramount and Sony might co-parent 'Tintin' |work=[[Los Angeles Times]] |url=https://latimesblogs.latimes.com/entertainmentnewsbuzz/2008/10/paramount-and-s.html |url-status=live |access-date=1 November 2008 |archive-url=https://web.archive.org/web/20081106110258/http://latimesblogs.latimes.com/entertainmentnewsbuzz/2008/10/paramount-and-s.html |archive-date=6 November 2008}}</ref> Sony only agreed to finance two films, though Jackson said a third may still happen.<ref name="empire" />
 === Filming and visual effects ===
-[[Principal photography]] began in Los Angeles on 26 January 2009; the release date was pushed from 2010 to 2011.<ref name="pr" /> Spielberg finished his film—after 32 days of shooting—in March 2009. Jackson was present for the first week of filming and supervised the rest of the shoot via a [[bespoke]] [[videoconferencing]] program.<ref name="back" /> Simon Pegg said Jackson's voice would "be coming over the [[Tannoy]] like God".<ref>{{cite news |author=Setchfield |first=Nick |date=1 April 2009 |title=Simon Pegg Exclusive |work=[[SFX magazine]] |url=http://www.sfx.co.uk/page/sfx?entry=simon_pegg_exclusive |url-status=dead |access-date=6 April 2009 |archive-url=https://web.archive.org/web/20090405143624/http://www.sfx.co.uk/page/sfx?entry=simon_pegg_exclusive |archive-date=5 April 2009}}</ref> During filming, various directors, including [[Guillermo del Toro]], [[Stephen Daldry]] and [[David Fincher]] visited. Spielberg wanted to treat the film like live-action, moving his camera around.<ref name="empire" /> He revealed: "Every movie I made, up until ''Tintin'', I always kept one eye closed when I've been framing a shot", because he wanted to see the movie in 2-D, the way viewers would. "On ''Tintin'', I have both of my eyes open".<ref>{{cite magazine|last=Quittner|first=Josh|author-link=Josh Quittner|title=3-D: The Future of Movies|magazine=[[Time (magazine)|Time]]|date=19 March 2009|url=https://time.com/time/magazine/article/0,9171,1886541-2,00.html|access-date=20 March 2009|archive-date=22 March 2009|archive-url=https://web.archive.org/web/20090322030112/http://www.time.com/time/magazine/article/0,9171,1886541-2,00.html|url-status=dead}}</ref> Jackson took the hands-on approach to directing Weta Digital during post-production, which Spielberg supervised through video conferencing.<ref name="dig">{{cite news |author=Segel |first=Tatiana |date=6 March 2009 |title=Spielberg, Jackson dig into 'Tintin' |work=[[Variety (magazine)|Variety]] |url=https://variety.com/2009/film/features/spielberg-jackson-dig-into-tintin-1118000923/ |access-date=4 March 2023 |archive-date=4 March 2023 |archive-url=https://web.archive.org/web/20230304073519/https://variety.com/2009/film/features/spielberg-jackson-dig-into-tintin-1118000923/ |url-status=live }}</ref> Spielberg said "there will be no cell phones, no TV sets, no modern cars. Just timeless Europe".<ref>{{cite web |date=December 3, 2009 |title=Spielberg, Jackson Talk More "Tintin" |url=https://www.darkhorizons.com/spielberg-jackson-talk-more-tintin-/ |url-status=dead |archive-url=https://archive.today/20120723114730/http://www.darkhorizons.com/news/15831/spielberg-jackson-talk-more-tintin-/ |archive-date=23 July 2012 |access-date=16 October 2014 |publisher=Dark Futures Pty.}}</ref> His frequent collaborator and cinematographer [[Janusz Kamiński]] served as lighting consultant for Weta, and Jackson said the film would look "[[film noir]]ish, very atmospheric". Spielberg finished six weeks of additional motion-capture filming in mid-July 2009.<ref name="empire" /><ref>{{cite news|last=DiOrio|first=Carl|title='Avatar' house is motion-capture Giant|work=[[The Hollywood Reporter]]|date=15 July 2009|pages=1, 13|url=https://www.hollywoodreporter.com/hr/content_display/film/news/e3ia13021641b2079d289fc3dc3a2865694|archive-url=https://web.archive.org/web/20090719080411/http://www.hollywoodreporter.com/hr/content_display/film/news/e3ia13021641b2079d289fc3dc3a2865694|archive-date=19 July 2009}}</ref> Post production was finished in September 2011.<ref>"Toasting Tintin", ''The Adventures of Tintin'' DVD</ref> From the very beginning to the very end, the film took a total of seven years in production.
+[[Principal photography]] began in Los Angeles on 26 January 2009; the release date was pushed from 2010 to 2011.<ref name="pr" /> Spielberg finished his film—after 32 days of shooting—in March 2009. Jackson was present for the first week of filming and supervised the rest of the shoot via a [[bespoke]] [[videoconferencing]] program.<ref name="back" /> Simon Pegg said Jackson's voice would "be coming over the [[Tannoy]] like God".<ref>{{cite news |author=Setchfield |first=Nick |date=1 April 2009 |title=Simon Pegg Exclusive |work=[[SFX magazine]] |url=http://www.sfx.co.uk/page/sfx?entry=simon_pegg_exclusive |url-status=dead |access-date=6 April 2009 |archive-url=https://web.archive.org/web/20090405143624/http://www.sfx.co.uk/page/sfx?entry=simon_pegg_exclusive |archive-date=5 April 2009}}</ref> During filming, various directors, including [[Guillermo del Toro]], [[Stephen Daldry]] and [[David Fincher]] visited. Spielberg wanted to treat the film like live-action, moving his camera around.<ref name="empire" /> He revealed: "Every movie I made, up until ''Tintin'', I always kept one eye closed when I've been framing a shot", because he wanted to see the movie in 2-D, the way viewers would. "On ''Tintin'', I have both of my eyes open".<ref>{{cite magazine|last=Quittner|first=Josh|author-link=Josh Quittner|title=3-D: The Future of Movies|magazine=[[Time (magazine)|Time]]|date=19 March 2009|url=https://time.com/time/magazine/article/0,9171,1886541-2,00.html|access-date=20 March 2009|archive-date=22 March 2009|archive-url=https://web.archive.org/web/20090322030112/http://www.time.com/time/magazine/article/0,9171,1886541-2,00.html|url-status=dead}}</ref> Jackson took the hands-on approach to directing Weta Digital during post-production, which Spielberg supervised through video conferencing.<ref name="dig">{{cite news |author=Segel |first=Tatiana |date=6 March 2009 |title=Spielberg, Jackson dig into 'Tintin' |work=[[Variety (magazine)|Variety]] |url=https://variety.com/2009/film/features/spielberg-jackson-dig-into-tintin-1118000923/ |access-date=4 March 2023 |archive-date=4 March 2023 |archive-url=https://web.archive.org/web/20230304073519/https://variety.com/2009/film/features/spielberg-jackson-dig-into-tintin-1118000923/ |url-status=live }}</ref> Spielberg said "there will be no cell phones, no TV sets, no modern cars. Just timeless Europe".<ref>{{cite web |date=3 December 2009 |title=Spielberg, Jackson Talk More "Tintin" |url=https://www.darkhorizons.com/spielberg-jackson-talk-more-tintin-/ |url-status=dead |archive-url=https://archive.today/20120723114730/http://www.darkhorizons.com/news/15831/spielberg-jackson-talk-more-tintin-/ |archive-date=23 July 2012 |access-date=16 October 2014 |publisher=Dark Futures Pty.}}</ref> His frequent collaborator and cinematographer [[Janusz Kamiński]] served as lighting consultant for Weta, and Jackson said the film would look "[[film noir]]ish, very atmospheric". Spielberg finished six weeks of additional motion-capture filming in mid-July 2009.<ref name="empire" /><ref>{{cite news|last=DiOrio|first=Carl|title='Avatar' house is motion-capture Giant|work=[[The Hollywood Reporter]]|date=15 July 2009|pages=1, 13|url=https://www.hollywoodreporter.com/hr/content_display/film/news/e3ia13021641b2079d289fc3dc3a2865694|archive-url=https://web.archive.org/web/20090719080411/http://www.hollywoodreporter.com/hr/content_display/film/news/e3ia13021641b2079d289fc3dc3a2865694|archive-date=19 July 2009}}</ref> Post production was finished in September 2011.<ref>"Toasting Tintin", ''The Adventures of Tintin'' DVD</ref> From the very beginning to the very end, the film took a total of seven years in production.
 To improve the quality of the indoor lighting nuances, Weta Digital and NVIDIA developed a piece of [[Ray tracing (graphics)|ray tracing]] software called PantaRay, which requires 100 to 1,000 times more computation than traditional shadow-map based solutions.<ref>{{cite web|url=http://www.cgw.com/Press-Center/Web-Exclusives/2012/Tintin-Draws-On-GPU-Technology.aspx|title='Tintin' Draws On GPU Technology|date=21 February 2012|publisher=Computer Graphics World|access-date=16 October 2014|archive-date=20 October 2014|archive-url=https://web.archive.org/web/20141020071259/http://www.cgw.com/Press-Center/Web-Exclusives/2012/Tintin-Draws-On-GPU-Technology.aspx|url-status=live}}</ref> For the performance of "Snowy", various models served as a reference for actors on-set, manipulated by property master Brad Elliott. According to animators, Snowy was the hardest character to animate and develop, due to the type of coat he has as well as being white. Later, a dog's motion was captured digitally so the animators had inspiration for realistic movements. His vocal effects were taken from various breeds of dogs.<ref>"Snowy: From Beginning to End", ''The Adventures of Tintin'' DVD</ref>
@@ Line 131: / Line 127: @@
 [[John Williams]] composed the musical score for ''The Adventures of Tintin''. It was the first time Williams had composed the score of a film since 2008's ''Indiana Jones and the Kingdom of the Crystal Skull'',<ref>{{cite web|title=Sony Classical to Release John Williams' 'The Adventures of Tintin' Soundtrack|url=http://filmmusicreporter.com/2011/08/08/sony-classical-to-release-john-williams-the-adventures-of-tintin-soundtrack/|work=Film Music Reporter|access-date=30 January 2012|date=8 August 2011|archive-date=3 January 2012|archive-url=https://web.archive.org/web/20120103034006/http://filmmusicreporter.com/2011/08/08/sony-classical-to-release-john-williams-the-adventures-of-tintin-soundtrack/|url-status=live}}</ref> as well as his first score for an animated film. Most of the score was written while the animation was still in the early stages, with Williams seeking to employ "the old [[Walt Disney Animation Studios|Disney]] technique of doing music first and have the animators trying to follow what the music is doing". Eventually, several cues had to be revised during the editing of the film. The composer decided to employ various musical styles, with "1920s, 1930s European jazz" for the opening credits and "pirate music" for the battle at sea.<ref>"Tintin: The Score", ''The Adventures of Tintin'' DVD</ref> The score was released on 21 October 2011 by [[Sony Classical Records]].<ref>{{cite web|title=The Adventures Of Tintin: John Williams|url=https://www.amazon.fr/The-Adventures-Of-Tintin/dp/B005VTVLOO|publisher=Amazon.fr|access-date=30 January 2012|date=21 October 2011|archive-date=6 January 2012|archive-url=https://web.archive.org/web/20120106135043/http://www.amazon.fr/The-Adventures-Of-Tintin/dp/B005VTVLOO|url-status=live}}</ref>
 <!-- infobox, reviews and ratings were already included in the film's soundtrack article. -->
-== Differences from the source material ==
-The film mainly draws its story from ''The Secret of the Unicorn'' (1943) and ''The Crab with the Golden Claws'' (1941) and to a much lesser degree, from ''Red Rackham's Treasure'' (1944). There are major differences from the source material, most notably with regard to the antagonists. In the book, Ivan Sakharine is a minor character, neither a villain nor the descendant of Red Rackham. As Sakharine was made the main antagonist in the film, the book's main villains, the [[Bird brothers]], are absent from the adaptation, save for a small "cameo" in the initial sequence at the market. As a result of this change, many events transpire that bear no relation to events in the books involving Sakharine's character.<ref name="Guardian_18Oct2011">{{cite web |last=Lezard |first=Nicholas |date=18 October 2011 |title=How could they do this to Tintin? |url=https://www.theguardian.com/culture/2011/oct/18/how-could-do-this-tintin/ |url-status=live |archive-url=https://web.archive.org/web/20150424154524/http://www.theguardian.com/culture/2011/oct/18/how-could-do-this-tintin |archive-date=24 April 2015 |access-date=1 February 2015 |work=The Guardian}}</ref> As in other adaptations, Snowy's "voice" is not used.
 == Release ==
 [[File:Spielberg and Tintin 2011.jpg|thumb|[[Steven Spielberg]] and a costumed character of Tintin at the film's [[premiere]] in Paris, 22 October 2011.]]
-The film's first press-screening was held in Belgium on 10 October 2011.<ref name="la libre">{{cite web|title=Les Aventuriers de la Licorne Perdue|url=https://www.lalibre.be/culture/cinema/les-aventuriers-de-la-licorne-perdue-51b8dc3ce4b0de6db9c3950c|publisher=La Libre|access-date=12 October 2011|language=fr|date=12 October 2011|archive-date=19 August 2014|archive-url=https://web.archive.org/web/20140819201503/http://www.lalibre.be/culture/cinema/les-aventuriers-de-la-licorne-perdue-51b8dc3ce4b0de6db9c3950c|url-status=live}}</ref> The world première was held in Brussels, Belgium on 22 October 2011—attended by [[Princess Astrid of Belgium, Archduchess of Austria-Este|Princess Astrid]] and her younger daughters, [[Princess Luisa Maria of Belgium, Archduchess of Austria-Este|Princess Luisa Maria]] and [[Princess Laetitia Maria of Belgium, Archduchess of Austria-Este|Princess Laetitia Maria]], with the Paris première later the same day.<ref name="DT">{{cite news|title=Tintin fans flock to Belgian film premiere|url=https://www.telegraph.co.uk/culture/film/film-news/8844394/Tintin-fans-flock-to-Belgian-film-premiere.html|publisher=Daily Telegraph|access-date=31 October 2011|date=22 October 2011|location=London|archive-date=27 October 2011|archive-url=https://web.archive.org/web/20111027062708/http://www.telegraph.co.uk/culture/film/film-news/8844394/Tintin-fans-flock-to-Belgian-film-premiere.html|url-status=dead}}</ref> Sony later released the film during late October and early November 2011 in Europe, Latin America and India. The film was released in [[Quebec]] on 9 December.<ref>{{cite news|last=Lauzon|first=François|title=Tintin to hit Quebec screens Dec. 9|url=https://montrealgazette.com/entertainment/movie-guide/Tintin+Quebec+screens/5606797/story.html|newspaper=Montreal Gazette|date=26 October 2011|archive-url=https://web.archive.org/web/20111103022150/http://www.montrealgazette.com/entertainment/movie-guide/Tintin+Quebec+screens/5606797/story.html|archive-date=3 November 2011|df=dmy-all}}</ref> Paramount distributed the film in Asia, New Zealand, United Kingdom, and all other English-speaking territories. They released the film in the United States on 21 December.<ref>{{cite news |date=29 May 2009 |title=The Adventures of Tintin Hits Theaters on Dec.&nbsp;23, 2011 |work=ComingSoon.net |url=https://www.comingsoon.net/news/movienews.php?id=55875 |url-status=dead |access-date=29 May 2009 |archive-url=https://web.archive.org/web/20090530120454/http://www.comingsoon.net/news/movienews.php?id=55875 |archive-date=30 May 2009}}</ref><ref>{{cite web|url=http://www.tintin-movie.net/international/|title=Worldwide Release Dates|publisher=Paramount Pictures|archive-url=https://web.archive.org/web/20110523125345/http://www.tintin-movie.net/international/|archive-date=23 May 2011|df=dmy-all }}</ref>
+The film's first press-screening was held in Belgium on 10 October 2011.<ref name="la libre">{{cite web|title=Les Aventuriers de la Licorne Perdue|url=https://www.lalibre.be/culture/cinema/les-aventuriers-de-la-licorne-perdue-51b8dc3ce4b0de6db9c3950c|publisher=La Libre|access-date=12 October 2011|language=fr|date=12 October 2011|archive-date=19 August 2014|archive-url=https://web.archive.org/web/20140819201503/http://www.lalibre.be/culture/cinema/les-aventuriers-de-la-licorne-perdue-51b8dc3ce4b0de6db9c3950c|url-status=live}}</ref> The world première was held in Brussels, Belgium on 22 October 2011—attended by [[Princess Astrid of Belgium, Archduchess of Austria-Este|Princess Astrid]] and her younger daughters, [[Princess Luisa Maria of Belgium, Archduchess of Austria-Este|Princess Luisa Maria]] and [[Princess Laetitia Maria of Belgium, Archduchess of Austria-Este|Princess Laetitia Maria]], with the Paris première later the same day.<ref name="DT">{{cite news|title=Tintin fans flock to Belgian film premiere|url=https://www.telegraph.co.uk/culture/film/film-news/8844394/Tintin-fans-flock-to-Belgian-film-premiere.html|publisher=Daily Telegraph|access-date=31 October 2011|date=22 October 2011|location=London|archive-date=27 October 2011|archive-url=https://web.archive.org/web/20111027062708/http://www.telegraph.co.uk/culture/film/film-news/8844394/Tintin-fans-flock-to-Belgian-film-premiere.html|url-status=dead}}</ref> Sony later released the film during late October and early November 2011 in Europe, Latin America and India. The film was released in [[Quebec]] on 9 December.<ref>{{cite news|last=Lauzon|first=François|title=Tintin to hit Quebec screens Dec. 9|url=https://montrealgazette.com/entertainment/movie-guide/Tintin+Quebec+screens/5606797/story.html|newspaper=Montreal Gazette|date=26 October 2011|archive-url=https://web.archive.org/web/20111103022150/http://www.montrealgazette.com/entertainment/movie-guide/Tintin+Quebec+screens/5606797/story.html|archive-date=3 November 2011}}</ref> Paramount distributed the film in Asia, New Zealand, United Kingdom, and all other English-speaking territories. They released the film in the United States on 21 December.<ref>{{cite news |date=29 May 2009 |title=The Adventures of Tintin Hits Theaters on Dec.&nbsp;23, 2011 |work=ComingSoon.net |url=https://www.comingsoon.net/news/movienews.php?id=55875 |url-status=dead |access-date=29 May 2009 |archive-url=https://web.archive.org/web/20090530120454/http://www.comingsoon.net/news/movienews.php?id=55875 |archive-date=30 May 2009}}</ref><ref>{{cite web|url=http://www.tintin-movie.net/international/|title=Worldwide Release Dates|publisher=Paramount Pictures|archive-url=https://web.archive.org/web/20110523125345/http://www.tintin-movie.net/international/|archive-date=23 May 2011 }}</ref>
-=== Home media ===
+A video game entitled ''[[The Adventures of Tintin: The Secret of the Unicorn (video game)|The Adventures of Tintin: The Secret of the Unicorn]]'', developed by game developer [[Ubisoft]],<ref>{{cite news|author=Rob Crossley|title=Ubisoft to develop Spielberg's Tintin|date=2 June 2009|url=https://www.mcvuk.com/news/32040/Ubisoft-to-develop-Spielbergs-Tintin|access-date=28 October 2009|archive-url=https://web.archive.org/web/20090919094217/http://www.develop-online.net/news/32040/Ubisoft-to-develop-Spielbergs-Tintin|archive-date=19 September 2009|url-status=dead}}</ref> was released to coincide with the release date of the film. [[Gameloft]] released a game for mobile devices to coincide with the film's European launch.<ref>{{cite web|work = IGN|title = First Look: The Adventures of Tintin (iOS)|date = 17 August 2011|url = http://uk.wireless.ign.com/articles/118/1188418p1.html|access-date = 17 August 2011|url-status=dead|archive-url = https://web.archive.org/web/20111001052911/http://uk.wireless.ign.com/articles/118/1188418p1.html|archive-date = 1 October 2011|df = dmy-all}}</ref>
-On 13 March 2012, [[Paramount Home Entertainment]] released ''The Adventures of Tintin'' on [[DVD]] and [[Blu-ray]].<ref>{{cite web|author=The Adventures of Tintin|url=https://www.amazon.com/Adventures-Tintin-Daniel-Craig/dp/B0034G4P4O|title=The Adventures of Tintin: Daniel Craig, Jamie Bell, Steven Spielberg: Movies & TV|website=Amazon |date=13 March 2012 |access-date=2012-11-08|archive-date=22 October 2016|archive-url=https://web.archive.org/web/20161022023809/https://www.amazon.com/Adventures-Tintin-Daniel-Craig/dp/B0034G4P4O|url-status=live}}</ref> Both formats of the film were also released in a Blu-ray + DVD + Digital Copy combo pack and a Blu-ray 3D + Blu-ray + DVD + Digital Copy combo pack, with each pack including 11 behind-the-scenes featurettes.<ref>{{cite web|last=Katz|first=Josh|title=The Adventures of Tintin Blu-ray|url=https://www.blu-ray.com/news/?id=8209|publisher=Blu-ray.com|access-date=12 December 2012|date=16 February 2012|archive-date=26 March 2013|archive-url=https://web.archive.org/web/20130326152854/http://www.blu-ray.com/news/?id=8209|url-status=live}}</ref>
-During its first week available on home video, ''The Adventures of Tintin'' Blu-ray was the number-one-selling HD movie after selling 504,000 units and generating $11.09 million in sales.<ref>{{cite web|last=Strowbridge|first=C. S.|title=Blu-ray Sales: Tintin Finds First Spot|url=https://www.the-numbers.com/interactive/newsStory.php?newsID=7147|publisher=The Numbers|access-date=12 December 2012|date=28 March 2012|archive-date=3 April 2012|archive-url=https://web.archive.org/web/20120403072331/http://www.the-numbers.com/interactive/newsStory.php?newsID=7147|url-status=live}}</ref> The film was also the second-highest-selling home media seller during its first week, with 50% of its profits coming from its Blu-ray market.<ref>{{cite web|last=Katz|first=Josh|title=Blu-ray Sales, Mar. 12–18: Tintin Tops Blu-rays|url=https://www.blu-ray.com/news/?id=8425|publisher=Blu-ray.com|access-date=12 December 2012|date=23 March 2012|archive-date=26 March 2013|archive-url=https://web.archive.org/web/20130326173432/http://www.blu-ray.com/news/?id=8425|url-status=live}}</ref>
+On 13 March 2012, [[Paramount Home Entertainment]] released ''The Adventures of Tintin'' on DVD and [[Blu-ray]]. Both formats of the film were also released as combo packs, with each pack including 11 behind-the-scenes featurettes.<ref>{{cite web|last=Katz|first=Josh|title=The Adventures of Tintin Blu-ray|url=https://www.blu-ray.com/news/?id=8209|publisher=Blu-ray.com|access-date=12 December 2012|date=16 February 2012|archive-date=26 March 2013|archive-url=https://web.archive.org/web/20130326152854/http://www.blu-ray.com/news/?id=8209|url-status=live}}</ref> During its first week, ''The Adventures of Tintin'' Blu-ray was the number-one-selling HD movie after selling 504,000 units and generating $11.09 million in sales.<ref>{{cite web|last=Strowbridge|first=C. S.|title=Blu-ray Sales: Tintin Finds First Spot|url=https://www.the-numbers.com/interactive/newsStory.php?newsID=7147|publisher=The Numbers|access-date=12 December 2012|date=28 March 2012|archive-date=3 April 2012|archive-url=https://web.archive.org/web/20120403072331/http://www.the-numbers.com/interactive/newsStory.php?newsID=7147|url-status=live}}</ref> The film was also the second-highest-selling home media seller during its first week, with 50% of its profits coming from its Blu-ray market.<ref>{{cite web|last=Katz|first=Josh|title=Blu-ray Sales, Mar. 12–18: Tintin Tops Blu-rays|url=https://www.blu-ray.com/news/?id=8425|publisher=Blu-ray.com|access-date=12 December 2012|date=23 March 2012|archive-date=26 March 2013|archive-url=https://web.archive.org/web/20130326173432/http://www.blu-ray.com/news/?id=8425|url-status=live}}</ref>
 == Reception ==
@@ Line 149: / Line 141: @@
 {{Rotten Tomatoes prose|75|7.00|236|Drawing deep from the classic ''Raiders of the Lost Ark'' playbook, Steven Spielberg has crafted another spirited, thrilling adventure in the form of ''Tintin''.|access-date=25 February 2022 |ref={{sfnref|tomatoes}} }} {{MC film|68|40|ref=yes|access-date=25 February 2022}} Audiences polled by [[CinemaScore]] gave the film an average grade of "A−" on an A+ to F scale.<ref>{{cite web |author=Subers |first=Ray |date=24 December 2011 |title=Friday Report: 'M:I-4,' 'Sherlock' Hold Off 'Dragon,' 'Tintin,' 'Zoo' |url=https://www.boxofficemojo.com/article/ed3850175492/ |website=[[Box Office Mojo]] |quote=Paramount Pictures is reporting that the movie earned an "A-" CinemaScore, and that the audience was 61 percent male and 65 percent over the age of 25. |access-date=11 March 2022 |archive-date=11 March 2022 |archive-url=https://web.archive.org/web/20220311044555/https://www.boxofficemojo.com/article/ed3850175492/ |url-status=live }}</ref>
-Colin Covert of the ''[[Star Tribune]]'' gave the film four stars out of four and said that Spielberg's first venture into animation was his most delightful dose of pure entertainment since ''Raiders of the Lost Ark''.<ref>{{cite web |last=Covert |first=Colin |date=December 21, 2011 |title=Spielberg's 'Tintin' hugs the child within |url=https://www.startribune.com/entertainment/movies/135943423.html |url-status=dead |archive-url=https://archive.today/20120913093442/http://www.startribune.com/entertainment/movies/135943423.html |archive-date=13 September 2012 |access-date=15 April 2012 |work=Star Tribune}}</ref> Amy Biancolli of the ''[[San Francisco Chronicle]]'' wrote: "Such are the timeless joys of the books (and now the movie), this sparkling absurdity and knack for buckling swash under the worst of circumstances. The boy may have the world's strangest [[cowlick]], but he sure can roll with the punches".<ref>{{cite news|title='The Adventures of Tintin' review: memorable burp|url=https://www.sfgate.com/movies/article/The-Adventures-of-Tintin-review-memorable-burp-2414571.php|access-date=15 April 2012|work=The San Francisco Chronicle|first=Amy|last=Biancolli|date=21 December 2011|archive-date=21 June 2013|archive-url=https://web.archive.org/web/20130621195230/http://www.sfgate.com/movies/article/The-Adventures-of-Tintin-review-memorable-burp-2414571.php|url-status=live}}</ref> [[Roger Ebert]] of ''[[Chicago Sun-Times]]'' gave the film three and a half stars out of four, calling it "an ambitious and lively caper, miles smarter than your average 3-D family film". He praised the setting of the film, stating its similarity to the original ''Tintin'' comic strips and was also pleased with the 3-D technology used in the film, saying that "Spielberg employed it as an enhancement to 2-D instead of an attention-grabbing gimmick".<ref>{{cite news |last=Ebert |first=Roger |author-link=Roger Ebert |date=20 December 2011 |title=Tintin! Tonnerre de Brest! Mille sabords! |work=RogerEbert.com |url=https://www.rogerebert.com/reviews/the-adventures-of-tintin-2011 |url-status=live |access-date=14 April 2012 |archive-url=https://web.archive.org/web/20130507121446/http://www.rogerebert.com/reviews/the-adventures-of-tintin-2011 |archive-date=7 May 2013}}</ref>
+Colin Covert of the ''[[Star Tribune]]'' gave the film four stars out of four and said that Spielberg's first venture into animation was his most delightful dose of pure entertainment since ''Raiders of the Lost Ark''.<ref>{{cite web |last=Covert |first=Colin |date=21 December 2011 |title=Spielberg's 'Tintin' hugs the child within |url=https://www.startribune.com/entertainment/movies/135943423.html |url-status=dead |archive-url=https://archive.today/20120913093442/http://www.startribune.com/entertainment/movies/135943423.html |archive-date=13 September 2012 |access-date=15 April 2012 |work=Star Tribune}}</ref> Amy Biancolli of the ''[[San Francisco Chronicle]]'' wrote: "Such are the timeless joys of the books (and now the movie), this sparkling absurdity and knack for buckling swash under the worst of circumstances. The boy may have the world's strangest [[cowlick]], but he sure can roll with the punches".<ref>{{cite news|title='The Adventures of Tintin' review: memorable burp|url=https://www.sfgate.com/movies/article/The-Adventures-of-Tintin-review-memorable-burp-2414571.php|access-date=15 April 2012|work=The San Francisco Chronicle|first=Amy|last=Biancolli|date=21 December 2011|archive-date=21 June 2013|archive-url=https://web.archive.org/web/20130621195230/http://www.sfgate.com/movies/article/The-Adventures-of-Tintin-review-memorable-burp-2414571.php|url-status=live}}</ref> [[Roger Ebert]] of ''[[Chicago Sun-Times]]'' gave the film three and a half stars out of four, calling it "an ambitious and lively caper, miles smarter than your average 3-D family film". He praised the setting of the film, stating its similarity to the original ''Tintin'' comic strips and was also pleased with the 3-D technology used in the film, saying that "Spielberg employed it as an enhancement to 2-D instead of an attention-grabbing gimmick".<ref>{{cite news |last=Ebert |first=Roger |author-link=Roger Ebert |date=20 December 2011 |title=Tintin! Tonnerre de Brest! Mille sabords! |work=RogerEbert.com |url=https://www.rogerebert.com/reviews/the-adventures-of-tintin-2011 |url-status=live |access-date=14 April 2012 |archive-url=https://web.archive.org/web/20130507121446/http://www.rogerebert.com/reviews/the-adventures-of-tintin-2011 |archive-date=7 May 2013}}</ref>
 [[Peter Travers]] of ''[[Rolling Stone]]'' also gave the film three and a half stars out of four and wrote: "The movie comes at you in a whoosh, like a volcano of creative ideas in full eruption. Presented as the first part of a trilogy produced by Spielberg and Peter Jackson, ''The Adventures of Tintin'' hits home for the kid in all of us who wants to bust out and run free".<ref>{{cite magazine|title=The Adventures of Tintin|url=https://www.rollingstone.com/movies/reviews/the-adventures-of-tintin-20111222|access-date=20 June 2012|last=Travers|first=Peter|author-link=Peter Travers|magazine=Rolling Stone|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062800/https://www.rollingstone.com/movies/movie-reviews/the-adventures-of-tintin-100109/|url-status=dead}}</ref> [[Kenneth Turan]] of ''[[Los Angeles Times]]'' said: "Think of ''The Adventures of Tintin'' as a song of innocence and experience, able to combine a sweet sense of childlike wonder and pureness of heart with the most worldly and sophisticated of modern technology. More than anything, it's just a whole lot of fun".<ref>{{cite news|title=Movie review: ''The Adventures of Tintin''|url=https://www.latimes.com/entertainment/la-xpm-2011-dec-21-la-et-adventures-of-tintin-20111221-story.html|access-date=15 April 2012|work=Los Angeles Times|first1=Kenneth|last1=Turan|author-link=Kenneth Turan|date=21 December 2011|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062800/https://www.latimes.com/entertainment/la-xpm-2011-dec-21-la-et-adventures-of-tintin-20111221-story.html|url-status=live}}</ref>
 [[Richard Corliss]] of ''[[Time (magazine)|Time]]'' wrote: "Motion capture, which transforms actors into cartoon characters in a vividly animated landscape, is the technique Spielberg has been waiting for—the Christmas gift … that he's dreamed of since his movie childhood".<ref>{{cite magazine|title=Spielberg's 3-D Cartoon Adventure: It's Tintinastic!|url=https://entertainment.time.com/2011/12/21/spielbergs-3-d-cartoon-adventure-its-tintinastic/|last=Corliss|first=Richard|author-link=Richard Corliss|access-date=20 June 2012|magazine=Time|date=21 December 2011|archive-date=6 July 2012|archive-url=https://web.archive.org/web/20120706133537/http://entertainment.time.com/2011/12/21/spielbergs-3-d-cartoon-adventure-its-tintinastic/|url-status=live}}</ref> Jordan Mintzer of ''[[The Hollywood Reporter]]'' was also very positive about the film, describing it as "a good ol' fashioned adventure flick that hearkens back to the filmmaker's action-packed, tongue-in-cheek swashbucklers of the 1980s. Steven Spielberg's ''The Adventures of Tintin: The Secret of the Unicorn'' is a visually dazzling adaptation". Comparing it with another film, Mintzer said ''Tintin'' has "an altogether more successful mocap experience than earlier efforts like ''[[The Polar Express (film)|The Polar Express]]''".<ref>{{cite news|last=Mintzer|first=Jordan|title=The Adventures of Tintin: The Secret of the Unicorn: Film Review|url=https://www.hollywoodreporter.com/review/spielberg-adventures-tintin-secret-unicorn-film-249116|work=The Hollywood Reporter|access-date=17 October 2011|date=16 October 2011|archive-date=17 October 2011|archive-url=https://web.archive.org/web/20111017072913/http://www.hollywoodreporter.com/review/spielberg-adventures-tintin-secret-unicorn-film-249116|url-status=live}}</ref>
-Belgian newspaper ''[[Le Soir]]''{{'}}s film critics Daniel Couvreur and Nicolas Crousse called the film "a great popular adventure movie", stating "[the film's] enthusiasm and childhood spirit are unreservedly infectious".<ref>{{cite web|title=On a vu Tintin : un grand film d'aventures populaire.|url=https://www.lesoir.be/culture/cinema/2011-10-11/on-a-vu-tintin-un-grand-film-d-aventures-populaire-869135.php|publisher=Le Soir|access-date=11 October 2011|last1=Couvreur|first1= Daniel |last2=Crousse |first2=Nicolas |language=fr|date=11 October 2011|url-status=dead|archive-url=https://web.archive.org/web/20111012064754/http://www.lesoir.be/culture/cinema/2011-10-11/on-a-vu-tintin-un-grand-film-d-aventures-populaire-869135.php|archive-date=12 October 2011|df=dmy-all}}</ref> ''[[Le Figaro]]'' praised the film, considering it to be "crammed with action, humor and suspense".<ref>{{cite web|last1=Delcroix|first1=Olivier|title=On a vu Tintin, "un grand ouf de soulagement"|url=https://www.lefigaro.fr/cinema/2011/10/12/03002-20111012ARTFIG00467-on-a-vu-tintin-un-grand-ouf-de-soulagement.php|publisher=Le Figaro|access-date=12 October 2011|language=fr|date=12 October 2011|archive-date=13 October 2011|archive-url=https://web.archive.org/web/20111013034405/http://www.lefigaro.fr/cinema/2011/10/12/03002-20111012ARTFIG00467-on-a-vu-tintin-un-grand-ouf-de-soulagement.php|url-status=live}}</ref> Leslie Felperin of [[Variety (magazine)|''Variety'']] wrote: "Clearly rejuvenated by his collaboration with producer Peter Jackson, and blessed with a smart script and the best craftsmanship money can buy, Spielberg has fashioned a whiz-bang thrill ride that's largely faithful to the wholesome spirit of his source but still appealing to younger, Tintin-challenged [[Audience|auds]]".<ref>{{cite news|last=Felperin|first=Leslie|title=Film reviews – The Adventures of Tintin: The Secret of the Unicorn|url=https://variety.com/2011/film/reviews/the-adventures-of-tintin-the-secret-of-the-unicorn-1117946357/ |work=Variety|access-date=17 October 2011|date=16 October 2011|archive-date=18 October 2011|archive-url=https://web.archive.org/web/20111018155651/http://www.variety.com/review/VE1117946357/|url-status=live}}</ref>
+Belgian newspaper ''[[Le Soir]]''{{'}}s film critics Daniel Couvreur and Nicolas Crousse called the film "a great popular adventure movie", stating "[the film's] enthusiasm and childhood spirit are unreservedly infectious".<ref>{{cite web|title=On a vu Tintin : un grand film d'aventures populaire.|url=https://www.lesoir.be/culture/cinema/2011-10-11/on-a-vu-tintin-un-grand-film-d-aventures-populaire-869135.php|publisher=Le Soir|access-date=11 October 2011|last1=Couvreur|first1= Daniel |last2=Crousse |first2=Nicolas |language=fr|date=11 October 2011|url-status=dead|archive-url=https://web.archive.org/web/20111012064754/http://www.lesoir.be/culture/cinema/2011-10-11/on-a-vu-tintin-un-grand-film-d-aventures-populaire-869135.php|archive-date=12 October 2011}}</ref> ''[[Le Figaro]]'' praised the film, considering it to be "crammed with action, humor and suspense".<ref>{{cite web|last1=Delcroix|first1=Olivier|title=On a vu Tintin, "un grand ouf de soulagement"|url=https://www.lefigaro.fr/cinema/2011/10/12/03002-20111012ARTFIG00467-on-a-vu-tintin-un-grand-ouf-de-soulagement.php|publisher=Le Figaro|access-date=12 October 2011|language=fr|date=12 October 2011|archive-date=13 October 2011|archive-url=https://web.archive.org/web/20111013034405/http://www.lefigaro.fr/cinema/2011/10/12/03002-20111012ARTFIG00467-on-a-vu-tintin-un-grand-ouf-de-soulagement.php|url-status=live}}</ref> Leslie Felperin of [[Variety (magazine)|''Variety'']] wrote: "Clearly rejuvenated by his collaboration with producer Peter Jackson, and blessed with a smart script and the best craftsmanship money can buy, Spielberg has fashioned a whiz-bang thrill ride that's largely faithful to the wholesome spirit of his source but still appealing to younger, Tintin-challenged [[Audience|auds]]".<ref>{{cite news|last=Felperin|first=Leslie|title=Film reviews – The Adventures of Tintin: The Secret of the Unicorn|url=https://variety.com/2011/film/reviews/the-adventures-of-tintin-the-secret-of-the-unicorn-1117946357/ |work=Variety|access-date=17 October 2011|date=16 October 2011|archive-date=18 October 2011|archive-url=https://web.archive.org/web/20111018155651/http://www.variety.com/review/VE1117946357/|url-status=live}}</ref>
 ''[[La Libre Belgique]]'' was, however, a little less enthusiastic; its film critic Alain Lorfèvre called the film "a technical success, [with] a Tintin vivid as it should be [and] a somewhat excessive Haddock".<ref name="la libre" /> ''[[The Guardian]]''{{'}}s Xan Brooks gave the film two stars out of five, stating: "While the big set pieces are often exuberantly handled, the human details are sorely wanting. How curious that Hergé achieved more expression with his use of ink-spot eyes and humble line drawings than a bank of computers and an army of animators were able to achieve".<ref>{{cite news|title=The Adventures of Tintin: Review|url=https://www.theguardian.com/culture/2011/oct/16/tintin-adventures-secret-of-unicorn|work=The Guardian|access-date=17 October 2011|location=London|first=Xan|last=Brooks|date=16 October 2011|archive-date=1 October 2013|archive-url=https://web.archive.org/web/20131001031531/http://www.theguardian.com/culture/2011/oct/16/tintin-adventures-secret-of-unicorn|url-status=live}}</ref> ''[[Blog Critics]]'' writer Ross Miller said: "Author Hergé's wonderfully bold and diverse array of characters are a mixed bag when it comes to how they've been translated to the big-screen" and that while the mystery might be "perfectly serviceable for film ... the execution of it at times feels languid and stodgy, like it's stumbling along from one eye-catching setpiece to the next". However, he summed it up as "an enjoyable watch with some spectacular set-pieces, lavish visuals and some fine motion-capture performances".<ref>{{cite web|title=Movie Review: The Adventures of Tintin|url=https://blogcritics.org/video/article/movie-review-the-adventures-of-tintin/|archive-url=https://web.archive.org/web/20111026234221/http://blogcritics.org/video/article/movie-review-the-adventures-of-tintin/|url-status=dead|archive-date=26 October 2011|publisher=BlogCritics|access-date=26 October 2011}}</ref>
-Tom McCarthy, the author of a study of the Tintin books, described Hollywood's treatment in this film of its characters and stories as "truly execrable", stating that it ignores the books' key idea of inauthenticity. The themes of fakeness and phoniness and counterfeit that drive many of the original plots are replaced in the film with messages that feel "as though we have wandered into a seminar on [[monetisation]] through self-empowerment … It's like making a biopic of [[Nietzsche]] that depicts him as a born-again Christian, or of [[Gandhi]] as a trigger-happy [[John Rambo|Rambo]] blasting his way through the [[British Raj|Raj]]".<ref>{{cite news|last=McCarthy|first=Tom|title=Tintin gets the Hollywood treatment|url=https://www.smh.com.au/entertainment/movies/tintin-gets-the-hollywood-treatment-20111031-1mrvy.html|publisher=The Sydney Morning Herald|access-date=2011-11-01|date=31 October 2011|archive-date=18 July 2020|archive-url=https://web.archive.org/web/20200718075415/https://www.smh.com.au/entertainment/movies/tintin-gets-the-hollywood-treatment-20111031-1mrvy.html|url-status=live}}</ref>
+Tom McCarthy, the author of a study of the Tintin books, described Hollywood's treatment in this film of its characters and stories as "truly execrable", stating that it ignores the books' key idea of inauthenticity. The themes of fakeness and phoniness and counterfeit that drive many of the original plots are replaced in the film with messages that feel "as though we have wandered into a seminar on [[monetisation]] through self-empowerment … It's like making a biopic of [[Nietzsche]] that depicts him as a born-again Christian, or of [[Gandhi]] as a trigger-happy [[John Rambo|Rambo]] blasting his way through the [[British Raj|Raj]]".<ref>{{cite news|last=McCarthy|first=Tom|title=Tintin gets the Hollywood treatment|url=https://www.smh.com.au/entertainment/movies/tintin-gets-the-hollywood-treatment-20111031-1mrvy.html|publisher=The Sydney Morning Herald|access-date=1 November 2011|date=31 October 2011|archive-date=18 July 2020|archive-url=https://web.archive.org/web/20200718075415/https://www.smh.com.au/entertainment/movies/tintin-gets-the-hollywood-treatment-20111031-1mrvy.html|url-status=live}}</ref>
-Steve Rose from ''The Guardian'' wrote about one of the film's major criticisms: that ''The Adventures of Tintin'', much like ''The Polar Express'', crossed into the [[uncanny valley]], thereby rendering Tintin "too human and not human at all".<ref>{{cite web|url=https://www.theguardian.com/film/2011/oct/27/tintin-uncanny-valley-computer-graphics|title=Tintin and the Uncanny Valley: when CGI gets too real |last=Rose |first=Steve |work=The Guardian|date=27 October 2011 |access-date=16 October 2014|archive-date=22 August 2014|archive-url=https://web.archive.org/web/20140822013724/http://www.theguardian.com/film/2011/oct/27/tintin-uncanny-valley-computer-graphics|url-status=live}}</ref> [[Manohla Dargis]], one of the chief critics of ''[[The New York Times]]'', called the movie "a marvel of gee-wizardry and a night's entertainment that can feel like a lifetime". The simplicity of the comic strip, she wrote, is a crucial part of the success of Tintin, who is "an avatar for armchair adventurers". Dargis noted that Tintin's appearance in the film "resembled Hergé's creation, yet was eerily different as if, like [[Pinocchio]], his transformation into human form had been prematurely interrupted". Another major fault in the film, Dargis opines, is how it is overworked; she writes that there is "hardly a moment of downtime, a chance to catch your breath or contemplate the tension between the animated Expressionism and the photo-realist flourishes". Nevertheless, she singles out some of the "interludes of cinematic delight", approving of the visual imagination employed within the movie's numerous exciting scenes.<ref name="Dargis">{{cite news|last=Dargis |first=Manohla |author-link=Manohla Dargis |url=https://www.nytimes.com/2011/12/21/movies/the-adventures-of-tintin-by-steven-spielberg-review.html |title=Intrepid Boy on the Trail of Mysteries |date=December 21, 2011 |archive-url=https://web.archive.org/web/20190331080911/https://www.nytimes.com/2011/12/21/movies/the-adventures-of-tintin-by-steven-spielberg-review.html?partner=rss&emc=rss |archive-date=31 March 2019 |newspaper=[[The New York Times]] |url-status=live}}</ref>
+Steve Rose from ''The Guardian'' wrote about one of the film's major criticisms: that ''The Adventures of Tintin'', much like ''The Polar Express'', crossed into the [[uncanny valley]], thereby rendering Tintin "too human and not human at all".<ref>{{cite web|url=https://www.theguardian.com/film/2011/oct/27/tintin-uncanny-valley-computer-graphics|title=Tintin and the Uncanny Valley: when CGI gets too real |last=Rose |first=Steve |work=The Guardian|date=27 October 2011 |access-date=16 October 2014|archive-date=22 August 2014|archive-url=https://web.archive.org/web/20140822013724/http://www.theguardian.com/film/2011/oct/27/tintin-uncanny-valley-computer-graphics|url-status=live}}</ref> [[Manohla Dargis]], one of the chief critics of ''[[The New York Times]]'', called the movie "a marvel of gee-wizardry and a night's entertainment that can feel like a lifetime". The simplicity of the comic strip, she wrote, is a crucial part of the success of Tintin, who is "an avatar for armchair adventurers". Dargis noted that Tintin's appearance in the film "resembled Hergé's creation, yet was eerily different as if, like [[Pinocchio]], his transformation into human form had been prematurely interrupted". Another major fault in the film, Dargis opines, is how it is overworked; she writes that there is "hardly a moment of downtime, a chance to catch your breath or contemplate the tension between the animated Expressionism and the photo-realist flourishes". Nevertheless, she singles out some of the "interludes of cinematic delight", approving of the visual imagination employed within the movie's numerous exciting scenes.<ref name="Dargis">{{cite news|last=Dargis |first=Manohla |author-link=Manohla Dargis |url=https://www.nytimes.com/2011/12/21/movies/the-adventures-of-tintin-by-steven-spielberg-review.html |title=Intrepid Boy on the Trail of Mysteries |date=21 December 2011 |archive-url=https://web.archive.org/web/20190331080911/https://www.nytimes.com/2011/12/21/movies/the-adventures-of-tintin-by-steven-spielberg-review.html?partner=rss&emc=rss |archive-date=31 March 2019 |newspaper=[[The New York Times]] |url-status=live}}</ref>
 The film was named in [[New York (magazine)|''New York'' magazine]]'s [[David Edelstein]]'s Top 10 List for 2011.<ref>{{cite web|last=Edelstein|first=David|title=The Year in Movies|url=https://nymag.com/arts/cultureawards/2011/top-ten-movies/|work=[[New York (magazine)|New York]]|access-date=13 December 2011|date=4 December 2011|archive-date=6 December 2011|archive-url=https://web.archive.org/web/20111206063034/http://nymag.com/arts/cultureawards/2011/top-ten-movies/|url-status=live}}</ref> It was also included in [[HitFix]]'s top 10 films of 2011.<ref>{{cite web|last=Tapley|first=Kristopher|title=Bottled up: the best films of 2011|url=http://www.hitfix.com/blogs/in-contention/posts/bottled-up-the-best-films-of-2011|publisher=[[HitFix]]|access-date=17 December 2011|date=12 December 2011|archive-date=8 January 2012|archive-url=https://web.archive.org/web/20120108033440/http://www.hitfix.com/blogs/in-contention/posts/bottled-up-the-best-films-of-2011|url-status=dead}}</ref>
@@ Line 167: / Line 159: @@
 ''The Adventures of Tintin'' grossed $77,591,831 in North America and $296,402,120 in other territories for a worldwide total of $373,993,951.<ref name="Box office">{{cite web |title=The Adventures of Tintin |url=https://www.boxofficemojo.com/title/tt0983193/ |access-date=13 April 2012 |website=[[Box Office Mojo]] |archive-date=16 November 2020 |archive-url=https://web.archive.org/web/20201116124127/https://www.boxofficemojo.com/title/tt0983193/ |url-status=live }}</ref>
-In the United States, it is one of only 12 feature films to be released in over 3,000 theaters and still improve on its box office performance in its second weekend, increasing 17.6% from $9,720,993 to $11,436,160.<ref>{{cite web|url=https://www.boxofficemojo.com/chart/smallest_second_weekend_gross_drop/?by_release_scale=super_saturated|title=Smallest Second Weekend Drops|website=[[Box Office Mojo]]|publisher=[[IMDb|IMDb.com, Inc.]]|access-date=27 March 2014|archive-date=21 November 2019|archive-url=https://web.archive.org/web/20191121121344/https://www.boxofficemojo.com/chart/smallest_second_weekend_gross_drop/?by_release_scale=super_saturated|url-status=live}}</ref> On its first day, the film opened in the [[UK]], France and Belgium, earning $8.6 million. In Belgium, Tintin's country of origin, the film made $520,000, while France provided $4.6 million, a number higher than other similar Wednesday debuts.<ref>{{cite news|title=Steven Spielberg's 'Adventures of Tintin' Soaring in Overseas Debut|url=https://www.hollywoodreporter.com/news/steven-spielberg-tintin-box-office-254232|work=[[The Hollywood Reporter]]|first=Pamela|last=McClintock|access-date=27 October 2011|date=27 October 2011|archive-date=28 October 2011|archive-url=https://web.archive.org/web/20111028100817/http://www.hollywoodreporter.com/news/steven-spielberg-tintin-box-office-254232|url-status=live}}</ref> In France, it was the second-best debut of the year for its first day after ''[[Harry Potter and the Deathly Hallows – Part 2]]''.<ref>{{cite web|title=Tintin : Il démarre en fanfare|url=http://archive.francesoir.fr/loisirs/cine/tintin-il-demarre-en-fanfarre-151156.html|website=France Soir|access-date=27 October 2011|language=fr|date=27 October 2011|archive-date=30 September 2015|archive-url=https://web.archive.org/web/20150930124458/http://archive.francesoir.fr/loisirs/cine/tintin-il-demarre-en-fanfarre-151156.html|url-status=live}}</ref> On its first weekend it topped the overseas box office with $56.2 million from 21 countries.<ref>{{cite news|title=Overseas Total Box Office October 28–30, 2011|url=https://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=43&p=.htm|website=[[Box Office Mojo]]|access-date=2011-12-10|archive-date=12 November 2017|archive-url=https://web.archive.org/web/20171112185226/http://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=43&p=.htm|url-status=live}}</ref> In Belgium, it earned $1.99 million. It also earned the top spot in many major markets like France and the [[Maghreb]] region ($21 million), where it set a record opening weekend for an animated title; the UK, Ireland and [[Malta]] ($10.9 million), Germany ($4.71 million) and Spain ($3.75 million).<ref>{{cite news|title=Around-the-World Roundup: 'Tintin' Animates Overseas Box Office|url=https://www.boxofficemojo.com/article/ed75236356/|website=[[Box Office Mojo]]|first=Ray|last=Subers|access-date=2011-12-10|date=2011-11-01|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062801/https://www.boxofficemojo.com/article/ed75236356/|url-status=live}}</ref><ref>{{cite news|title=The Adventures of Tintin|url=https://www.boxofficemojo.com/releasegroup/gr2428719621/|publisher=[[Box Office Mojo]]|access-date=2011-12-10|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062815/https://www.boxofficemojo.com/releasegroup/gr2428719621/|url-status=live}}</ref><ref>{{cite news|title=Foreign Box Office: Spielberg's 'Adventures Of Tintin' Opens Solid No. 1 Overseas|url=https://www.hollywoodreporter.com/news/foreign-box-office-spielberg-adventures-tintin-255081|work=[[The Hollywood Reporter]]|first=Frank|last=Segers|access-date=1 November 2011|date=30 October 2011|archive-date=31 October 2011|archive-url=https://web.archive.org/web/20111031094115/http://www.hollywoodreporter.com/news/foreign-box-office-spielberg-adventures-tintin-255081|url-status=live}}</ref> It retained first place for a second consecutive and final weekend, earning $39.0 million from 45 territories.<ref>{{cite news|title=Overseas Total Box Office November 4–6, 2011|url=https://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=44&p=.htm|website=[[Box Office Mojo]]|access-date=2011-12-10|archive-date=13 November 2017|archive-url=https://web.archive.org/web/20171113003009/http://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=44&p=.htm|url-status=live}}</ref> In its native Belgium it was up 20% to $2.39 million, while in France it plummeted 61% to $8.42 million. Its biggest debut was in Russia and the [[Commonwealth of Independent States|CIS]] ($4.81 million).<ref>{{cite news|title=Around-the-World Roundup: 'Tintin' Wins Again|url=https://www.boxofficemojo.com/article/ed8127492/|website=[[Box Office Mojo]]|first=Ray|last=Subers|access-date=10 December 2011|date=1 November 2011|archive-date=9 January 2020|archive-url=https://web.archive.org/web/20200109074646/https://www.boxofficemojo.com/article/ed8127492/|url-status=live}}</ref><ref>{{cite news|title=The Adventures of Tintin|url=https://www.boxofficemojo.com/releasegroup/gr2428719621/|website=[[Box Office Mojo]]|access-date=10 December 2011|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062815/https://www.boxofficemojo.com/releasegroup/gr2428719621/|url-status=live}}</ref>
+In the United States, it is one of only 12 feature films to be released in over 3,000 theaters and still improve on its box office performance in its second weekend, increasing 17.6% from $9,720,993 to $11,436,160.<ref>{{cite web|url=https://www.boxofficemojo.com/chart/smallest_second_weekend_gross_drop/?by_release_scale=super_saturated|title=Smallest Second Weekend Drops|website=[[Box Office Mojo]]|publisher=[[IMDb|IMDb.com, Inc.]]|access-date=27 March 2014|archive-date=21 November 2019|archive-url=https://web.archive.org/web/20191121121344/https://www.boxofficemojo.com/chart/smallest_second_weekend_gross_drop/?by_release_scale=super_saturated|url-status=live}}</ref> On its first day, the film opened in the UK, France and Belgium, earning $8.6 million. In Belgium, Tintin's country of origin, the film made $520,000, while France provided $4.6 million, a number higher than other similar Wednesday debuts.<ref>{{cite news|title=Steven Spielberg's 'Adventures of Tintin' Soaring in Overseas Debut|url=https://www.hollywoodreporter.com/news/steven-spielberg-tintin-box-office-254232|work=[[The Hollywood Reporter]]|first=Pamela|last=McClintock|access-date=27 October 2011|date=27 October 2011|archive-date=28 October 2011|archive-url=https://web.archive.org/web/20111028100817/http://www.hollywoodreporter.com/news/steven-spielberg-tintin-box-office-254232|url-status=live}}</ref> In France, it was the second-best debut of the year for its first day after ''[[Harry Potter and the Deathly Hallows – Part 2]]''.<ref>{{cite web|title=Tintin : Il démarre en fanfare|url=http://archive.francesoir.fr/loisirs/cine/tintin-il-demarre-en-fanfarre-151156.html|website=France Soir|access-date=27 October 2011|language=fr|date=27 October 2011|archive-date=30 September 2015|archive-url=https://web.archive.org/web/20150930124458/http://archive.francesoir.fr/loisirs/cine/tintin-il-demarre-en-fanfarre-151156.html|url-status=live}}</ref> On its first weekend it topped the overseas box office with $56.2 million from 21 countries.<ref>{{cite news|title=Overseas Total Box Office October 28–30, 2011|url=https://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=43&p=.htm|website=[[Box Office Mojo]]|access-date=10 December 2011|archive-date=12 November 2017|archive-url=https://web.archive.org/web/20171112185226/http://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=43&p=.htm|url-status=live}}</ref> In Belgium, it earned $1.99 million. It also earned the top spot in many major markets like France and the [[Maghreb]] region ($21 million), where it set a record opening weekend for an animated title; the UK, Ireland and Malta ($10.9 million), Germany ($4.71 million) and Spain ($3.75 million).<ref>{{cite news|title=Around-the-World Roundup: 'Tintin' Animates Overseas Box Office|url=https://www.boxofficemojo.com/article/ed75236356/|website=[[Box Office Mojo]]|first=Ray|last=Subers|access-date=10 December 2011|date=1 November 2011|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062801/https://www.boxofficemojo.com/article/ed75236356/|url-status=live}}</ref><ref>{{cite news|title=The Adventures of Tintin|url=https://www.boxofficemojo.com/releasegroup/gr2428719621/|publisher=[[Box Office Mojo]]|access-date=10 December 2011|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062815/https://www.boxofficemojo.com/releasegroup/gr2428719621/|url-status=live}}</ref><ref>{{cite news|title=Foreign Box Office: Spielberg's 'Adventures Of Tintin' Opens Solid No. 1 Overseas|url=https://www.hollywoodreporter.com/news/foreign-box-office-spielberg-adventures-tintin-255081|work=[[The Hollywood Reporter]]|first=Frank|last=Segers|access-date=1 November 2011|date=30 October 2011|archive-date=31 October 2011|archive-url=https://web.archive.org/web/20111031094115/http://www.hollywoodreporter.com/news/foreign-box-office-spielberg-adventures-tintin-255081|url-status=live}}</ref> It retained first place for a second consecutive and final weekend, earning $39.0 million from 45 territories.<ref>{{cite news|title=Overseas Total Box Office November 4–6, 2011|url=https://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=44&p=.htm|website=[[Box Office Mojo]]|access-date=10 December 2011|archive-date=13 November 2017|archive-url=https://web.archive.org/web/20171113003009/http://www.boxofficemojo.com/intl/weekend/?yr=2011&wk=44&p=.htm|url-status=live}}</ref> In its native Belgium it was up 20% to $2.39 million, while in France it plummeted 61% to $8.42 million. Its biggest debut was in Russia and the [[Commonwealth of Independent States|CIS]] ($4.81 million).<ref>{{cite news|title=Around-the-World Roundup: 'Tintin' Wins Again|url=https://www.boxofficemojo.com/article/ed8127492/|website=[[Box Office Mojo]]|first=Ray|last=Subers|access-date=10 December 2011|date=1 November 2011|archive-date=9 January 2020|archive-url=https://web.archive.org/web/20200109074646/https://www.boxofficemojo.com/article/ed8127492/|url-status=live}}</ref><ref>{{cite news|title=The Adventures of Tintin|url=https://www.boxofficemojo.com/releasegroup/gr2428719621/|website=[[Box Office Mojo]]|access-date=10 December 2011|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062815/https://www.boxofficemojo.com/releasegroup/gr2428719621/|url-status=live}}</ref>
-The film grossed {{INRConvert|7.5|c}} on its opening weekend (11–13 November 2011) in India, an all-time record for a Spielberg film and for an animated feature in India. The film was released with 351 prints, the largest-ever release for an animated film.<ref>{{cite news|title='Tintin' Opening is Highest-Ever for Animated Film in India|url=https://www.hollywoodreporter.com/news/tintin-opening-is-highest-ever-261098|last=Bhushan|first=Nyay|work=[[The Hollywood Reporter]]|date=2011-11-14|access-date=2011-12-10|archive-date=12 November 2017|archive-url=https://web.archive.org/web/20171112185859/http://www.hollywoodreporter.com/news/tintin-opening-is-highest-ever-261098|url-status=live}}</ref><ref>{{cite news|url=https://timesofindia.indiatimes.com/entertainment/hollywood/news-interviews/Tintin-is-Spielbergs-biggest-Indian-opening/articleshow/10728044.cms |archive-url=https://archive.today/20120716185754/http://articles.timesofindia.indiatimes.com/2011-11-14/news-interviews/30397179_1_tintin-animated-film-release |url-status=live |archive-date=16 July 2012 |title=Tintin is Spielberg's biggest Indian opening! |work=[[The Times of India]] |date=14 November 2011 |access-date=26 November 2011}}</ref><ref>{{cite web|title=The adventures of Tin Tin was very steady|url=https://www.boxofficeindia.com/boxdetail.php?page=shownews&articleid=3734&nCat=|work=26 November 2011|publisher=BoxOfficeIndia.Com|access-date=26 November 2011|archive-date=20 July 2012|archive-url=https://archive.today/20120720103825/http://www.boxofficeindia.com/boxdetail.php?page=shownews&articleid=3734&nCat=|url-status=live}}</ref> In four weeks, it became the highest-grossing animated film of all time in the country with {{INRConvert|25.4|c}}.<ref>{{cite news|title='Tintin' Becomes Highest Grossing Animated Film In India|url=https://www.hollywoodreporter.com/news/tintin-becomes-highest-grossing-animated-271271|last=Bhushan|first=Nyay|work=[[The Hollywood Reporter]]|date=8 December 2011|access-date=10 December 2011|archive-date=10 January 2012|archive-url=https://web.archive.org/web/20120110155946/http://www.hollywoodreporter.com/news/tintin-becomes-highest-grossing-animated-271271|url-status=live}}</ref>
+The film grossed {{INRConvert|7.5|c}} on its opening weekend (11–13 November 2011) in India, an all-time record for a Spielberg film and for an animated feature in India. The film was released with 351 prints, the largest-ever release for an animated film.<ref>{{cite news|title='Tintin' Opening is Highest-Ever for Animated Film in India|url=https://www.hollywoodreporter.com/news/tintin-opening-is-highest-ever-261098|last=Bhushan|first=Nyay|work=[[The Hollywood Reporter]]|date=14 November 2011|access-date=10 December 2011|archive-date=12 November 2017|archive-url=https://web.archive.org/web/20171112185859/http://www.hollywoodreporter.com/news/tintin-opening-is-highest-ever-261098|url-status=live}}</ref><ref>{{cite news|url=https://timesofindia.indiatimes.com/entertainment/hollywood/news-interviews/Tintin-is-Spielbergs-biggest-Indian-opening/articleshow/10728044.cms |archive-url=https://archive.today/20120716185754/http://articles.timesofindia.indiatimes.com/2011-11-14/news-interviews/30397179_1_tintin-animated-film-release |url-status=live |archive-date=16 July 2012 |title=Tintin is Spielberg's biggest Indian opening! |work=[[The Times of India]] |date=14 November 2011 |access-date=26 November 2011}}</ref><ref>{{cite web|title=The adventures of Tin Tin was very steady|url=https://www.boxofficeindia.com/boxdetail.php?page=shownews&articleid=3734&nCat=|work=26 November 2011|publisher=BoxOfficeIndia.Com|access-date=26 November 2011|archive-date=20 July 2012|archive-url=https://archive.today/20120720103825/http://www.boxofficeindia.com/boxdetail.php?page=shownews&articleid=3734&nCat=|url-status=live}}</ref> In four weeks, it became the highest-grossing animated film of all time in the country with {{INRConvert|25.4|c}}.<ref>{{cite news|title='Tintin' Becomes Highest Grossing Animated Film In India|url=https://www.hollywoodreporter.com/news/tintin-becomes-highest-grossing-animated-271271|last=Bhushan|first=Nyay|work=[[The Hollywood Reporter]]|date=8 December 2011|access-date=10 December 2011|archive-date=10 January 2012|archive-url=https://web.archive.org/web/20120110155946/http://www.hollywoodreporter.com/news/tintin-becomes-highest-grossing-animated-271271|url-status=live}}</ref>
 === Accolades ===
@@ Line 250: / Line 242: @@
 | {{won}}
 |-
-| [[69th Golden Globe Awards|Golden Globe Awards]]<ref name="GoldenGlobe">{{cite web|title=Golden Globes Awards 2012 – Nominations |url=https://www.goldenglobes.com/nominations/ |publisher=Golden Globes Awards |access-date=15 December 2011 |date=15 December 2011 |url-status=dead |archive-url=https://web.archive.org/web/20091215200918/http://www.goldenglobes.org/nominations/ |archive-date=15 December 2009 |df=dmy }}</ref>
+| [[69th Golden Globe Awards|Golden Globe Awards]]<ref name="GoldenGlobe">{{cite web|title=Golden Globes Awards 2012 – Nominations |url=https://www.goldenglobes.com/nominations/ |publisher=Golden Globes Awards |access-date=15 December 2011 |date=15 December 2011 |url-status=dead |archive-url=https://web.archive.org/web/20091215200918/http://www.goldenglobes.org/nominations/ |archive-date=15 December 2009  }}</ref>
 | [[Golden Globe Award for Best Animated Feature Film|Best Animated Feature Film]]
 | Steven Spielberg
 | {{won}}
 |-
-| rowspan="2"|[[Golden Trailer Awards]]<ref>{{cite web |title=The 13th Annual Golden Trailer Awards |url=https://goldentrailer.com/awards.gta13.php |publisher=Goldentrailer.com |access-date=7 December 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120721204256/http://www.goldentrailer.com/awards.gta13.php |archive-date=21 July 2012 |df=dmy }}</ref>
+| rowspan="2"|[[Golden Trailer Awards]]<ref>{{cite web |title=The 13th Annual Golden Trailer Awards |url=https://goldentrailer.com/awards.gta13.php |publisher=Goldentrailer.com |access-date=7 December 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120721204256/http://www.goldentrailer.com/awards.gta13.php |archive-date=21 July 2012  }}</ref>
 | Best Animation/Family
 |
@@ Line 287: / Line 279: @@
 | {{nom}}
 |-
-| [[Los Angeles Film Critics Association]]<ref>{{cite web|url=http://www.lafca.net/years/2011.html |title=37th Annual LAFCA Awards|website=LAFCA |access-date=2012-11-08 |url-status=dead |archive-url=https://web.archive.org/web/20150704001210/http://www.lafca.net/years/2011.html |archive-date=4 July 2015 |df=dmy }}</ref>
+| [[Los Angeles Film Critics Association]]<ref>{{cite web|url=http://www.lafca.net/years/2011.html |title=37th Annual LAFCA Awards|website=LAFCA |access-date=8 November 2012 |url-status=dead |archive-url=https://web.archive.org/web/20150704001210/http://www.lafca.net/years/2011.html |archive-date=4 July 2015  }}</ref>
 | [[Los Angeles Film Critics Association Award for Best Animated Film|Best Animation]]
 |
@@ Line 307: / Line 299: @@
 | {{won}}
 |-
-| rowspan="2"|[[Satellite Awards]]<ref>{{cite web |url=http://www.pressacademy.com/award_cat/current-nominees/ |title=2011 Winners &#124; International Press Academy |publisher=Pressacademy.com |access-date=2012-11-08 |archive-date=8 December 2015 |archive-url=https://web.archive.org/web/20151208093744/http://www.pressacademy.com/award_cat/current-nominees |url-status=live }}</ref>
+| rowspan="2"|[[Satellite Awards]]<ref>{{cite web |url=http://www.pressacademy.com/award_cat/current-nominees/ |title=2011 Winners &#124; International Press Academy |publisher=Pressacademy.com |access-date=8 November 2012 |archive-date=8 December 2015 |archive-url=https://web.archive.org/web/20151208093744/http://www.pressacademy.com/award_cat/current-nominees |url-status=live }}</ref>
 | [[Satellite Award for Best Animated or Mixed Media Feature|Best Motion Picture, Animated or Mixed Media]]
 |
@@ Line 316: / Line 308: @@
 | {{nom}}
 |-
-| rowspan="6"|[[Saturn Awards]]<ref name="Goldberg, Matt" />
+| rowspan="6"|[[Saturn Awards]]<ref name="Goldberg, Matt">{{cite web|url=https://collider.com/saturn-award-nominations-2012/148931/|title=Saturn Award Nominations Announced; HUGO and HARRY POTTER Lead with 10 Nominations Each|work=[[Collider (website)|Collider]]|author=Goldberg, Matt|date=29 February 2012|access-date=1 March 2012|archive-date=15 November 2013|archive-url=https://web.archive.org/web/20131115210541/http://collider.com/saturn-award-nominations-2012/148931/|url-status=dead}}</ref>
 | [[Saturn Award for Best Animated Film|Best Animated Film]]
 |
@@ Line 374: / Line 366: @@
 | {{nom}}
 |-
-| [[Washington D.C. Area Film Critics Association]]<ref>{{cite web |url=http://www.dcfilmcritics.com/awards/ |title=2011 WAFCA Awards – The Washington DC Area Film Critics Association (WAFCA) |publisher=Dcfilmcritics.com |access-date=2012-11-08 |archive-date=8 December 2019 |archive-url=https://web.archive.org/web/20191208112148/http://www.dcfilmcritics.com/awards/ |url-status=live }}</ref>
+| [[Washington D.C. Area Film Critics Association]]<ref>{{cite web |url=http://www.dcfilmcritics.com/awards/ |title=2011 WAFCA Awards – The Washington DC Area Film Critics Association (WAFCA) |publisher=Dcfilmcritics.com |access-date=8 November 2012 |archive-date=8 December 2019 |archive-url=https://web.archive.org/web/20191208112148/http://www.dcfilmcritics.com/awards/ |url-status=live }}</ref>
 | Best Animated Feature
 |
@@ Line 384: / Line 376: @@
 | {{nom}}
 |-
-| rowspan="2"|[[World Soundtrack Awards 2012|World Soundtrack Academy]]<ref>{{cite web|url=https://www.worldsoundtrackawards.com/en/awards?go=history&category=&year=2012&type=|title=World Soundtrack Academy|publisher=worldsoundtrackacademy.com|access-date=2012-12-12|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062837/https://www.worldsoundtrackawards.com/en/awards?go=history&category=&year=2012&type=|url-status=live}}</ref>
+| rowspan="2"|[[World Soundtrack Awards 2012|World Soundtrack Academy]]<ref>{{cite web|url=https://www.worldsoundtrackawards.com/en/awards?go=history&category=&year=2012&type=|title=World Soundtrack Academy|publisher=worldsoundtrackacademy.com|access-date=12 December 2012|archive-date=8 September 2020|archive-url=https://web.archive.org/web/20200908062837/https://www.worldsoundtrackawards.com/en/awards?go=history&category=&year=2012&type=|url-status=live}}</ref>
 | [[World Soundtrack Award for Best Original Score of the Year|Best Original Soundtrack of the Year]]
 | rowspan="2"|[[John Williams]]
@@ Line 393: / Line 385: @@
 <!-- PLACE EXTRA AWARDS ABOVE -->
 |}
-== Video game ==
-{{Main|The Adventures of Tintin: The Secret of the Unicorn (video game)}}
-A video game entitled ''The Adventures of Tintin: The Secret of the Unicorn'', developed by game developer [[Ubisoft]],<ref>{{cite news|author=Rob Crossley|title=Ubisoft to develop Spielberg's Tintin|date=2 June 2009|url=https://www.mcvuk.com/news/32040/Ubisoft-to-develop-Spielbergs-Tintin|access-date=28 October 2009|archive-url=https://web.archive.org/web/20090919094217/http://www.develop-online.net/news/32040/Ubisoft-to-develop-Spielbergs-Tintin|archive-date=19 September 2009|url-status=dead|df=dmy-all}}</ref> was released to coincide with the release date of the film. [[Gameloft]] released a game for mobile devices to coincide with the film's European launch.<ref>{{cite web|work = IGN|title = First Look: The Adventures of Tintin (iOS)|date = 17 August 2011|url = http://uk.wireless.ign.com/articles/118/1188418p1.html|access-date = 17 August 2011|url-status=dead|archive-url = https://web.archive.org/web/20111001052911/http://uk.wireless.ign.com/articles/118/1188418p1.html|archive-date = 1 October 2011|df = dmy-all}}</ref>
 == Proposed sequels ==
-Originally, the second ''Tintin'' film was to be based on Hergé's ''[[The Seven Crystal Balls]]'' and ''[[Prisoners of the Sun]]''.<ref name="sequel mtv">{{cite web|url=http://www.mtv.com/news/movies//2011/10/26/peter-jackson-tintin-hobbit/|title=Peter Jackson Will Direct 'Tintin' Sequel After 'The Hobbit' Is Finished|publisher=MTV|date=26 October 2011|access-date=26 October 2011|last=Wigler|first=Josh|url-status=dead|archive-url=https://web.archive.org/web/20111028074216/http://splashpage.mtv.com/2011/10/26/peter-jackson-tintin-hobbit/|archive-date=28 October 2011|df=dmy-all }}</ref> However, screenwriter [[Anthony Horowitz]] later stated that those books would be the second sequel and another story would become the first sequel.<ref name="BBC2011" />
+Originally, the second ''Tintin'' film was to be based on Hergé's ''[[The Seven Crystal Balls]]'' and ''[[Prisoners of the Sun]]''.<ref name="sequel mtv">{{cite web|url=http://www.mtv.com/news/movies//2011/10/26/peter-jackson-tintin-hobbit/|title=Peter Jackson Will Direct 'Tintin' Sequel After 'The Hobbit' Is Finished|publisher=MTV|date=26 October 2011|access-date=26 October 2011|last=Wigler|first=Josh|url-status=dead|archive-url=https://web.archive.org/web/20111028074216/http://splashpage.mtv.com/2011/10/26/peter-jackson-tintin-hobbit/|archive-date=28 October 2011 }}</ref> However, screenwriter [[Anthony Horowitz]] later stated that those books would be the second sequel and another story would become the first sequel.<ref name="BBC2011">{{cite web | url=https://www.bbc.co.uk/news/entertainment-arts-15553417 | title=Tintin 2: Horowitz says story 'still under discussion' | publisher=BBC | date=2 November 2011 | access-date=24 June 2019 | first=Tim | last=Masters | archive-date=14 December 2019 | archive-url=https://web.archive.org/web/20191214182649/https://www.bbc.co.uk/news/entertainment-arts-15553417 | url-status=live }}</ref>
-Peter Jackson announced that he would direct the sequel once he had finished [[The Hobbit (film series)|''The Hobbit'' trilogy]].<ref name="sequel mtv" /> Two years before ''The Secret of the Unicorn'', Jackson mentioned that his favorite ''Tintin'' stories were ''The Seven Crystal Balls'', ''Prisoners of the Sun'', ''[[The Black Island]]'', and ''[[The Calculus Affair]]'', but he had not yet decided which stories would form the basis of the second film. He added "it would be great" to use ''[[Destination Moon (comics)|Destination Moon]]'' and ''[[Explorers on the Moon]]'' for a third or fourth film in the series.<ref>{{cite magazine|last=O'Hara|first=Helen|url=https://www.empireonline.com/news/story.asp?NID=29355|title=Exclusive: First Full Tintin Pictures|magazine=[[Empire (magazine)|Empire]]|date=November 1, 2010|access-date=October 29, 2024|archive-url=https://web.archive.org/web/20111025190253/https://www.empireonline.com/news/story.asp?NID=29355|archive-date=October 25, 2011|url-status=dead}}</ref>
+Peter Jackson announced that he would direct the sequel once he had finished [[The Hobbit (film series)|''The Hobbit'' trilogy]].<ref name="sequel mtv" /> Two years before ''The Secret of the Unicorn'', Jackson mentioned that his favorite ''Tintin'' stories were ''The Seven Crystal Balls'', ''Prisoners of the Sun'', ''[[The Black Island]]'', and ''[[The Calculus Affair]]'', but he had not yet decided which stories would form the basis of the second film. He added "it would be great" to use ''[[Destination Moon (comics)|Destination Moon]]'' and ''[[Explorers on the Moon]]'' for a third or fourth film in the series.<ref>{{cite magazine|last=O'Hara|first=Helen|url=https://www.empireonline.com/news/story.asp?NID=29355|title=Exclusive: First Full Tintin Pictures|magazine=[[Empire (magazine)|Empire]]|date=1 November 2010|access-date=29 October 2024|archive-url=https://web.archive.org/web/20111025190253/https://www.empireonline.com/news/story.asp?NID=29355|archive-date=25 October 2011|url-status=dead}}</ref>
 By the time ''The Secret of the Unicorn'' was released, Spielberg said the book that would form the sequel had been chosen and that the Thomson and Thompson detectives would "have a much bigger role".<ref name="spielberg sequel">{{cite web|url=https://www.emirates247.com/entertainment/spielberg-announces-new-tintin-movie-2011-12-13-1.432533|title=Spielberg announces new Tintin movie|publisher=[[Emirates 24/7]]|date=13 December 2011|agency=Association of Fundraising Professionals|access-date=1 December 2015|archive-date=23 June 2018|archive-url=https://web.archive.org/web/20180623165805/https://www.emirates247.com/entertainment/spielberg-announces-new-tintin-movie-2011-12-13-1.432533|url-status=live}}</ref> The sequel would be produced by Spielberg and directed by Jackson.<ref name="spielberg sequel" /> Kathleen Kennedy said the script might be completed by February or March 2012 and motion-captured in summer 2012, so that the film would be on track to be released by Christmas 2014 or mid-2015.<ref>{{cite web|url=https://collider.com/kathleen-kennedy-jurassic-park-4-tintin-sequel-jurassic-park-3d/130315/|title=Producer Kathleen Kennedy Talks JURASSIC PARK 4, a 3D Re-Release for JURASSIC PARK, and the TINTIN Sequel|publisher=Collider.com|date=4 December 2011|access-date=7 January 2012|last=Chitwood |first=Adam|archive-date=7 January 2012|archive-url=https://web.archive.org/web/20120107050735/http://collider.com/kathleen-kennedy-jurassic-park-4-tintin-sequel-jurassic-park-3d/130315|url-status=dead}}</ref>
@@ Line 411: / Line 399: @@
 In June 2015, Jamie Bell stated that the sequel was titled ''Tintin and the Temple of the Sun'' and that he hoped shooting would begin in early 2016 for a possible release by the end of 2017 or early 2018.<ref>{{cite web|url=https://www.brusselstimes.com/news/art-culture/33472/shooting-of-tintin-and-the-temple-of-the-sun-could-start-late-in-2016/|title=Shooting of "Tintin and the Temple of the Sun" could start late in 2016|work=The Brussels Times|date=19 June 2015|access-date=27 August 2015|archive-url=https://web.archive.org/web/20150903071811/http://brusselstimes.com/art-culture/3328/shooting-of-tintin-and-the-temple-of-the-sun-could-start-late-in-2016|archive-date=3 September 2015}}</ref> Later in November, Horowitz said that he was no longer working on the sequel, and did not know if it was still being made,<ref>{{cite web|url=https://www.theguardian.com/books/live/2015/nov/06/anthony-horowitz-webchat-trigger-mortis-dinner-with-saddam#comment-63019817|title=Anthony Horowitz webchat – post your questions now|work=The Guardian|date=9 November 2015|access-date=13 November 2015|archive-date=11 November 2015|archive-url=https://web.archive.org/web/20151111231955/http://www.theguardian.com/books/live/2015/nov/06/anthony-horowitz-webchat-trigger-mortis-dinner-with-saddam#comment-63019817|url-status=live}}</ref> and in March 2016, he confirmed that the script he had written for the sequel had been scrapped.<ref>{{cite web|url=https://www.thenational.ae/arts-culture/exclusive-alex-rider-to-return-in-new-short-story-collection-from-author-anthony-horowitz-1.214180|title=Exclusive: Alex Rider to return in new short story collection from author Anthony Horowitz|publisher=[[Thenational.ae]]|date=6 March 2016|access-date=7 March 2016|first=Rob|last=Garratt|archive-date=11 March 2018|archive-url=https://web.archive.org/web/20180311021203/https://www.thenational.ae/arts-culture/exclusive-alex-rider-to-return-in-new-short-story-collection-from-author-anthony-horowitz-1.214180|url-status=live}}</ref>
-In March 2016, [[MediaWorks New Zealand|Scout.co.nz]] announced that Jackson would produce the sequel rather than direct. The website also announced that a third ''Tintin'' film was in development, with Jackson serving as executive producer. Bell and Serkis were reported to be reprising their roles in both films.<ref>{{cite web|url=http://www.scout.co.nz/Peter-Jackson-joins-Hollywood-A-list-in-controversial-film-streaming-service/tabid/511/articleID/12946/Default.aspx |title=Why Peter Jackson and Hollywood A-list back a controversial film streaming service |publisher=[[MediaWorks New Zealand|Scout.co.nz]] |date=18 March 2016 |access-date=31 March 2016 |archive-url=https://web.archive.org/web/20160320195551/http://www.scout.co.nz/Peter-Jackson-joins-Hollywood-A-list-in-controversial-film-streaming-service/tabid/511/articleID/12946/Default.aspx |archive-date=20 March 2016 |url-status=dead |df=dmy }}</ref> Spielberg later announced that Jackson was still attached to directing the sequel, and that it would enter work once Jackson completed another Amblin Partners/DreamWorks production.<ref>{{cite web|url=https://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=11665464|title=Steven Spielberg reveals Peter Jackson's next movie won't be Tintin|work=[[The New Zealand Herald]]|date=30 July 2016|access-date=28 July 2016|archive-date=26 July 2016|archive-url=https://web.archive.org/web/20160726211820/http://www.nzherald.co.nz//entertainment/news/article.cfm?c_id=1501119&objectid=11665464|url-status=live}}</ref>
+In March 2016, [[MediaWorks New Zealand|Scout.co.nz]] announced that Jackson would produce the sequel rather than direct. The website also announced that a third ''Tintin'' film was in development, with Jackson serving as executive producer. Bell and Serkis were reported to be reprising their roles in both films.<ref>{{cite web|url=http://www.scout.co.nz/Peter-Jackson-joins-Hollywood-A-list-in-controversial-film-streaming-service/tabid/511/articleID/12946/Default.aspx |title=Why Peter Jackson and Hollywood A-list back a controversial film streaming service |publisher=[[MediaWorks New Zealand|Scout.co.nz]] |date=18 March 2016 |access-date=31 March 2016 |archive-url=https://web.archive.org/web/20160320195551/http://www.scout.co.nz/Peter-Jackson-joins-Hollywood-A-list-in-controversial-film-streaming-service/tabid/511/articleID/12946/Default.aspx |archive-date=20 March 2016 |url-status=dead  }}</ref> Spielberg later announced that Jackson was still attached to directing the sequel, and that it would enter work once Jackson completed another Amblin Partners/DreamWorks production.<ref>{{cite web|url=https://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=11665464|title=Steven Spielberg reveals Peter Jackson's next movie won't be Tintin|work=[[The New Zealand Herald]]|date=30 July 2016|access-date=28 July 2016|archive-date=26 July 2016|archive-url=https://web.archive.org/web/20160726211820/http://www.nzherald.co.nz//entertainment/news/article.cfm?c_id=1501119&objectid=11665464|url-status=live}}</ref>
-In March 2018, Spielberg reiterated the above, saying that "Peter Jackson has to do the second part. Normally, if all goes well, he will soon start working on the script. As it takes two years of animation work on the film, for you, I would not expect to see it for about three years. But Peter will stick to it. ''Tintin'' is not dead!"<ref name="premiere.fr"/><ref name="stuff.co.nz"/> In interviews later the same year, Jackson affirmed his intent to make another ''Tintin'' film, but said that a script was yet to be written.<ref>{{cite web|url=https://www.polygon.com/2018/10/5/17943170/peter-jackson-second-tintin-film-steven-spielberg|title=Peter Jackson undecided on next Tintin film source|first=Russ|last=Frushtick|date=5 October 2018|website=Polygon|access-date=22 October 2018|archive-date=22 October 2018|archive-url=https://web.archive.org/web/20181022153200/https://www.polygon.com/2018/10/5/17943170/peter-jackson-second-tintin-film-steven-spielberg|url-status=live}}</ref>
+In March 2018, Spielberg reiterated the above, saying that "Peter Jackson has to do the second part. Normally, if all goes well, he will soon start working on the script. As it takes two years of animation work on the film, for you, I would not expect to see it for about three years. But Peter will stick to it. ''Tintin'' is not dead!"<ref name="premiere.fr">{{cite web|url=https://www.premiere.fr/Cinema/Steven-Spielberg-Peter-Jackson-va-bientot-travailler-sur-la-suite-des-Aventures-de-Tintin|title=Steven Spielberg : "Peter Jackson va bientôt travailler sur la suite des Aventures de Tintin"|date=23 March 2018|website=Premiere.fr|access-date=17 August 2020|archive-date=4 August 2020|archive-url=https://web.archive.org/web/20200804115918/https://www.premiere.fr/Cinema/Steven-Spielberg-Peter-Jackson-va-bientot-travailler-sur-la-suite-des-Aventures-de-Tintin|url-status=live}}</ref><ref name="stuff.co.nz">{{cite web|url=https://www.stuff.co.nz/entertainment/film/102560728/tintin-steven-spielberg-says-its-up-to-sir-peter-jackson-to-revive-the-franchise|title=Tintin: Steven Spielberg says it's up to Sir Peter Jackson to revive the franchise|website=Stuff|date=24 March 2018 |access-date=9 February 2019|archive-date=11 August 2018|archive-url=https://web.archive.org/web/20180811232309/https://www.stuff.co.nz/entertainment/film/102560728/tintin-steven-spielberg-says-its-up-to-sir-peter-jackson-to-revive-the-franchise|url-status=live}}</ref> In interviews later the same year, Jackson affirmed his intent to make another ''Tintin'' film, but said that a script was yet to be written.<ref>{{cite web|url=https://www.polygon.com/2018/10/5/17943170/peter-jackson-second-tintin-film-steven-spielberg|title=Peter Jackson undecided on next Tintin film source|first=Russ|last=Frushtick|date=5 October 2018|website=Polygon|access-date=22 October 2018|archive-date=22 October 2018|archive-url=https://web.archive.org/web/20181022153200/https://www.polygon.com/2018/10/5/17943170/peter-jackson-second-tintin-film-steven-spielberg|url-status=live}}</ref>
-In an April 2022 interview with ''[[Forbes]]'', Jamie Bell expressed interest in reprising his role saying. "He [Peter Jackson]’s always doing something, so if they said let’s get the band back together, we’d go do it. It’s going to be weird if I play Tintin at 45, but still, the technology allows it, so that’s fine."<ref>{{Cite web |last=Thompson |first=Simon |title=Jamie Bell Talks 'Shining Girls' And Why It Might Give Audiences David Fincher Vibes |url=https://www.forbes.com/sites/simonthompson/2022/04/28/jamie-bell-talks-shining-girls-and-why-it-might-give-audiences-david-fincher-vibes/ |access-date=2022-10-22 |website=[[Forbes]] |language=en |archive-date=22 October 2022 |archive-url=https://web.archive.org/web/20221022115938/https://www.forbes.com/sites/simonthompson/2022/04/28/jamie-bell-talks-shining-girls-and-why-it-might-give-audiences-david-fincher-vibes/ |url-status=live }}</ref> In April 2024, Andy Serkis stated that Jackson was working on the sequel.<ref>[https://x.com/AlexLoos/status/1800631530642931851 Alexandre Loos Twitter post]</ref><ref>{{Cite web |last=Seigh |first=Steve |date=2024-06-19 |title=Andy Serkis says Peter Jackson is still working on The Adventures of Tintin 2 |url=https://www.joblo.com/the-adventures-of-tintin-2-peter-jackson/ |access-date=2024-06-20 |website=JoBlo |language=en-US}}</ref>
+In an April 2022 interview with ''[[Forbes]]'', Jamie Bell expressed interest in reprising his role saying. "He [Peter Jackson]’s always doing something, so if they said let’s get the band back together, we’d go do it. It’s going to be weird if I play Tintin at 45, but still, the technology allows it, so that’s fine."<ref>{{Cite web |last=Thompson |first=Simon |title=Jamie Bell Talks 'Shining Girls' And Why It Might Give Audiences David Fincher Vibes |url=https://www.forbes.com/sites/simonthompson/2022/04/28/jamie-bell-talks-shining-girls-and-why-it-might-give-audiences-david-fincher-vibes/ |access-date=22 October 2022 |website=[[Forbes]] |language=en |archive-date=22 October 2022 |archive-url=https://web.archive.org/web/20221022115938/https://www.forbes.com/sites/simonthompson/2022/04/28/jamie-bell-talks-shining-girls-and-why-it-might-give-audiences-david-fincher-vibes/ |url-status=live }}</ref> In April 2024, Andy Serkis stated that Jackson was working on the sequel.<ref>[https://x.com/AlexLoos/status/1800631530642931851 Alexandre Loos Twitter post]</ref><ref>{{Cite web |last=Seigh |first=Steve |date=19 June 2024 |title=Andy Serkis says Peter Jackson is still working on The Adventures of Tintin 2 |url=https://www.joblo.com/the-adventures-of-tintin-2-peter-jackson/ |access-date=20 June 2024 |website=JoBlo |language=en-US}}</ref>
-==See also==
-* ''[[The Adventures of Tintin]]''
-* [[The Adventures of Tintin (TV series)|''The Adventures of Tintin'' (TV series)]]
-* [[Tintin and the Golden Fleece|''Tintin and Golden Fleece'' (1961 film)]]
-* [[Tintin and the Blue Oranges|''Tintin and the Blue Oranges'' (1964 film)]]
-* [[Tintin and the Temple of the Sun|''Tintin and the Temple of the Sun'' (1969 film)]]
-* [[Tintin and the Lake of Sharks|''Tintin and the Lake of Sharks'' (1972 animated film)]]
-<!--
-<nowiki>
-* [[The Adventures of Tintin 2: Prisoners of the Sun]]
-* [[The Adventures of Tintin 3:]]  </nowiki> -->
 ==Notes==
@@ Line 440: / Line 416: @@
 * {{Mojo title|tintin|The Adventures of Tintin}}
 * {{Rotten Tomatoes|tintin|The Adventures of Tintin}}
-* [https://www.tintinologist.org/guides/screen/ Guide to other screen adaptations of ''Tintin''] at Tintinologist.org
 {{Navboxes
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-{{Portal bar|Film|United States|United Kingdom|New Zealand|Animation|Cartoon|2010s|Comics|Belgium|1950s}}
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-[[Category:2011 films]]
+[[Category:2011 3D films]]
 [[Category:2011 computer-animated films]]
-[[Category:2011 3D films]]
 [[Category:2010s action adventure films]]
 [[Category:2010s American animated films]]
-[[Category:American computer-animated films]]
+[[Category:2010s English-language films]]
+[[Category:3D animated films]]
+[[Category:Amblin Entertainment animated films]]
 [[Category:American 3D films]]
-[[Category:American epic films]]
-[[Category:American action adventure films]]
 [[Category:American animated adventure films]]
+[[Category:American computer-animated films]]
 [[Category:Animated buddy films]]
 [[Category:Animated films based on Belgian comics]]
-[[Category:Films based on multiple works of a series]]
 [[Category:Animated films set in the 1950s]]
+[[Category:Animated films set in Africa]]
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-[[Category:Films set in Morocco]]
 [[Category:Animated films set in deserts]]
 [[Category:Animated films set on ships]]
-[[Category:IMAX films]]
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-[[Category:New Zealand animated films]]
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 [[Category:Annie Award–winning films]]
 [[Category:Best Animated Feature Film Golden Globe winners]]
+[[Category:Columbia Pictures animated films]]
 [[Category:Cultural depictions of cartoonists]]
+[[Category:DreamWorks Pictures films]]
+[[Category:English-language action adventure films]]
+[[Category:Films about treasure hunting]]
+[[Category:Films based on multiple works of a series]]
 [[Category:Films directed by Steven Spielberg]]
+[[Category:Films produced by Kathleen Kennedy]]
+[[Category:Films produced by Peter Jackson]]
 [[Category:Films produced by Steven Spielberg]]
-[[Category:Films produced by Kathleen Kennedy]]
+[[Category:Films scored by John Williams]]
+[[Category:Films set in Morocco]]
+[[Category:Films using motion capture]]
+[[Category:Films with screenplays by Edgar Wright]]
 [[Category:Films with screenplays by Joe Cornish]]
-[[Category:Films with screenplays by Edgar Wright]]
 [[Category:Films with screenplays by Steven Moffat]]
-[[Category:Films scored by John Williams]]
+[[Category:IMAX films]]
-[[Category:Paramount Pictures films]]
+[[Category:The Kennedy/Marshall Company films]]
+[[Category:New Zealand 3D films]]
+[[Category:New Zealand adventure films]]
+[[Category:New Zealand animated films]]
+[[Category:Nickelodeon animated films]]
+[[Category:Pirate films]]
+[[Category:Tintin films]]
 [[Category:Paramount Pictures animated films]]
-[[Category:Columbia Pictures films]]
+[[Category:Satellite Award–winning films]]
-[[Category:Columbia Pictures animated films]]
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-[[Category:Amblin Entertainment films]]
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 [[Category:WingNut Films films]]
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