View source for Gawain

{{Short description|Knight in Arthurian legends}}
{{Use British English|date=April 2019}}
{{Use dmy dates|date=April 2019}}
{{other uses}}
{{redirect|Gwalchmai}}
{{distinguish|Gaiwan}}
{{Infobox character
| name = Gawain
| series = [[Matter of Britain]]
| image = Arthur-Pyle Sir Gawaine the Son of Lot, King of Orkney.JPG
| caption = ''Sir Gawaine the Son of Lot, King of Orkney'', by [[Howard Pyle]] from ''[[The Story of King Arthur and His Knights]]'' (1903)
| based_on = [[#Gwalchmei|Gwalchmei]]
| title = Prince, Sir
| occupation = [[Knights of the Round Table|Knight of the Round Table]]
| weapon = [[Excalibur|Caliburn]], others
| family = 
[[#Origin narratives and alternate siblings|Various]] members of [[King Arthur's family]] <hr> ''Le Morte d'Arthur'': [[King Lot|Lot]] and [[Morgause]] (parents); [[Agravain]], [[Gaheris]], [[Gareth]] and [[Mordred]] (brothers)
| spouse = Ragnelle, Orguelleuse, Amurfina (in different stories)
| significant_other = [[#Children and relationships|Many]]
| children = [[#Children and relationships|Various]], including [[Gingalain]]
| relatives = [[King Arthur]] (uncle)
| religion = Christian
| origin = [[Orkney]] and/or [[Lothian]]
| nationality = Briton
}}

'''Gawain''' ({{IPAc-en|ˈ|ɡ|ɑː|w|eɪ|n|,_|ˈ|ɡ|æ|-|,_|-|w|ɪ|n|,_|ɡ|ə|ˈ|w|eɪ|n}} {{respell|GA(H)|wayn|,_-|win|,_|gə|WAYN}}),<ref>{{cite EPD|18}}</ref><ref>{{cite LPD|3}}</ref> also known in many other forms and spellings, is a character in [[Matter of Britain|Arthurian legend]], in which he is [[King Arthur]]'s nephew and one of the premier [[Knights of the Round Table]]. The prototype of Gawain is mentioned under the name '''Gwalchmei''' in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem ''[[Sir Gawain and the Green Knight]]''. Other works featuring Gawain as their central character include ''[[De Ortu Waluuanii]]'', ''[[Diu Crône]]'', ''[[Ywain and Gawain]]'', ''[[Golagros and Gawane]]'', ''[[Sir Gawain and the Carle of Carlisle]]'', ''[[L'âtre périlleux]]'', ''[[La Mule sans frein]]'', ''[[La Vengeance Raguidel]]'', ''[[Le Chevalier à l'épée]]'', ''[[Vulgate Cycle|Le Livre d'Artus]]'', ''[[The Awntyrs off Arthure]]'', ''[[The Greene Knight]]'', and ''[[The Wedding of Sir Gawain and Dame Ragnelle|The Weddynge of Syr Gawen and Dame Ragnell]]''.

In Arthurian [[chivalric romance]] literature, Gawain is usually depicted as King Arthur's closest companion and an integral member of the elite [[Round Table]]. In the best-known versions of the legend, he is the son of Arthur's sister [[Morgause]] and [[King Lot]] of [[Orkney]] and [[Lothian]]. Here, his younger brothers (or half-brothers) are [[Agravain]], [[Gaheris]], [[Gareth]], and the infamous [[Mordred]]. However, his familial relations and upbringing [[#Origin narratives and alternate siblings|are recorded differently]] in various accounts, although they often involve a story of Gawain unknowingly being raised in foster care in Rome before returning to Britain to reunite happily with his biological relatives. His [[#Children and relationships|many children from his numerous wives and lovers]] include the "Fair Unknown" [[Gingalain]], himself a popular hero of Arthurian romance. 

In the early Welsh texts, Gawain is portrayed as a formidable but courteous and compassionate warrior, fiercely loyal to his king and his family. He is known as a friend to young knights, a defender of the poor and the unfortunate, and as the "Maidens' Knight", a [[damsel in distress|rescuer of women]] as well—in more than one variant of the [[Castle of Maidens]] theme. Other notable recurring motifs include his learned healing skills, his special swords that may include the famed [[Excalibur|Caliburn]] (Excalibur), and his mighty warhorse named [[Gringolet]]. In the later version of his legend, he possesses superhuman strength connected to a day and night cycle, adding to his already outstanding martial prowess and making him an invincible swordsman around noon, when the sun is at its height.

However, Gawain's glowing portrayal diminishes in the [[Vulgate Cycle]], which favours [[Lancelot]] and, especially, [[Galahad]]. His character turns markedly ignoble in the [[Post-Vulgate Cycle]], and even outright villainous in the [[Prose Tristan|Prose ''Tristan'']], resulting in his conflicting characterization in ''[[Le Morte d'Arthur]]''. While he was originally known for his religious piety, here, he becomes a symbol of secular knighthood and thus a major object of criticism by the authors of French prose cycles. Two important plotlines shed light on Gawain's redefined characterization: his being a leader in the family blood feud against the clan of King [[Pellinore]] and his initially close friendship with another great knight, Sir Lancelot, which becomes a bitter rivalry when he seeks vengeance for the death of his brothers. In this tradition, featured in ''Le Morte d'Arthur'', Gawain's sinful ways and his unforgiving nature inadvertently lead to the fall of Arthur and the Round Table, and ultimately his own death by Lancelot's hand.

==Name==
[[File:Hb-gauvain.jpg|thumb|upright|Gauvain's [[attributed arms]]|alt=|left]]

Gawain is known by different names and variants in different languages. The character corresponds to the Welsh '''Gwalchmei ap Gwyar''' (meaning "son of Gwyar"), or '''Gwalchmai''', and throughout the Middle Ages was known in [[Latin language|Latin]] as '''Galvaginus''', '''Gualgunus''' (''Gualguanus'', ''Gualguinus''), '''Gualgwinus''', '''Walwanus''' (''Walwanius''), '''Waluanus''', '''Walwen''', etc.; in [[Old French]]  (and sometimes English) primarily as '''Gavain''' (''Gavaine'') and also as '''Gauvain''' (''Gauvaine''), '''Gauvan''' (''Gauvayn''), '''Gauven''' (''Gauvein''/''Gauveyn''), '''Gavan''' (''Gavane'') or
'''Gavayn''' (''Gavayne''); in [[Middle High German]] as '''Gâwein''' or '''Gâwân'''; in Italian dialects as '''Gavino''', '''Galvagin''' or '''Galvano'''; in [[Old Spanish]] as '''Galván'''; in [[Old Portuguese]] as '''Galvam''' or '''Galvão'''; and in [[Middle English]] also as '''Gawaine''', '''Gawan''' (''Gawane''), '''Gawayn''' (''Gawayne''), '''Gawein''' (''Gaweine''), 
'''Gaweyn''' (''Gaweyne''), '''Gauwein''' (''Gauweine''), '''Gauweyn''' (''Gauweyne'') or '''Wawen''' (''Wowen''), among many other forms and spellings. The later forms are generally assumed to derive from the Welsh ''Gwalchmei''.<ref name=Bromwich369>Bromwich, p. 369.</ref>

The element ''Gwalch'' means [[hawk]], and is a typical epithet in [[Medieval Welsh literature|medieval Welsh poetry]].<ref name="Bromwich367">Bromwich, p. 367.</ref> The meaning of ''mei'' is uncertain. It has been suggested that it refers to the month of May (''Mai'' in Modern Welsh), rendering "Hawk of May", although [[Rachel Bromwich]] considers this unlikely. [[Kenneth H. Jackson|Kenneth Jackson]] suggests the name evolved from an early [[Common Brittonic]] name *''Ualcos Magesos'', meaning "Hawk of the Plain".<ref name=Bromwich367/> Not all scholars accept the ''gwalch'' derivation. John Koch suggests the name could be derived from a [[Brittonic languages|Brythonic]] original ''*Wolcos Magesos'', "Wolf/Errant Warrior of the Plain."<ref>Koch, "The Celtic Lands," p. 267.</ref> 

Others argue that the continental forms do not ultimately derive from ''Gwalchmei''. [[Roger Sherman Loomis]] suggests a derivation from the epithet ''Gwallt Avwyn'', found in the list of heroes in ''[[Culhwch and Olwen]]'', which he translates as "hair like reins" or "bright hair".<ref>Roger Sherman Loomis, ''The Grail'' (Princeton University Press, 1963), p. 272.</ref><ref>Roger Sherman Loomis, ''Celtic Myth and Arthurian Romance'' (Academy Chicago Publishers, 1997), pp. 63–66.</ref> Lauran Toorians proposes that the Dutch name '''Walewein''' (attested in [[Flanders]] and France c. 1100) was earliest, suggesting it entered Britain during the large settlement of [[Flemish people|Flemings]] in Wales in the early 12th century.<ref>Toorians, Lauran, "Nogmaals 'Walewein van Melle' en de Vlaams-Keltische contacten," Queeste, 2 (1995), 97–112.</ref> However, most scholarship supports a derivation from Gwalchmei, variants of which are well attested in Wales and [[Brittany]]. Bromwich, [[Joseph Loth]], and [[Heinrich Zimmer]] all trace the etymology of the continental versions to a corruption of the [[Breton language|Breton]] form of this name, Walcmoei.<ref name="Bromwich369" /> {{clear left}}

==Gwalchmei==
Gawain's precursor, Gwalchmei son of Gwyar, was a hero of [[Welsh mythology]] and clearly a major figure of the now largely lost oral tradition. His popularity greatly increased after foreign versions, particularly those derived from [[Geoffrey of Monmouth]]'s ''[[Historia Regum Britanniae]]'', became known in Wales.<ref name="Bromwich368">Bromwich, p. 368.</ref> The ''Gwyar'' (meaning "gore"<ref>Pughe, p. 195.</ref> or "spilled blood/bloodshed"<ref>Rhys, p. 169.</ref>) in Gwalchmei ap Gwyar is likely the name of Gwalchmei's mother, rather than his father, as is the standard in the [[Welsh Triads]].<ref name="Bromwich369" /> Gwyar appears as a daughter of [[Amlawdd Wledig]] in one version of the hagiographical genealogy ''[[Bonedd y Saint]]''. The 14th-century fragment ''Birth of Arthur'', a Welsh text that adapts scenes from Geoffrey, substitutes Gwyar for Anna, Geoffrey's name for Gawain's mother, [[Morgause|the Queen of Orkney]].<ref>Bromwich, pp. 369–70.</ref> His father is named as ''Emyr Llydaw'' (Emperor of Brittany), that is [[Budic II of Brittany]]. There, Gwalchmei is given three sisters: Gracia, Graeria, and Dioneta, the last of which being a counterpart of [[Morgan le Fay|Morgan]].<ref>{{Cite book|url=https://books.google.com/books?id=CsV7qXZa8kUC&pg=PA291|title=Journey to Avalon: The Final Discovery of King Arthur|last1=Barber|first1=Chris|last2=Pykitt|first2=David|year= 1997|publisher=Weiser Books|isbn=978-1609251468|language=en}}</ref>

Early references to Gwalchmei include the Welsh Triads; the ''[[Englynion y Beddau]]'' (''Stanzas of the Graves''), which lists the site of his grave; the ''Trioedd y Meirch'' (''Triads of the Horses''), which praises his horse named Keincaled (known as [[Gringolet]] in the works of medieval French authors); and [[Cynddelw]]'s elegy for [[Owain Gwynedd]], which compares Owain's boldness to that of Gwalchmei.<ref name="Bromwich367"/> In the Welsh Triads, Triad 4 lists him as one of the "Three Well-Endowed Men of the Isle of Britain" (probably referring to his inheritance);<ref>Bromwich, p. 9.</ref> Triad 75 describes him as one of the "Three Men of the Island of Britain who were Most Courteous to Guests and Strangers";<ref>S Davies, ''Mabinogion'' (Oxford 2007) p. 245.</ref> and Triad 91 praises his fearlessness.<ref>Bromwich, pp. 205, 234.</ref> Some versions of Triads 42 and 46 also praise his horse Keincaled, echoing the ''Triads of the Horses''.<ref>Bromwich, pp. 111–12, 127–28.</ref> The singling out of Gwalchmei as Most Courteous evokes his role in the ''Mabinogion'', where he regularly serves as an intermediary between [[King Arthur]]'s court and stranger knights.<ref>S. Davies trans., ''Mabinogion'' (Oxford 2007) p. 245.</ref>

An early Welsh romance ''[[Culhwch and Olwen]]'', composed in the 11th century (though not recorded until the 14th), and eventually associated with the ''[[Mabinogion]]'',<ref>Hall, pp. 2–3.</ref> ascribes to Gwalchmei the same relationship with Arthur that Gawain is later given: he is the son of Arthur's sister and one of his leading warriors.<ref name="Bromwich367"/> However, he is mentioned only twice in the text, once in the extensive list of Arthur's court towards the beginning of the story, and again as one of the "Six Helpers" whom Arthur sends with the protagonist [[Culhwch]] on his journey to find his love [[Olwen]].<ref name="Bromwich368" /> Unlike the other helpers, he takes no further part in the action. This suggests he was added to the romance later, likely under the influence of the Welsh versions of Geoffrey's ''Historia''.<ref name="Bromwich368"/> He also appears in ''[[Peredur son of Efrawg|Peredur fab Efrawg]]'' (''Peredur son of Efrawg''), part of the ''Mabinogion'', where he aids the hero [[Peredur]] in the final battle against the [[Nine sorceresses|nine witches of Caer Loyw]].<ref>{{Cite web|url=http://medieval_literature.enacademic.com/467/Peredur|title=Peredur|website=Academic Dictionaries and Encyclopedias|access-date=5 December 2018}}{{Dead link|date=May 2024 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> A similar motif was mentioned by the 16th-century Welsh scholar [[Sion Dafydd Rhys]] in an unrecorded oral tale in which Gwalchmei destroyed three evil witch-sisters, wives of the giants previously slain by Arthur, killing them within their castles through his cunning, as they could not be defeated otherwise, due to their powers.<ref>[http://www.maryjones.us/ctexts/giants_wales.html ''The Giants of Wales and Their Dwellings''] by Sion Dafydd Rhys (Peniarth MS 118 f.829–837, ca. 1600].</ref> Gwalchmei himself appears as a giant in Welsh folklore.<ref>{{cite book | url=https://books.google.com/books?id=vzxTAgAAQBAJ&pg=PA262 | title=Arthuriana: Early Arthurian Tradition and the Origins of the Legend | isbn=9781445221106 | last1=Green | first1=Thomas | date=7 November 2009 | publisher=Lulu.com }}</ref>

==Gawain==

===Histories and romances===
[[File:Ambito di wiligelmo, porta della pescheria, 02 ciclo di artù 04,1.jpg|thumb|left|Galvagin (Gawain) depicted fighting Carrado (Carados)<ref>{{cite web | url=https://corvinus.nl/2022/01/08/modena-the-duomo/ | title=Modena: The Duomo | date=8 January 2022 }}</ref> on the Italian [[Modena Cathedral|Modena Archivolt]] (c. 1120–1240)]]

The first known references to Gawain outside Wales began to appear in the first half of the 12th century. [[William of Malmesbury]] writes, in his ''[[Gesta Regum Anglorum]]'' of around 1125, that "Walwen's" grave had been uncovered in [[Pembrokeshire]] hundreds of years after his death, following the 11th-century [[Norman conquest of England]]. William recounts how Arthur's nephew, a renowned [[Sub-Roman Britain|Post-Roman]] Briton soldier celebrated for his bravery, tirelessly fought against the [[Saxons]] led by [[Hengest]]'s brother: "He deservedly shared in his uncle's praising, because he prevented the fall of his collapsing country for many years." William also noted uncertainty regarding the manner of his death: "There, as certain people claim, he [Walwen] was wounded by his enemies, and cast forth from a shipwreck; by others, it is said that he was killed by his fellow citizens at a public feast. Therefore, knowledge of the truth falls in doubt, although neither of these stories would fail in defense of his fame."<ref>{{Cite book|url=https://books.google.com/books?id=rb5kAAAAMAAJ|title=Arthur, King of Britain: History, Romance, Chronicle & Criticism, with Texts in Modern English, from Gildas to Malory|first=Richard L.|last=Brengle|date=2 August 1964|publisher=Appleton-Century-Crofts|isbn=9780130492708|via=Google Books}}</ref> He also describes Walwen as a former ruler of [[Galloway]], which he says was still called Walweitha centuries later in his times.<ref>{{cite web | url=http://www.arthuriana.co.uk/n&q/figures.htm | title=Pre-Galfridian Arthurian Characters }}</ref>

However, it was Geoffrey of Monmouth's version of Gawain in the ''[[Historia Regum Britanniae]]'', written around 1136, that brought the character to a wider audience.<ref name="Busby">Busby, pp. 178–79.</ref> As in the Welsh tradition, Geoffrey's Gawain (Gualguanus) is the son of Arthur's sister, here named Anna, and her husband is [[King Lot|Lot]] (Loth), the prince of [[Lothian]] and one of Arthur's key supporters. Geoffrey mentions that Gawain was twelve years old at the time when King Lot and Arthur began a war with Norway, and that he had previously served Pope Sulpicius in Rome. Gawain later plays a major role as one of the leaders in Arthur's victorious war against the Romans, having personally started this great conflict by killing the Roman envoy Caius (Gaius Quintilianus) who had insulted him and Arthur. Geoffrey's Gawain is depicted as a supreme warrior (even calling him and [[Hoel]] the two "warriors than whom no better had ever been born"<ref>{{cite web |last=Echard |first=Siân |title=Sir Gawain |url=https://faculty.arts.ubc.ca/sechard/gawain.htm |website=University of British Columbia |access-date=26 January 2022}}</ref>) and potential heir to the throne until he is tragically struck down by the forces of his traitorous brother [[Mordred]] (Modredus) at [[Richborough Castle|Richborough]], during an attempted sea landing that turned into a disaster.<ref>Geoffrey of Monmouth, [[s:History of the Kings of Britain|''Historia Regum Britanniae'']] Books 9–11.</ref>

Geoffrey's work was immensely popular and was adapted into many languages. The [[Norman language|Norman]] version by [[Wace]], the ''[[Roman de Brut]]'', ascribes to Gawain the [[Chivalry|chivalric]] aspect he would take in later literature, wherein he favours courtliness and love over martial valor.<ref name="Busby" /> Several later works expand on Geoffrey's mention of Gawain's boyhood spent in Rome, the most important of which is the anonymous [[Medieval Latin]] ''[[De Ortu Waluuanii|De Ortu Waluuanii Nepotis Arturi]]'' (''The Rise of Gawain, Nephew of Arthur''), which describes his birth, boyhood, and early adventures leading up to his knighting by his uncle.<ref name="Day 1994 365–366">{{Citation|last=Day|first=Mildred Leake|title=The Romance of Arthur|pages=365–66|year=1994|editor-last=Wilhelm|editor-first=James J.|contribution=The Rise of Gawain, Nephew of Arthur|place=New York|publisher=Garland}}</ref>

[[Image:Ywain-Gawain.JPG|thumb|Gawain unwittingly fights [[Yvain]] in the Garrett MS. No. 125 manuscript of Chrétien's ''[[Yvain, or the Knight of the Lion|Knight of the Lion]]'' (c. 1295)|alt=|left]]

Beginning with the five works of [[Chrétien de Troyes]] in the second half of the 12th century, Gawain became a very popular figure in [[Old French]] [[chivalric romance]]s. Chrétien features Gawain as a major character and establishes some characteristics that pervade later depictions, including his unparalleled courteousness and his way with women. His romances set the pattern often followed in later works in which Gawain serves as an ally to the protagonist and a model of knighthood to whom others are compared. However, in Chrétien's later romances, especially ''[[Lancelot, the Knight of the Cart|Lancelot, le Chevalier de la Charrette]]'' (''Lancelot, the Knight of the Cart'') and ''[[Perceval, the Story of the Grail|Perceval ou le Conte du Graal]]'' (''Perceval, the Story of the Grail''), the eponymous heroes [[Lancelot]] and [[Percival]] prove morally superior to Gawain, who follows the rules of courtliness to the letter rather than the spirit.<ref name=Busby/> Chrétien's story of Gawain's cousin [[Yvain]], ''[[Yvain, the Knight of the Lion|Yvain ou le Chevalier au Lion]]'' (''Yvain, the Knight of the Lion''), was translated into [[Middle English]] as ''[[Ywain and Gawain]]''. Gawain is also prominent in the continuations of ''Perceval'', in particular the First Continuation and ''[[Perlesvaus]]''.

An influx of romances written in French appeared in Chrétien's wake. While Gawain stands out as the most popular character of all Arthurian knights in the entire genre,<ref>{{cite web |last=Cybulskie |first=Danièle |title=Five Ways Gawain Kicks Lancelot's Ass |url=https://www.medievalists.net/2015/07/five-ways-gawain-kicks-lancelots-ass/ |date=July 2015 |website=Medievalists.net |access-date=26 January 2022}}</ref> their authors characterise him variously.<ref>{{cite web |title=English 65B/165B: Arthurian Literature – Gawain |url=https://web.stanford.edu/class/engl165b/71gawin.html |website=Stanford University |access-date=26 January 2022}}</ref> In some of these "Gawain romances", such as ''[[La Vengeance Raguidel]]'' (or ''Messire Gauvain'') and ''[[La Mule sans frein]]'' (perhaps also written by Chrétien himself), he is the hero. In others, such as ''[[Meraugis de Portlesguez]]'' and ''{{ill|Hunbaut|fr|Hunbaut}}'', he aids the hero. Sometimes he is also the subject of [[burlesque]] humor, as in the parody ''[[Le Chevalier à l'épée]]'' (''The Knight with the Sword'').<ref name="Busby" /> In the variants of the ''Bel Inconnu'' ([[Fair Unknown]]) story, he is the father of the hero.<ref>Lacy,  p. 161.</ref> ''{{ill|Mériadeuc|fr|Le Chevalier aux deux épées}}'', also known as ''Le Chevalier aux deux épées'' (''The Knight of Two Swords''), contrasts the adventures of Gawain with these of the eponymous Mériadeuc, his former [[squire]]. Another notable squire of Gawain is the also eponymous protagonist of ''{{ill|Gliglois|fr|Gliglois}}''.

[[File:Walewein.jpg|thumb|upright|"Walewein" follows a flying checkboard in a 14th-century Dutch manuscript ''Roman van Walewein (en het schaakspel)'' [[Leiden University Libraries]]]]

For the English and the Scottish, Gawain remained a respectable and heroic figure, becoming the subject of several romances (a dozen in English,<ref>{{cite web |title=Call for papers: 'The character of Gawain in Medieval European Literature' |url=http://www.internationalarthuriansociety.com/dutch-branch/news/cfp-the-character-of-gawain-in-medieval-european-literature1 |date=2020 |website=International Arthurian Society – Netherlands Branch |access-date=26 January 2022 }}{{Dead link|date=May 2024 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> besides the likes of the Anglo-Norman ''[[Romanz du reis Yder]]'') and lyrics in the dialects of their nations, such as the [[Middle Scots]] poem ''[[Golagros and Gawane]]''. Important Gawain romances in English include ''[[The Awntyrs off Arthure]]'' (''The Adventures of Arthur''), ''Syre Gawene and the Carle of Carlyle'' (''[[Sir Gawain and the Carle of Carlisle]]''), and ''The Avowyng of Arthur'' (''[[The Avowing of Arthur]]''). The [[Middle Dutch]] romances by Penninc and Pieter Vostaert, the ''{{ill|Roman van Walewein|nl|Roman van Walewein en het schaakspel}}'' (''Story of Gawain''), held at [[Leiden University Libraries]],<ref>{{cite web|url=http://hdl.handle.net/1887.1/item:1595077  |title=Digital version of Penninc en Pieter Vostaert, Roman van Walewein - LTK 195 |publisher=[[Leiden University Libraries]] |hdl=1887.1/item:1595077 |access-date=2024-04-10}}</ref> and ''Walewein ende Keye'' (''Gawain and Kay''), are both dedicated primarily to Gawain. The [[Middle High German]] romance ''[[Diu Crône]]'' (''The Crown'') by Heinrich von dem Türlin, in which Gawain is the protagonist who achieves the [[Holy Grail|Grail]] and heals the [[Fisher King]], also features a minor character of "the other Gawain": his lookalike, Aamanz. 

[[File:Sir Gawain seized his lance and bade them farewell.png|thumb|upright|left|"Sir Gawain seized his lance and bade them farewell", Frank T. Merrill's illustration for ''A Knight of Arthur's Court or the Tale of Sir Gawain and the Green Knight'' (1910)|alt=]]

Gawain is notably the hero of one of the greatest works of Middle English literature, the alliterative poem ''[[Sir Gawain and the Green Knight]]'', where he is portrayed as an excellent, but human, knight. Here, Gawain strongly resembles the [[Irish mythology|Irish mythological]] hero [[Cuchulainn]].<ref>{{Cite book|url=https://books.google.com/books?id=1Je5AAAAIAAJ|title=From Cuchulainn to Gawain: Sources and Analogues of Sir Gawain and the Green Knight|first=Elisabeth|last=Brewer|date=2 August 1974|publisher=Rowman and Littlefield|isbn=9780874714432|via=Google Books}}</ref> In the poem, he must go to the titular [[Green Knight]] to, presumably, be killed by the Knight. Gawain does this as it pertains to a deal made between the two without knowing that it is all a test by the Knight.<ref>"Sir Gawain and the Green Knight." ''From the Norton Anthology of English Literature'', edited by Julie Reidhead, lines 2331–2365.</ref> He is cited in [[Robert Laneham]]'s letter describing the entertainments at Kenilworth in 1575,<ref>Performance artist Captain Cox is described as "hardy as Gawin" and knows the Arthurian romances including "Syr Gawain".</ref> and the recopying of earlier works such as ''[[The Greene Knight]]'' suggests that a popular English tradition of Gawain continued. Different variants of the Green Knight story include ''The Turke and Sir Gawain''.<ref>{{cite web |title=Turke and Sir Gawain |url=https://www.middleenglishromance.org.uk/mer/78 |date=2012 |website=Database of Middle English Romance, The University of York |access-date=26 January 2022}}</ref> In possibly [[Thomas Malory]]'s ''[[The Wedding of Sir Gawain and Dame Ragnelle|The Weddynge of Syr Gawen and Dame Ragnell]]'' (''The Wedding of Sir Gawain and Dame Ragnelle''), his wits, virtue, and respect for women frees his wife, a [[loathly lady]], from her curse of ugliness. The [[Child Ballads]] include a preserved legend in a positive light: ''[[The Marriage of Sir Gawain]]'', a fragmentary version of the story of ''The Wedding of Sir Gawain and Dame Ragnelle''.

The ''[[Lancelot-Grail]]'' (Vulgate Cycle) depicts Gawain as a proud and worldly knight and the leader of his siblings, who demonstrates through his failures the danger of neglecting the spiritual in favor of the material world. On the grand Grail Quest, his intentions are always the purest, but he is unable to use God's grace to see the error of his ways. Later, when his brothers  Mordred and [[Agravain]] plot to destroy Lancelot and Queen [[Guinevere]] by exposing their love affair, Gawain tries to stop them. When Guinevere is sentenced to burn at the stake and Arthur deploys his best knights to guard the execution, Gawain nobly refuses to take part in the deed, even though his brothers will be there. But when Lancelot returns to rescue Guinevere, a battle between Lancelot's and Arthur's knights ensues, and Gawain's brothers [[Gareth]] and [[Gaheris]] are killed (Agravain, too, is killed by Lancelot, either on this occasion or in a previous encounter). This turns his friendship with Lancelot into hatred, and his desire for vengeance causes him to draw Arthur into a war with Lancelot in France. In the king's absence, Mordred usurps the throne, and the Britons must return to save Britain. Meanwhile, Gawain is mortally wounded by Lancelot himself after a long duel. King Arthur, his uncle in this version of the tale, becomes very distraught as he mourns his death. The Vulgate ''Mort Artu'' has Gawain's dead body carried to [[Camelot]], where he is placed in the tomb of his dear brother Gaheriet (Gaheris).

Gawain's death in a battle against Mordred is described in detail in the English [[Alliterative Morte Arthure|Alliterative ''Morte Arthure'']]. Upon reaching land after returning to Britain from the continent, Gawain wreaks great slaughter on his enemies, killing the king of [[Götaland|Gothland]] among others, before being surrounded on a hill. Breaking out, he pushes forward on a horse towards Mordred himself, and the two strike one another down from their horses with their lances. Gawain then attempts to cut Mordred's throat, but Mordred stabs him through the helmet. (As Mordred is portrayed there more sympathetically than in most other works, he later gives a sorrowful eulogy to his dead brother, calling him the best and most glorious of knights.) In the French verse ''Mort Artu'' attachment to ''{{ill|Didot-Perceval|fr|Perceval de Didot}}'', Gawain attempts to disembark during the sea landing at [[Dover]] when one of Mordred's Saxon allies fatally strikes him in the head through an unlaced helmet; a similar account is told in the English [[Stanzaic Morte Arthur|Stanzaic ''Morte Arthur'']]. In the Italian romance ''[[La Tavola Ritonda]]'', having been defeated in his duel with Lancelot, Gawain takes part in resisting an attack by Lancelot's friend and ally, Sir Turinoro of [[Cartagena, Spain|Cartagina]], when he is struck on his head in the same place where Lancelot had wounded him and falls dead during a single combat with a knight named Turinoro, who also dies.

Thomas Malory's English compilation work ''[[Le Morte d'Arthur]]'' is based mainly, but not exclusively, on French works from the Vulgate and [[Post-Vulgate Cycle|Post-Vulgate]] Cycles. Here Gawain partly retains the negative characteristics attributed to him by the later French authors, and partly retains his earlier positive representations, creating a character seen by some as inconsistent, and by others as a believably flawed hero. Gawain is the first to declare that he "shall laboure in the Queste of the Sankgreall" but really embarks on the Grail quest in order to gain more magical meals and drinks (''metys and drynkes'') from it rather than from a religious zeal or to save the [[Fisher King]]'s kingdom. One of Malory's other French sources was ''[[L'âtre périlleux]]'' (''The Perilous Cemetery''), a poem about Gawain's rescue of a woman from a demon.

[[File:The Passing of Sir Gawaine.png|thumb|upright|"The Passing of Sir Gawaine", [[Howard Pyle]]'s illustration from ''[[The Story of the Grail and the Passing of King Arthur]]'' (1910)|alt=]]

Malory's version of Gawain's demise follows the Vulgate. Gawain's two sons and his brothers, except for Mordred, end up slain by Lancelot and his followers. Their death unleashes the vindictive hostility of Gawain towards his former friend, drawing Arthur himself into a war with Lancelot, first in Britain and then in France. Gawain's rage is so great that he refuses to cease fighting even after the Pope steps in and issues a [[Papal bull|bull]] to end the violence between Arthur's and Lancelot's factions. Following Mordred's betrayal, Gawain wages two wars against both Mordred and Lancelot. He twice challenges Lancelot to a duel, but each time loses and asks Lancelot to kill him. Lancelot refuses and grants him mercy before leaving. The mortally injured Gawain later writes to Lancelot, repenting of his bitterness, asking for his help against Mordred, and for forgiveness for splitting the Round Table. Following his death, Gawain also appears in Arthur's dream vision to tell him to wait thirty days for the reconciled Lancelot to return to Britain before fighting Mordred. Consequently, Arthur sends [[Sir Lucan|Lucan]] and [[Bedivere]] to make a temporary peace treaty, but the bloody final conflict ensues anyway. Upon his eventual arrival, Lancelot weeps at Gawain's tomb for two nights. In his editorial preface to Malory's ''Le Morte d'Arthur'', [[William Caxton]] wrote that those visiting [[Dover Castle]] can still "see the skull of [Sir Gawaine], and the same wound is seen that Sir Launcelot gave him in battle."<ref name="C. Norris 2008 200">{{Cite book| first = Ralph | last = C. Norris| title = Malory's Library: The Sources of the Morte Darthur| publisher = [[D.S. Brewer]]| page= 200|url=https://books.google.com/books?id=9bQxHyxm3pIC |year = 2008|isbn=978-1843841548 }}</ref>

Finally, there are versions in which Gawain does not die. In [[Jean des Preis]]'s Belgian ''Ly Myreur des Histors'', Arthur, defeated and wounded in his last battle with Mordrech (Mordred), goes with Gawain in a boat to the magic isle of [[Avalon]] for them to be healed there by the king's sister Morgaine (Morgan). The surviving Gawain also features in the earlier French epic poem ''{{ill|La Bataille Loquifer|fr|La Bataille Loquifer}}'', appearing together with Arthur and Morgan in Avalon, where they are all still alive hundreds of years later.

=== Origin narratives and alternate siblings ===
''Les Enfances Gauvain'', based in part on ''De Ortu Waluuanii'', tells of how Arthur's sister Morcades ([[Morgause]]) becomes pregnant by Lot, at this point a mere [[Page (servant)|page]] in King Arthur's court. She and Lot secretly give the child to a knight named Gawain the Brown (''Gauvain li Brun'') who baptises the infant with his own name, puts the infant Gawain in a cask with a letter explaining who the child is, and sets him adrift on the sea. The cask is found by a fisherman and his wife. Sometime after Gawain is ten years of age, his foster-father vows to make a pilgrimage to Rome if he recovers from his severe illness. When he undertakes the pilgrimage, he takes his foster-child with him to Rome. There a clerk reads the knight's letter, understands that the boy is of high birth, and the Pope takes Gawain as his own foster-son. Accounts similar to this can be found in ''Perlesvaus'', the ''[[Gesta Romanorum]]'', and many other texts.

In ''De Ortu Waluuani'', the young Gawain, trained as a [[Roman cavalry]] officer, undertakes a duel to determine whether Rome or [[Persia]] should possess [[History of Jerusalem during the Middle Ages|Jerusalem]]. On his way, Gawain and his men defeat the pirate king Milocrates and his brother Buzafarnam, rescuing the Roman Emperor's niece whom Milocrates has abducted. In Jerusalem, he fights the giant Persian champion Gormund and slays him after three days of single combat. He is then sent to King Arthur with the proof of his birth. Arthur's queen, here named Gwendoloena and possessing prophetic powers, warns Arthur of the coming of a knight of Rome who is more powerful than him; Arthur and [[Sir Kay|Kay]] meet Gawain on his way but he unhorses them both. Gawain then arrives at Arthur's court, but the king rejects him despite learning of the knight being his nephew. In response, Gawain vows that he will do what Arthur's entire army could not do. The occasion comes when the Lady of the [[Castle of Maidens]] sends to Arthur for aid, having been abducted by a pagan king who wants to force marriage on her. Arthur and his forces go to fight the pagan army but lose, yet Gawain single-handedly succeeds and returns with the Lady and with the pagan king's head. Arthur is finally forced to publicly accept the knight's worth, and Lot and Anna formally acknowledge Gawain as their son.

[[File:Caen église St Pierre Gauvain.JPG|thumb|left|''[[Parzival]]'''s Gawain in a capital relief at the [[Church of Saint-Pierre, Caen]]]]

Similar to this tale are the stories of the Castle of Wonders, found in ''Diu Crône'', Chrétien's ''Perceval'', [[Wolfram von Eschenbach]]'s ''[[Parzival]]'', and the [[Old Norse|Norse]] ''Valvens þáttr'' (''The Tale of Gawain''), wherein Gawain comes to the castle where, unknown to him, live his grandmother (King Arthur's mother), his own mother, and his sister. Gawain becomes the castle's lord, and it would be likely that he would unknowingly marry either his mother or his sister, but Gawain discovers who the women are. In a variant included in the ''Gesta Romanorum'', a Gawain-like character named Gregory comes to a castle where his mother dwells, besieged by the [[Dukes of Burgundy family tree|Duke of Burgundy]]. Gregory enters the lady's service and succeeds in winning back her lands, after which he unwittingly marries his own mother.

Later romances, however, abandon the motif of Gawain being brought up, unknown, in Rome. In the ''Suite du Merlin'' attributed to [[Robert de Boron]], a marriage between King Lot and a daughter of Ygerne ([[Igraine]], Arthur's mother) is part of the negotiations arranging for Arthur's father [[Uther Pendragon]]'s marriage to Ygerne; Gawain must be thus about the same age as Arthur, or even older. In the [[Lancelot-Grail|Vulgate ''Merlin'']], he first appears as a young squire in his father's kingdom. Gawain, his brother Gaheris, and a number of other squires, most of them sons or kindred of the kings who at this time are rebelling against King Arthur, come together and defend the land of [[Logres]] against the Saxons while Arthur is away aiding King Leodegan ([[Leodegrance]]) against King Rion ([[Rience]]), after which Arthur knights the squires. During this time, Gawain notably saves their mother Belisent (Morgause) and the infant Mordred from being kidnapped by the Saxon king Taurus. This account is revised in the later [[Post-Vulgate Cycle|Post-Vulgate ''Merlin'']], where King Lot fights against Arthur but his forces are defeated and he himself is killed by King Pellinor ([[Pellinore]]), one of King Arthur's allies. Gawain first appears as an eleven-year-old boy at Lot's funeral and swears to avenge his father's death on Pellinor, praying that he may never be known for knightly deeds until he has taken vengeance. The story of the feud between Gawain and Pellinor and his sons is very important in the Post-Vulgate Cycle and the [[Prose Tristan|Prose ''Tristan'']], but not a trace of it is found in the Lancelot-Grail Cycle or in any earlier known tale, some of which picture Lot as still alive long after Gawain becomes a knight.

In many works outside the ''Lancelot-Grail''-derived tradition in which Gawain has only his now-familiar four brothers (among whom he is the eldest and is explicitly described as the most handsome of them by the Vulgate ''Lancelot''), Gawain also has sisters in different settings. These include an unnamed sister whom he rescues (along with her unnamed husband and children) from a giant in Chrétien's ''Yvain''; two sisters named Soredamors (Cligés' mother) and Clarissant in Chrétien's ''[[Cligès|Cligés]]''; an unnamed sister abducted by Gorvain Cadru in ''Hunbaut''; and Elainne in the Modena manuscript of the Didot ''Perceval''. In ''Parzival'', he has two sisters named Cundriê and Itonjê and a sole younger brother named Beacurs (the King of Norway and a Knight of the Round Table who marries King [[Bagdemagus]]'s niece Antonie). In some Welsh adaptations of ''Historia Regum Britanniae'' and in ''The Birth of Arthur'', King Hoel is his half-brother from their mother's first marriage. Mordred is Gawain's younger brother (by Lot, originally) or half-brother (by Arthur, later) in almost every text in which he figures since Geoffrey of Monmouth.

===Attributes and characterizations===
[[File:Song of Courtesy.png|thumb|upright|[[John Tenniel]]'s illustration for "The Song of Courtesy", [[George Meredith]]'s take on Gawain and the Loathly Lady published in ''[[Once a Week (magazine)|Once a Week]]'' magazine in 1859]]

Traditionally, Gawain, of all Arthur's knights, is known for his courteousness, compassion, and humility. In ''Gawain: His Reputation, His Courtesy and His Appearance in Chaucer's Squire's Tale'', B. J. Whiting collected quantitative evidence of these qualities being stronger in Gawain than in any of the other [[Knights of the Round Table]], counting the words "courteous", "courtesy", and "courteously" being used in reference to Arthur's nephew as 178 times in total, more than for all the other knights in Arthurian literature.<ref name="Whiting, p. 218">Whiting, p. 218.</ref> The [[Lancelot-Grail|Prose ''Lancelot'']] describes Gawain as the most handsome of his brothers and notably gracious towards poor people and to societal outcasts such as lepers; the one time when he fails to properly greet an unknown maiden ([[Lady of the Lake|Viviane]]) while on a quest to learn the fate of [[Merlin]] in the Vulgate ''Merlin Continuation'', she curses him with a spell that turns him into a hideous dwarf, but later restores him to his real form after he passes a test to save her from an apparent rape in an arranged "damsel in distress"-style scenario. In some versions of the legend, Gawain would have been the true and rightful heir to the throne of Camelot, after the reign of King Arthur.<ref name="Day 1994 365–366" /><ref name="hall p.3">Hall, p. 3.</ref>

The Vulgate ''Mort Artu'' says Gawain had been baptised as an infant by a miracle-working holy man, also named Gawain. The other Gawain named the boy after himself, and who announced the following day that every day at noon, at the hour of the baptism, his power and strength would increase. His recurring status of a solar hero, as well as some of his other traits and adventures, especially within the variants of the Green Knight tale, suggest that Gawain may have been originally a Welsh counterpart of the Irish mythology hero [[Cú Chulainn]], and also led to scholarly hypothesis according to which Gawain's figure could be derived from a Celtic sun god or perhaps a son of such deity.<ref>{{Cite book|url=https://books.google.com/books?id=guPg1ZoPV1wC&pg=PA291|title=The Works of the Gawain-poet|first=Charles|last=Moorman|date=22 April 1976|publisher=Univ. Press of Mississippi|isbn=9781604735277 |via=Google Books}}</ref><ref>{{Cite book|url=https://books.google.com/books?id=v7GDBQAAQBAJ&pg=PA36|title=Malory's Anatomy of Chivalry: Characterization in the Morte Darthur|first=Paul|last=Rovang|date=5 November 2014|publisher=Rowman & Littlefield|isbn=9781611477795 |via=Google Books}}</ref><ref>{{Cite book|url=https://books.google.com/books?id=wQaxAAAAQBAJ&pg=PA146|title=The Oxford Handbook of Contemporary British and Irish Poetry|first=Peter|last=Robinson|date=26 September 2013|publisher=OUP Oxford|isbn=978-0-19-959680-5 |via=Google Books}}</ref> The Post-Vulgate narration tells how, in great part due to his supernatural strength, there have been only six knights whom Gawain failed to defeat in a sword fight: Lancelot, [[Hector de Maris|Hector]], [[Sir Bors|Bors]], his own brother Gaheris (replaced with Percival by Malory), [[Tristan]], and [[Sir Morholt|Morholt]]. In ''Perceval'' and some other later stories, he is the other wielder of Arthur's magic sword [[Excalibur]]; in the Alliterative ''Morte Arthure'', he has a sword named Galuth, which bears the name Galatine in Malory's version of the Roman War episode. His knowledge of herbs also makes him a great healer,<ref>Whiting, p. 194.</ref> as shown in Chrétien's ''Perceval'', ''Valvens Þáttr'', ''Parzival'', ''Walewein'', and the Dutch [[Lancelot Compilation]] (in the stories ''Moriaen'', ''Die Riddere metter Morwen'', ''Walewein ende Keye'', and ''Lancelot en het Hert met de Witte Voet'').

[[File:Pettie, The Vigil.jpg|thumb|''The Vigil'' by [[John Pettie]] (1884)|alt=|left]]

In many romances, Gawain is depicted as a model for chivalric attributes.<ref name="Harper, p. 2" /> In ''Sir Gawain and the Green Knight'', for example, where he is described as "this fine father of breeding",<ref>JRR Tolkien translation, ''Sir Gawain and the Green Knight'' (London 1995) p. 44.</ref> Gawain receives the kisses of [[Lady Bertilak]] with discretion, at once not wanting to insult her by refusing her advances and not wanting to betray the hospitality of her husband.<ref>[https://books.google.com/books?id=gV84AAAAIAAJ&pg=PA295 ''The Story of King Arthur and His Knights'']. Retrieved 7 November 2012.</ref> Based on the bargain to give each other their respective daily gains, Gawain must give the kisses he receives from Lady Bertilak to Sir [[Green Knight|Bertilak]]. This allusion serves to reinforce chivalric ideals of religious, martial, and courtly love codes, especially in a masculine warrior culture, and shows the ways in which the masculine world can be subverted by female wiles.<ref>Boyd, David L. "Sodomy, Misogyny, and Displacement: Occluding Queer Desire in Sir Gawain and the Green Knight". ''Arthuriana''. (Summer 1998) 8.2 pp.&nbsp;77–113.</ref> This undertone of homoeroticism between Gawain and Sir Bertilak underscores the strength of male homosocial bonds, and the fact that sex never occurs reinforces ideals of the masculine chivalric code.<ref>{{Cite book|last=Fisher|first=Sheila|author2=Janet E. Halley |title=Seeking the Women in Late Medieval and Renaissance Writings: Essays in Feminist Contextual Criticism|publisher=U of Tennessee Press|location=Knoxville|year=1989|page=277|isbn=978-0-870-495915}}<!--|access-date=18 November 2014--></ref> Gawain's character in the poem is said to be founded on a deep Christian belief in Christ and the [[Mary, mother of Jesus|Virgin Mary]].<ref>"Sir Gawain and the Green Knight." Translated by Simon Armitage. ''The Norton Anthology of English Literature''. Edited by Julie Reidhead. New York: W.W. Norton & Company, Inc., 2012. Lines 642–647.</ref>

Conversely, in the Vulgate ''Queste del Saint Graal'' he is used as a very symbol of the unfitness of secular knighthood. Here, Gawain is blamed for his irreligion and is shown to indulge in rather purposeless killing: as, for example, when he mortally wounds his relative and a fellow Knight of the Round Table, [[Yvain the Bastard]], in one of the many random jousting duels for no particular reason (failing to even recognise him until it is too late). He is also responsible for the deaths of more of his fellow Round Table companions, including the young King Bagdemagus of Gorre, whom he accidentally kills during a tournament. The Vulgate ''Mort Artu'' even says Gawain had killed some of his fellow Knights of the Round Table in the grand quest for the Grail, which he turned out to be unworthy to achieve. When Gawain does reach the [[Corbenic|Grail Castle]], he is unable to restore the Grail Sword, unlike his role in ''Perceval'', and is actually more interested in the [[Elaine of Corbenic|Grail Maiden]] than in the holy relic, failing to even spot it there. In a symbolic later scene, it is her son and the new destined Grail hero, the blessed virgin knight [[Galahad]], who will draw the [[Excalibur|sword in the stone]] at Camelot, after Gawain failed in the task. In the end, Gawain's unwillingness to forgive Lancelot leads to his own death and contributes to the downfall of Arthur's kingdom.

[[File:Nevertheless You, O Sir Gauwaine, Lie.png|thumb|upright|"Nevertheless You, O Sir Gauwaine, Lie." [[Florence Harrison]]'s illustration for ''Early Poems of William Morris'' (1914)]]

In the Post-Vulgate Cycle, Gawain's character is further blackened, influenced by being portrayed as a villain in the Prose ''Tristan''.<ref>{{Cite book|url=https://books.google.com/books?id=IwwNAQAAIAAJ&pg=PA56|title = Studies in Medieval Literature and Languages: In Memory of Frederick Whitehead|isbn = 9780719005503|last1 = Rothwell|first1 = William|year = 1973| publisher=Manchester University Press }}</ref> He is now bloodthirsty and often murderous. Among important Knights of the Round Table whom Gawain is said to have killed during and after the Grail quest are King Pellinor's son [[Aglovale]], King Lac's son [[Erec]], and King [[Esclabor]]'s son [[Palamedes (Arthurian legend)|Palamedes]] (resulting in Escablor's own death from grief). Earlier, Gawain and his brothers are also the slayers of King Pellinor and his sons [[Knights of the Round Table#Drian|Driant]] and [[Lamorak|Lamorat]]. Although Gawain still has a reputation for being one of the best and most courteous knights in the world, this is a sham, as he is often secretly a rapist of damsels and a killer of good knights, no better than his brother Agravain. When the mighty and holy Grail knight Perceval asks Gawain if he had killed his father Pellinor, Gawain simply lies and denies it out of fear of Perceval. The ''Guiron le Courtois'' section of ''[[Palamedes (romance)|Palamedes]]'' explains Gawain's many great cruelties being caused by his grief at being surpassed by other knights after not regaining his full strength following the war with [[Galehaut]]. Such a new popular image originating in the late Old French romance tradition prompted the historical audience of ''[[The Wife of Bath's Tale]]'' to identify the story's rapist-knight character as Gawain.<ref>{{Cite book|url=https://books.google.com/books?id=IsFTDwAAQBAJ&pg=PA63|title=Later Middle English Literature, Materiality, and Culture: Essays in Honor of James M. Dean|last1=Gastle|first1=Brian|last2=Kelemen|first2=Erick|year=2018|publisher=Rowman & Littlefield|language=en|isbn=978-1611496772}}</ref> B. J. Whiting writes in ''Gawain: A Casebook'':

{{Quote box|align=center|There would be no point in summarizing the ''Tristan'', but some examples of Gawain's depravity must be cited. He is a traitor; he is unfair, cowardly and cruel in battle; he was once good but is so no longer; he is one of the worst knights in the world; he kills out of hate, envy or to get possession of a woman; he is rebuked by Gaheriet, Tristram, and Driant; he is defeated or discomfited by Arthur, Belinant, Blioberis, Brehus, Driant, Erec, Lamorat, Palamedes, Perceval and Tristram; he kills, usually treacherously, Bademagus, Driant, Erec, Lamorat, Meraugis, Pellinor, and Yvain l'Avoutre; he is cavalier toward the quest of the Grail; he hates Lamorat, first, because he fears that Lamorat may discover that he had killed Pellinor, second, because Lamorat defeats him, and third, because Lamorat is having an affair with his mother; he throws Lamorat's head down on the path after cutting it off; he is worse than Breuz-sans-Pitie [...] Surely an abundance of evil for one small man to perform! [[Frederic Madden|Madden]] considered the ''Tristan'' mainly responsible for Gawain's ill fame, and although [[Jessie Weston (scholar)|Miss Weston]] thought that the ''Queste'' might well be the culprit, if sheer weight of calumny be any criterion, then we must agree with Madden. After the ''Tristan'', indeed, the remaining prose romances seem to direct no more than pin-pricks at Gawain.<ref>{{cite book | url=https://books.google.com/books?id=9R8HDAAAQBAJ&pg=PA63 | title=Gawain: A Casebook | isbn=9781136783524 | last1=Busby | first1=Keith | last2=Thompson | first2=Raymond H. | date=8 November 2005 | publisher=Routledge }}</ref>|}}

Malory's Gawain, following the later French prose depictions, also "emerges as a character composed of obvious inconsistencies of virtue and evil."<ref>{{Cite journal|url=https://www.jstor.org/stable/373611|jstor = 373611|title = The Thematic Function of Malory's Gawain|last1 = Bartholomew|first1 = Barbara Gray|journal = College English|year = 1963|volume = 24|issue = 4|pages = 262–267|doi = 10.2307/373611}}</ref> Nevertheless, according to Arthurian scholar Ryan Harper, considering Gawain's many varied (and for most part positive) medieval portrayals,

{{Quote box|align=center|Gawain may perhaps best be described as the Arthurian [[everyman]], a character who often functions on a very human scale, failing and succeeding, but learning and progressing as well. It is this last that is perhaps most important in any overall consideration of Gawain as character. Sometimes he is the best knight, and sometimes not, but even as he fails he can learn from his mistakes, and sometimes becomes a better knight because of them. Ultimately, it may be this unusual capacity for character development, rooted in but not limited to his familial relationship with Arthur, that has made Gawain such a prominent figure in the Arthurian pantheon.<ref>{{cite web |first=Ryan |last=Harper |title=Gawain |url=https://d.lib.rochester.edu/camelot/theme/gawain |website=The Camelot Project, University of Rochester |access-date=26 January 2022}}</ref>}}

===Children and relationships===
[[File:In the morning one of these ladies came to Gawaine.png|thumb|left|"In the morning one of these ladies came to Gawaine." William Henry Margetson's illustration for ''Legends of King Arthur and His Knights'' (1914)]]

[[Hartmann von Aue]]'s ''[[Erec (poem)|Erec]]'' is the first to mention Gawain's offspring, listing one "Henec the Skillful, son of Gawain" (''Henec suctellois fil Gawin''), among the Knights of the Round Table. Thomas Malory credits Gawain with three sons through the Lady of Lys, a sister of Bran de Lys/Lis (or "Brandles" in the Middle English ''The Jeaste of Syr Gawayne''<ref>{{Cite web|url=https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-jeaste-of-sir-gawain-introduction|title=The Jeaste of Sir Gawain: Introduction &#124; Robbins Library Digital Projects|website=d.lib.rochester.edu}}</ref>); they are named Florence, Lovell, and [[Gingalain]]. Both Lovell (Lioniel) and Gingalain (Guinglain) have previously appeared in the First Continuation to Chrétien's ''Perceval'' and in the ''Livre d'Artus''. Gingalain is the only of them to play a significant role in further works, as the eponymous protagonist of [[Renaud de Beaujeu]]'s Old French romance ''Le Bel Inconnu'' (''The Fair Unknown''),<ref>{{Cite book|url=https://books.google.com/books?id=v40auRW-8C4C&pg=PA85|title=The Knight Without the Sword: A Social Landscape of Malorian Chivalry|last=Kim|first=Hyonjin|date=2000|publisher=Boydell & Brewer|language=en|isbn=978-0859916035}}</ref> as well as of the Middle-English romance ''[[Libeaus Desconus]]'' and of its Middle High German version ''Wigalois'' (titled after Gingalain's name) by [[Wirnt von Grafenberg]]. Besides those children, the eponymous hero of ''Beaudous'' by [[Robert de Blois]] is the son of Gawain by the king of Wales's unnamed daughter, who is known only as the Lover (''Amie''). She might be the same as the also unnamed daughter of King Tradelmant of North Wales, a hitherto virgin who becomes pregnant by Gawain out of wedlock in the Prose ''Lancelot''.

[[File:Now you have released me from the spell completely.png|thumb|"Now you have released me from the spell completely." [[William Henry Margetson]]'s illustration for ''Hero-Myths and Legends of the British Race'' (1910)|alt=|upright]]

Since Gawain is known in multiple tales as the "Knight of Maidens" (French: ''Chevalier as Damoisels''), his name is thus attached to no woman in particular. As such, he is the champion of all women, and through this reputation, he has avoided the name-pairing seen in tales of Erec (with [[Enide]]), Tristan (with Iseult), and Lancelot (with Guinevere). Nevertheless, Gawain has had wives in the course of Arthurian literature,<ref>Weston, p. 45.</ref> albeit he is always introduced as yet unmarried at the beginning of any such story. In ''The Wedding of Sir Gawain and Dame Ragnelle'', he marries the cursed Ragnelle, and in giving her "sovereignty" in the relationship, lifts the spell laid upon her that had given her a hag-like appearance.<ref name="Lupack, p. 314">Lupack, p. 314</ref> In ''Parzival'', Gawain marries Orguelleuse, the widow of the Duke of Logres. (In ''Perlesvaus'', the mad Orguelleuse instead unsuccessfully plots to kill Gawain and then to entomb herself with him; she is called the Maiden of the Narrow Wood in ''Hunbaut''.) In ''Mériadeuc'', the Queen of the Isles swears she will marry only Gawain. In ''Diu Crône'', Gawain marries Amurfina, a niece of Arthur's stepfather (here named Gansguoter) who wins Gawain from her own younger sister Sgoidamur through the use of a magic bridle and a love potion.

[[Image:Arthur-Pyle Sir Gawaine finds the beautiful Lady.JPG|thumb|upright|left|"Sir Gawaine finds the beautiful Lady", Howard Pyle's illustration from ''[[The Story of King Arthur and His Knights]]'' (1903)]]

Gawain also often appears as intimately associated with a supernatural female figure from the [[Otherworld]] or the [[Fairyland]].<ref name="Weston, p. 52">Weston, p. 52.</ref> The hero of ''Le Bel Inconnu'' is the progeny of Gawain and a [[fairy]] called Blanc(h)emal, and Gawain is himself rescued by the fay Lorie in ''{{ill|The Marvels of Rigomer|fr|Les Merveilles de Rigomer}}'' (''Les Merveilles de Rigomer'').<ref name="Harper, p. 2">Harper, p. 2.</ref><ref>Weston, p. 46.</ref> The mother of Gawain's son in ''Wigalois'' is known as Florie, likely another version of Lorie from ''Rigomer''; she also appears as Floree, daughter of King Alain of [[Avalon|Escavalon]], in the ''Livre d'Artus''. The Italian romance ''La Pulzella Gaia'' has Gawain fight and defeat a giant serpent that turns out to be just a form of fairy princess, the daughter of Morgan le Fay (Fata Morgana) who then becomes his secret lover; their relationship, once revealed, makes both of them into enemies of Guinevere (who is jealous of Gawain after having been spurned), Arthur, and Morgan all at once.<ref>{{Cite book|url=https://books.google.com/books?id=3gaBAAAAQBAJ&pg=PA413|title=The Arthurian Name Dictionary|last=Bruce|first=Christopher W.|date=21 August 2013|publisher=Routledge|isbn=978-1136755385|language=en}}</ref>

Other women of Gawain include Lady Bloisine who plots to murder Gawain in bed before genuinely falling in love with him in the Fourth Continuation of ''Perceval'', Ydain (Ydeine) who pledges to love him for life after he rescues her in ''La Vengeance Raguidel'' and the ''Roman van Lancelot'', and the haughty and cruel Arcade who loves Gawain but he gives her up to the young [[Pelleas]] after helping him win her over in the Prose ''Lancelot''. Arcade is renamed as Lady Ettarde in Malory's version with no happy end for her; his ''Le Morte d'Arthur'' also mentions Gawain having once been in the power of the lustful witch [[Hellawes (sorceress)|Hellawes]].<ref>{{Cite book|url=https://archive.org/details/mortedarthursir00stragoog|title=Morte Darthur: Sir Thomas Malory's Book of King Arthur and His Noble Knights of the Round Table|last=Malory|first=Sir Thomas|date=1868|publisher=Macmillan and Company|language=en}}</ref> In the Prose ''Lancelot'', Gawain also expressed his desire to himself become the most beautiful lady so he could be loved by the mysterious Black Knight (Lancelot appearing incognito).<ref>{{Cite book|url=https://books.google.com/books?id=x2zd2JyROkAC&pg=PA52|title=Entre Hommes: French and Francophone Masculinities in Culture and Theory|isbn=9780874130249|last1=Reeser|first1=Todd W.|last2=Seifert|first2=Lewis Carl|year=2008|publisher=Associated University Presse }}</ref>

==Modern portrayals==
[[File:Maid Avoraine.png|thumb|Sir Gawain bends over the exhausted Maid Avoraine in concern after she has proved her love by running after his horse for two days. [[John Everett Millais]]'s and [[Joseph Swain (engraver)|Joseph Swain]]'s wood engraving illustration for [[Robert Williams Buchanan]]'s poem "Maid Avoraine"<ref>{{Cite web|url=https://d.lib.rochester.edu/camelot/text/buchanan-maid-avoraine|title=Maid Avoraine {{!}} Robbins Library Digital Projects|website=d.lib.rochester.edu|access-date=2019-06-29}}</ref> published in ''Once a Week'' magazine in 1862]]

Gawain features frequently in modern literature and media. Modern depictions of him are often heavily influenced by Malory, though characterizations are inconsistent. [[Alfred, Lord Tennyson|Alfred Tennyson]] adapted episodes from Malory to present Gawain as a worldly and faithless knight in his ''[[Idylls of the King]]'' (1859–1885).<ref>Taylor & Brewer, pp. 107–08.</ref><ref>{{cite web |url= http://www.victorianweb.org/authors/tennyson/idylls/iotk4.html |title= Faithless Gawain |author= George P. Landow |date= 30 November 2004 |work= victorianweb.com|access-date=19 November 2012}}</ref><ref>Whiting, pp. 193–94</ref> Similarly, [[T. H. White]]'s novel ''[[The Once and Future King]]'' (1958) follows Malory, but presents Gawain as more churlish than Malory's torn and tragic portrayal.<ref>Blanch & Wasserman, pp. 186–87.</ref> In contrast, [[Thomas Berger (novelist)|Thomas Berger]]'s ''[[Arthur Rex]]'' (1978) portrays Gawain as open-minded and introspective about his flaws, qualities that make him the Round Table's greatest knight.<ref>Dentzien, pp. 219–21.</ref> Though he usually plays a supporting role, some works feature Gawain as the main character. [[Vera Chapman]]'s ''The Green Knight'' (1975) and Anne Crompton's ''Gawain and Lady Green'' (1997) offer modern retellings of ''Sir Gawain and the Green Knight''.<ref>Mediavilla, pp. 65–67.</ref> Gwalchmei is the protagonist in [[Gillian Bradshaw]]'s Celtic-tinged ''[[Hawk of May]]'' (1980) and its sequels.<ref>Mediavilla, pp. 64–65.</ref> Gawain is a major character in ''The Squire's Tales'' series by [[Gerald Morris]], in which he is portrayed as a skilled knight, immensely loyal to Arthur, and an intelligent, kind-hearted, and occasionally sarcastic. Morris included many legends involving Gawain in the second book, ''[[The Squire, His Knight, and His Lady]]'' (1999), drawing in particular from ''Sir Gawain and the Green Knight''. An aged Gawain is one of the central characters in [[Kazuo Ishiguro]]'s novel ''[[The Buried Giant]]'' (2015).<ref>{{cite news|last=Kakutani|first=Michiko|date=23 February 2015|title=Review: In 'The Buried Giant,' Ishiguro Revisits Memory and Denial|newspaper=[[The New York Times]]|url=https://www.nytimes.com/2015/02/24/books/review-in-the-buried-giant-ishiguro-revisits-memory-and-denial.html|access-date=6 May 2015}}</ref> In the manga ''[[Four Knights of the Apocalypse]]'' (2022), a sequel to ''[[The Seven Deadly Sins (manga)|Seven Deadly Sins]]'', Gawain is a member of the eponymous Knights, portrayed as female, a hugely muscular and prideful niece of Arthur. He is also depicted in multiple episodes of BBC's ''[[Merlin (2008 TV series)|Merlin]]'' (2008–2012), where he is a Knight of the Round Table under King Arthur. In this adaptation he is loyal to King Arthur and portrayed as a cocky, funny, and skilled knight.  

Film portrayals of Gawain, and the Arthurian legend in general, are often heavily indebted to Malory; White's ''The Once and Future King'' also exerts a heavy influence. Gawain appears as a supporting character in films such as ''[[Knights of the Round Table (film)|Knights of the Round Table]]'' (1953, played by [[Robert Urquhart (actor)|Robert Urquhart]]) and ''[[Excalibur (film)|Excalibur]]'' (1981, played by [[Liam Neeson]]), all of which draw on elements of Gawain's traditional characterizations.<ref>Blanch & Wasserman, p. 185.</ref> Other films give Gawain a larger role. In the 1954 adaptation of ''[[Prince Valiant (1954 film)|Prince Valiant]]'', he is a somewhat boorish, though noble and good-natured, foil for his squire and friend, [[Prince Valiant|Valiant]].<ref>Blanch & Wasserman, pp. 187–88.</ref> He plays his traditional part in the 1963 film ''[[Lancelot and Guinevere|Sword of Lancelot]]'' (played by [[George Baker (British actor)|George Baker]]), seeking revenge when Lancelot kills his unarmed brother Gareth, but ultimately coming to Lancelot's aid when he uncovers Mordred's responsibility.<ref>Williams, p. 386.</ref> ''Sir Gawain and the Green Knight'' has been adapted to film several times, including 1973's ''[[Gawain and the Green Knight (1973 film)|Gawain and the Green Knight]]'' (played by [[Murray Head]]) and 1984's ''[[Sword of the Valiant]]'' (played by [[Miles O'Keeffe]]), both directed by Stephen Weeks; neither film was well reviewed and both deviate substantially from the source material.<ref>Blanch & Wasserman, pp. 190–91</ref> A 1991 television adaptation by [[Thames Television]], ''Gawain and the Green Knight'', was both more faithful and better received.<ref>Blanch & Wasserman, pp. 191–93.</ref> Gawain's more recent film and television portrayals include the roles of Robert Gwyn Davin in ''[[First Knight]]'' (1995), [[Anthony Hickox]] in ''[[Prince Valiant (1997 film)|Prince Valiant]]'' (1997), [[Sebastian Roché]] in ''[[Merlin (miniseries)|Merlin]]'' (1998), [[Noah Huntley]] in ''[[The Mists of Avalon (TV miniseries)|The Mists of Avalon]]'' (2001), [[Joel Edgerton]] in ''[[King Arthur (2004 film)|King Arthur]]'' (2004), [[Eoin Macken]] in ''[[Merlin (2008 TV series)|Merlin]]'' (2008), [[Clive Standen]] in ''[[Camelot (TV series)|Camelot]]'' (2011), [[Matt Stokoe]] in ''[[Cursed (2020 TV series)|Cursed]]'' (2020), and [[Takahiro Mizushima]] in  ''[[Fate/Extra Last Encore]]'' (2020). Another ''Sir Gawain and the Green Knight'' film adaptation starred [[Dev Patel]] as Gawain in [[The Green Knight (film)|''The Green Knight'']] (2021).

The character has appeared in a number of stage productions and operas, mostly interpretations of ''Sir Gawain and the Green Knight''. Particularly notable among them is the 1991 opera ''[[Gawain (opera)|Gawain]]'', with music by [[Harrison Birtwistle]] and a libretto by [[David Harsent]].<ref>Windeatt, pp. 373–83.</ref> Gawain furthermore appeared in a number of video games, including as the protagonist of ''[[Chronicles of the Sword]]'' (1997).

==See also==
* [[King Arthur's family]]

==References==
===Citations===
{{reflist}}

===Bibliography===
* Barber, Richard W. (1986). "The English Poems“. ''King Arthur Hero and Legend''. New York: St. Martin's. {{ISBN|0-312-45427-9}}.
* {{cite encyclopedia |last1= Blanch |first1= Robert J. |last2= Wasserman |first2= Julian N.|author2-link= Julian N. Wasserman |editor= Kevin J. Harty |encyclopedia= Cinema Arthuriana |title= Gawain on Film (The Remake): Thames Television Strikes Back |year= 2010 | publisher= McFarland |isbn= 978-0786446834| pages= 185–98 }}
* Bromwich, Rachel (2006). ''Trioedd Ynys Prydein: The Triads of the Island of Britain.'' University of Wales Press. {{ISBN|0-7083-1386-8}}.
* {{cite encyclopedia |last= Busby |first= Keith |editor= Norris J. Lacy |editor-link= Norris J. Lacy |encyclopedia= The New Arthurian Encyclopedia |title= Gawain |year= 1991 |publisher= Garland |isbn= 978-0-8240-4377-3 |url= https://archive.org/details/newarthurianency00lacy }}
* {{cite book |title= The Openess of Myth: The Arthurian Tradition in the Middle Ages and Today (vol. 18) |first= Nicole |last= Dentzien |publisher= Königshausen & Neumann |year= 2004|isbn= 978-3826028113 }}<!--|access-date=17 November 2012 -->
* Hall, Louis B., ed. (1976), ''Knightly Tales of Sir Gawain''. Chicago: Nelson Hall. {{ISBN|0882293508}}.
* Kennedy,  Edward D. (2007).  "Gawain's Family and Friends." ''People and Texts. Relationships in Medieval Literature''. Eds. Thea Summerfield and Keith Busby. Amsterdam: Rodopi.
* Koch, John T. (1995). "The Celtic Lands." In N. J. Lacy (ed.), ''Medieval Arthurian Literature: A Guide to Recent Research'', pp.&nbsp;239–322. New York.
* {{cite encyclopedia |last= Lacy |first= Norris J. |author-link= Norris J. Lacy |editor= Norris J. Lacy |encyclopedia= The New Arthurian Encyclopedia |title= French literature (Medieval) |year= 1991 |publisher= Garland |isbn= 978-0-8240-4377-3 |pages= [https://archive.org/details/newarthurianency00lacy/page/178 178–79] |url= https://archive.org/details/newarthurianency00lacy/page/178 }}
* Lupack, Alan (2005). "Gawain." ''Oxford Guide to Arthurian Literature and Legend''. Oxford: Oxford University Press. 291–327.
* {{cite book |title= Arthurian Fiction: An Annotated Bibliography |first= Cindy |last= Mediavilla |publisher= Scarecrow Press |year= 1999 |isbn= 978-0810836440 |url= https://archive.org/details/arthurianfiction0000medi |url-access= registration }}
* Pughe, William Owen (1832). ''A Dictionary of the Welsh Language, Explained in English''. London. [https://archive.org/details/adictionarywels02pughgoog Online].
* Rhys, John (2004 [1901]). ''Studies in the Arthurian Legend''. Kessinger Publishing. {{ISBN|0-7661-8915-5}}.
* {{cite book |title= The Return of King Arthur: British and American Arthurian Literature Since 1900 |first1= Beverly |last1= Taylor|first2=Elisabeth |last2= Brewer| publisher= Boydell & Brewer |year= 1983 |isbn= 978-0859911368|access-date=19 November 2012 |url=https://books.google.com/books?id=72P7TBEl9gcC&pg=PA107}}
* Weston, Jessie L. (1972). ''The Legend of Sir Gawain: Studies Upon its Original Scope and Significance''. New York: AMS.
* Whiting, B. J. "Gawain: His Reputation, His Courtesy and His appearance in Chaucer's Squire's Tale." ''Mediaeval Studies'' 9 (1947): 189–234.
* {{cite encyclopedia |last= Williams |first= David J. |editor= Derek Brewer |encyclopedia= A Companion to the Gawain-Poet |title= Sir Gawain in Films |url= https://books.google.com/books?id=t3VssvC5VEwC&pg=PA385 |access-date= 20 November 2012 |year= 1997 |publisher= Boydell & Brewer | isbn= 978-0859914338 |pages= 385–92 }}
* {{cite encyclopedia |last= Windeatt |first= Barry |editor= Derek Brewer |encyclopedia= A Companion to the Gawain-Poet |title= Sir Gawain at the fin de siècle: Novel and Opera |url= https://books.google.com/books?id=t3VssvC5VEwC&pg=PA385 |access-date= 20 November 2012 |year= 1997 |publisher= Boydell & Brewer | isbn= 978-0859914338 |pages= 373–83}}

==External links==
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{{Sir Gawain and the Green Knight}}

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