View source for American Born Chinese (graphic novel)

{{Short description|2006 graphic novel by Gene Luen Yang}}
{{Infobox book 
| name          = American Born Chinese
| title_orig    = 
| image         = GeneYang-AmericanBornChinese-cover.jpg 
| caption       = Cover art of the first edition 
| author        = [[Gene Yang|Gene Luen Yang]]
| illustrator   = Gene Luen Yang
| cover_artist  = 
| country       = United States
| language      = English
| series        = 
| genre         = [[Graphic novel]]
| publisher     = [[First Second Books]]
| release_date  = 2006
| media_type    = Print (paperback & hardback collector's edition)
| pages         = 240 pp (paperback edition)
| isbn =  978-1-59643-152-2
| preceded_by   = 
| followed_by   = 
}}
'''''American Born Chinese''''' is a [[graphic novel]] by [[Gene Yang|Gene Luen Yang]]. Released in 2006 by [[First Second Books]], it was a finalist for the 2006 [[National Book Award]]s in the category of Young People's Literature.<ref name=Fu>{{cite journal|last=Fu|first=Binbin|title=American Born Chinese|journal=MELUS|date=Fall 2007|volume=32|issue=3|page=274|url=http://go.galegroup.com/ps/retrieve.do?sgHitCountType=None&sort=RELEVANCE&inPS=true&prodId=LitRG&userGroupName=iulib_iupui&tabID=T001&searchId=R1&resultListType=RESULT_LIST&contentSegment=&searchType=AdvancedSearchForm&currentPosition=6&contentSet=GALE%7CA171541257&&docId=GALE%7CA171541257&docType=GALE&role=LitRC&docLevel=FULLTEXT|access-date=7 April 2012|doi=10.1093/melus/32.3.274}}</ref> It won the 2007 [[Michael L. Printz Award]],<ref>{{cite web|author=American Library Association |year=2010 |title=Michael L. Printz Winners and Honor Books |url=http://www.ala.org/ala/mgrps/divs/yalsa/booklistsawards/printzaward/previouswinners/winners.cfm |access-date=2011-02-03 |archive-url=https://web.archive.org/web/20110208112010/http://www.ala.org/ala/mgrps/divs/yalsa/booklistsawards/printzaward/previouswinners/winners.cfm |archive-date=8 February 2011 |url-status=dead }}</ref> the 2007 [[Eisner Award]] for Best Graphic Album: New, the ''[[Publishers Weekly]]'' Comics Week Best Comic of the Year, the ''[[San Francisco Chronicle]]'' Best Book of the Year, the 2006/2007 Best Book Award from The Chinese American Librarians Association, and [[Amazon.com]] Best Graphic Novel/Comic of the Year. It also made the ''[[Booklist]]'' Top Ten Graphic Novel for Youth, the [[NPR]] Holiday Pick, and ''[[Time (magazine)|Time]]'' Top Ten Comic of the Year. It was colored by cartoonist [[Lark Pien]], who received the 2007 [[Harvey Award]] for Best Colorist for her work on the book.

==Synopsis==
The story of ''American Born Chinese'' consists of three seemingly separate tales, which are tied together at the end of the book.

The first storyline is Yang's contemporary rendition of the Chinese story of a Kung Fu practicing Monkey King of Flower-Fruit Mountain, [[Sun Wukong|The Monkey King]], a character from the classic 16th century Chinese novel ''[[Journey to the West]]''. Yang replaces the [[Gautama Buddha|Buddha]] from the original story with a Christian influenced deity [[I Am that I Am|Tze-Yo-Tzuh]]. Throughout the story, The Monkey King is unhappy with himself as a monkey and continually tries to become another version of himself. The Monkey King grows larger, taking a more human form. After being rejected from a divine dinner party, he takes down every deity that has been sent to stop him, growing stronger by each kill. The lesser deities plead to the more powerful being in the world, Tze-Yo-Tzuh, to stop The Monkey King. Tze-Yo-Tzuh tries to help The Monkey King accept himself, but when The Monkey King refuses, Tze-Yo-Tzuh imprisons him under a mountain of rocks. A monk named Wong Lai-Tsao is sent by Tze-Yo-Tzuh on a mission to carry three packages to the west and is to pick up his disciple, The Monkey King, on his journey. He finds The Monkey King imprisoned under the mountain of rocks and frees him from the mountain by convincing The Monkey King to return to his original form.

The second storyline follows a [[Immigrant generations#first generation immigrant|child of Chinese immigrants]] named Jin Wang. His story links the other two narratives, and fits the form of an ethnic coming-of-age.<ref name="Song">{{cite journal|last=Song|first=Min Hyoung|title="How good it is to be a monkey": comics, racial formation, and American Born Chinese|journal=Mosaic (Winnipeg)|year=2010|volume=43|issue=1}}</ref> His family moves from San Francisco's Chinatown to a suburb where he goes to school with only one other Asian student, Suzy Nakamura. The teachers and other students in Jin's school are all ignorant of his Chinese culture. Jin struggles with his Chinese identity and begins to reject it until he meets a new Asian student, Wei-Chen Sun. Wei-Chen is a Taiwanese immigrant who just came to the United States, and he and Jin become best friends. Wei-Chen begins dating Suzy Nakamura, and she joins the group of friends. Jin begins dating Amelia Harris, a Caucasian girl in his class, but her friend Greg asks Jin not to ask her out anymore because he felt she needed to protect her image. Jin perceives this as a personal attack on him because of his race. Angry and confused, he kisses Suzy and the friends have a falling-out. That evening, Jin recalls the fight he had with Wei-Chen and convinces himself that Wei-Chen deserved it. That night, Jin has a dream about a Chinese woman he had met when he was younger who had told him that he could be anything he wanted if he was willing to give up his soul. He awakens the next morning and looks in the mirror to see himself as a Caucasian boy, and he changes his name to Danny.

The third storyline follows Danny, a 16-year-old "all-American" boy, and his Chinese cousin Chin-Kee,<ref name="Song" /> who has visited Danny annually for the past three years. Danny is embarrassed by Chin-Kee, who is depicted as a racist stereotype, in traditional [[Queue (hairstyle)|queue]] with buck teeth, speaking in [[pidgin]] English. At the story's climax, Danny fights Chin-Kee when the latter refuses to leave. When Danny punches Chin-Kee, he reveals himself to be the Monkey King in disguise, causing Danny to transform back into Jin as well. The Monkey King tells Jin that his son Wei-Chen was sent to live among the mortals without sin for forty years but no longer wanted to follow in his father's footsteps of serving humans after becoming sickened by his classmates' self-centeredness. Wei-Chen refused his father's visits, so the Monkey King began visiting "Danny" instead, using the Chin-Kee disguise to remind Jin of his heritage and convince him to rise above negative stereotypes. Jin reconciles with Wei-Chen and finally accepts his Chinese identity. An epilogue image shows the two recording a music video together (based on the [[Back Dorm Boys]]).

==Character list==

* [[Monkey King|The Monkey King]]: A monkey who has lived for thousands of years and mastered all the heavenly disciplines. He yearns to join the ranks of gods, and after being rejected, goes on a rampage. He managed to defeat many gods and goddesses, but was buried under a mountain by Tze-Yo-Tzuh for five hundred years. He was later released by Wong Lai-Tsao and accompanies him on his journey as a disciple. Because of their success, he was granted the role of [[Ambassador|emissary]] for Tze-Yo-Tzuh.
* Tze-Yo-Tzuh: Tze-Yo-Tzuh ({{zh|c=自有者|p=zìyǒuzhě}}) is the creator of the universe and all the deities. In the part of ''American Born Chinese'' that is adapted from ''Journey to the West'', Tze-Yo-Tzuh has the role played by the [[Buddha]] in the original story. Yang made this change as he is a [[Christianity|Christian]] (specifically, [[Roman Catholic Church|Roman Catholic]]) and not [[Buddhism|Buddhist]].<ref>{{cite web|last=Mozzocco|first=Caleb J.|url=http://blogs.slj.com/goodcomicsforkids/2013/09/19/interview-gene-luen-yang-on-boxers-saints/|title=Interview: Gene Luen Yang on ''Boxers & Saints''|work=[[School Library Journal]]|date=2013-09-19|accessdate=2022-08-09}}</ref>
* Wong Lai-Tsao: Based upon [[Tang Sanzang]] from ''Journey to the West''. Wong Lai-Tsao is a monk sent on a journey to Tze-Yo-Tzuh. He is promised the Monkey King as a disciple.
* Jin Wang: Jin Wang is a [[Chinese American|Chinese-American]] boy who wants to fit in with the white students at his new school in a suburb. He doesn't like talking too much at school, especially in front of Amelia, the girl he has a crush on. He is finally encouraged by his friend, Wei-Chen, to ask her out. But this relationship is short lived. Greg, Amelia's friend, asks Jin to break up with her because he doesn't think Jin is right for Amelia.
* Amelia Harris: Amelia Harris is a [[white American]] girl who is the classmate of Jin and Wei-Chen. Jin has a crush on her.
* Wei-Chen Sun: Wei-Chen Sun is a [[Taiwanese people|Taiwanese]] immigrant who slowly becomes Jin's best friend. His girlfriend is Suzy Nakamura. It is revealed at the story's conclusion that he is the Monkey King's eldest son, and originally wanted to become an emissary, but abandoned his role after being betrayed by Jin. He believed humans to be "petty, soulless creatures" and wanted to spend the rest of his days using the mortal world for his pleasure.
* Suzy Nakamura: Suzy Nakamura is a young [[Japanese American|Japanese-American]] girl in Jin and Wei-Chen's class. She starts dating Wei-Chen in middle school.
* Greg: Greg is a white American boy and a friend of Amelia Harris. While he initially appears nice, it is later revealed he is racist, disapproving of Jin's relationship with Amelia.
* Danny: Danny is a white "average" American boy. Danny is always irritated and embarrassed by his Asian cousin Chin-Kee. Since Chin-Kee's annual visits began when Danny was in eighth grade, Danny has had to change schools every year since  due to the appearance and mannerisms of Chin-Kee ruining his perception by his peers. Danny turns out to be Jin Wang, under a new identity.
* Chin-Kee: Chin-Kee is a startling caricature of negative Chinese stereotypes. He is Danny's larger-than-life Chinese cousin who, to Danny's embarrassment, comes to visit every year. Chin-Kee wears antiquated Chinese clothing, the traditional [[Queue (hairstyle)|queue hairstyle]], and literally has yellow skin, buck teeth, and eyes squinting so tightly that the pupils cannot be seen. He loudly speaks extraordinary "[[Chinglish]]" at all times, likes to play tricks on people, and possesses an unnatural sexual appetite. Chin-Kee is the Monkey King in disguise.
** Chin-Kee and his behavior are references to various perceived stereotypes, including images by [[Pat Oliphant]] and reactions to [[William Hung]]. Chin-Kee's name sounds like the ethnic insult "[[chink]]y" when said aloud. Yang said that when he heard some people argue Chin-Kee was cute, he stated that he wished he designed the character to appear even more like stereotypes.<ref>{{cite web|url=https://www.pbs.org/newshour/arts/this-chinese-american-cartoonist-forces-us-to-face-racist-stereotypes|title=This Chinese American cartoonist forces us to face racist stereotypes|publisher=[[PBS News Hour]]|date=2016-09-30|accessdate=2022-12-06}}</ref>

==Themes==
===Racial struggles and stereotypes===
According to Min Hyoung Song,<ref name="Song" /> ''American Born Chinese'' possesses strong themes of racial stereotypes, particularly American stereotypes of the Chinese and other East Asian ethnicities. The primary example of these stereotypes is Chin-Kee, who is the embodiment of the term "[[coolie]]," a nineteenth-century racial slur for unskilled Chinese workers. According to Chaney, he is "an incarnation of the '[[Yellow Peril]]' era of racism"<ref name="Chaney Animal">{{cite journal|last=Chaney|first=Michael A.|title=Animal Subjects of the Graphic Novel|journal=College Literature|date=Summer 2011|volume=38|issue=3|pages=129–149 |doi=10.1353/lit.2011.0024 |url=http://go.galegroup.com/ps/retrieve.do?retrieveFormat=PDF_FROM_CALLISTO&inPS=true&prodId=LitRG&userGroupName=iulib_iupui&workId=PI-2035-2011-SUM00-LASON-3.JPG%7CPI-2035-2011-SUM00-LASON-4.JPG%7CPI-2035-2011-SUM00-LASON-134.JPG%7CPI-2035-2011-SUM00-LASON-135.JPG%7CPI-2035-2011-SUM00-LASON-136.JPG%7CPI-2035-2011-SUM00-LASON-137.JPG%7CPI-2035-2011-SUM00-LASON-138.JPG%7CPI-2035-2011-SUM00-LASON-139.JPG%7CPI-2035-2011-SUM00-LASON-140.JPG%7CPI-2035-2011-SUM00-LASON-141.JPG%7CPI-2035-2011-SUM00-LASON-142.JPG%7CPI-2035-2011-SUM00-LASON-143.JPG%7CPI-2035-2011-SUM00-LASON-144.JPG%7CPI-2035-2011-SUM00-LASON-145.JPG%7CPI-2035-2011-SUM00-LASON-146.JPG%7CPI-2035-2011-SUM00-LASON-147.JPG%7CPI-2035-2011-SUM00-LASON-148.JPG%7CPI-2035-2011-SUM00-LASON-149.JPG%7CPI-2035-2011-SUM00-LASON-150.JPG%7CPI-2035-2011-SUM00-LASON-151.JPG%7CPI-2035-2011-SUM00-LASON-152.JPG%7CPI-2035-2011-SUM00-LASON-153.JPG%7CPI-2035-2011-SUM00-LASON-154.JPG&docId=GALE%7CA262046170&callistoContentSet=PER&isAcrobatAvailable=false|access-date=6 April 2012}}</ref> which Song defines as "slant-eyes, short stature, sallow skin, predictably Chinese clothing, claw-like fingertips, and long menacing queue".<ref name=Song /> In addition, Chin-Kee continually switches his "L's" and "R's" during speech. The American roots of Chin-Kee's stereotypes are emphasized by the style of the illustrations, which are drawn to simulate an American television show. Song mentions that "[t]o emphasize further that this is an image originally formalized in newspapers and popular entertainment and later largely disseminated through the growth of popular mass media, the words 'clap clap clap' line the entire bottom of the panel...This, and the words 'ha ha ha,' are likewise repeated in other panels, replicating the canned laughter and applause of television sit-coms."<ref name=Song /> Just as the media that have enforced these stereotypes have changed, so have some of the stereotypes themselves. Chin-Kee does not only represent a version of nineteenth-century racial stereotypes, but also of the more contemporary stereotype that all Asians make exceptional students.<ref name=Song /> During class with Danny, Chin-Kee knows the answer to every question in every school subject, including algebra, Spanish, anatomy, chemistry, and U.S. government.

Chin-Kee's academic ability brings to light what Cheryl Gnomes describes as a misguided distinction between "good" stereotypes and "bad" stereotypes.<ref name=Gnomes /> Gnomes mentions that a seemingly "good stereotype" such as Chin-Kee's stellar academic performance is still a negative stereotype overall, because if an Asian student is struggling with a particular academic subject and is believed (and/or expected) to be naturally gifted in the subject, the stereotyped student will feel pressured to perform and fear asking for help.<ref name=Gnomes>{{cite journal|last=Gnomes|first=Cheryl|title=Navigating Through Social Norms, Negotiating Place: How American Born Chinese Motivates Struggling Learners|journal=English Journal|date=November 2010|volume=100|issue=2|pages=68–76|doi=10.58680/ej201012727 |id={{ProQuest|766935635}}}}</ref>

Chaney argues that the Monkey King serves as a metaphor for minority races and/or ethnicities, particularly those who shun their racial or ethnic backgrounds in order to assimilate into the majority culture.<ref name="Chaney Animal" /> The Monkey King is not allowed into the celestial dinner party because he is a monkey, and therefore inherently inferior in the eyes of the other deities. When he is rejected, he is determined to prove to the world that he is more than just a Monkey, and masters the "four disciplines of invulnerability" in order to become "The Great Sage, Heaven's Equal."

===Transformation and understanding identity===
The primary characters of ''American Born Chinese'' undergo phases of identity crises that are coupled with some sort of mental or physical transformation(s). Chaney<ref name="Chaney Animal" /> states that the novel "celebrates transformations of identity by way of creaturely alterity. Put another way, Yang's characters become not simply other than what they are, but the other that they are." Transforming toys are introduced very early in the narrative to foreground this theme, and the narrative structure itself transforms in the final act, making this a theme not only of the characters but a key element of the way the story is told.<ref>{{cite web|last1=Darowski|first1=Joseph|first2=Todd|last2=Mack|title=The Protagonist Podcast #125: Jin Wang in American Born Chinese|url=http://www.duelinggenre.com/125-2/|website=The Protagonist Podcast|date=9 May 2017 |access-date=22 October 2020}}</ref>

The Monkey King desires to be recognized as a powerful deity, and more than simply a monkey. Through meditation and practicing Kung-Fu, he is transformed into The Great Sage. Chaney<ref name="Chaney Animal" /> argues that for readers, the use of an animal character like the Monkey King within graphic novels and literature in general allows an understanding of human identity, often more than any other type of character. He argues that the use of an animal character with human characteristics, particularly pathos, simultaneously invokes within the reader the Latin warnings of ''[[memento mori]]'' and ''memento bestie'' ("remember your mortality" and "remember you are animal").<ref name="Chaney Animal" /> According to Chaney,<ref name="Chaney Animal" /> when characteristics generally considered to be human are given to the Monkey King, readers identify with their human identity more than with the human characters of the novel, such as Jin Wang.

Later in the novel, the Monkey King transforms, or disguises himself into Chin-Kee, Danny's cousin, in order to reveal Danny his true identity as Jin Wang. Fu<ref name="Fu" /> argues that the Monkey King's transformation into Chin-Kee is a representation of "[t]he legendary trickster figure [that] has been repeatedly re-imagined by Chinese American writers as a source of cultural strength, a symbol of subversion and resistance, and a metaphor for cross-cultural and interracial negotiation." The Monkey King in Yang's version of the classic tale does not use his trickery so much for rebellion as for helping Jin Wang explore and accept himself and identify with his culture.<ref name="Fu" />

Jin Wang "struggles to survive exclusion and racist bullying in his search for an identity in a predominantly white suburban school."<ref name="Fu" /> To deal with his crisis of identity, he transforms himself into "Danny," a white boy who is the protagonist of the third narrative of the novel. Ultimately, his crisis is only deepened when he has to deal the grotesque representation of Chinese stereotypes that his cousin, Chin-Kee displays.<ref name="Fu" /> Chin-Kee turns out to be the Monkey King. Jin Wang (disguised/transformed into Danny) has been taught to hate about his own culture via racist American stereotypes.<ref name="Chaney Animal" /> When his true identity is revealed, the Monkey King tells Jin Wang that he used the disguise to serve as Jin Wang's conscience, not as a punishment. Ultimately, Jin Wang begins to accept his own identity and dismisses his alter-ego, Danny.

Wei-Chen Sun is actually the Monkey King's eldest son, sent to earth in human form as an emissary for Tze-Yo-Tzuh. His test of virtue is to spend forty years in the mortal world while remaining free of human vice. When he initially arrives to Jin Wang's school he is "presented as a nerdy but fearless recent immigrant from Taiwan."<ref name=Song /> After Jin kisses Suzy Nakamura and Jin and Wei-Chen have a falling out, Wei-Chen transforms into an "angry and despondent Asian American hipster"<ref name=Song /> and gives up his mission for Tze-Yo-Tzuh. Despite Wei-Chen's multiple transformations, hints of his identity as a monkey are subtly and blatantly represented throughout the story. During the scene with Amelia in the biology lab, Wei-Chen has an affinity to the teacher's lipstick-wearing monkey, who will not leave him alone. Wei-Chen can easily recognize that the monkey is actually a male, just as the monkey can actually recognize that Wei-Chen is a monkey himself.<ref name="Chaney Animal" /> When Jin tells Wei-Chen that he has spoken to Wei-Chen's father (the Monkey King), a panel depicting Wei-Chen's true identity as a monkey juxtaposes his hipster human form in the next panel. No matter what transformation Wei-Chen takes, he cannot dismiss his true identity as a monkey.<ref name="Chaney Animal" />

==Use in schools==
Gnomes states that ''American Born Chinese'' is a great resource to help academically struggling students (particularly struggling readers) and students with [[Intellectual disability|social-cognitive disabilities]] to find motivation to learn, to relate a piece of text to their lives, and to use the graphics to help them understand/relate to the words.<ref name=Gnomes />

== Television adaptation ==
{{Main|American Born Chinese (TV series)}}
In 2021, [[Disney+]] ordered a television adaptation of the graphic novel. It will be produced by Disney's [[20th Television]] with [[Kelvin Yu]] and [[Charles Yu]] as writers and executive producers, Melvin Mar and [[Jake Kasdan]] as executive producers, and [[Destin Daniel Cretton]] as director and executive producer.<ref>{{cite web|title=Disney+ Greenlights 'American Born Chinese' Series From Melvin Mar, Kelvin Yu & Jake Kasdan; 'Shang-Chi's Destin Daniel Cretton To Direct|url=https://deadline.com/2021/10/american-born-chinese-disney-plus-series-melvin-mar-kelvin-yu-destin-daniel-cretton-1234848912/|work=[[Deadline Hollywood]]|first=Nellie|last=Andreeva|date=October 4, 2021|access-date=October 4, 2021}}</ref> In February 2022, it was announced that Ben Wang, [[Michelle Yeoh]], [[Chin Han (actor, born 1969)|Chin Han]], [[Yeo Yann Yann]], [[Daniel Wu]], [[Ke Huy Quan]], Jim Liu and Sydney Taylor were cast in the starring roles.<ref>{{cite web |last1=Fleming |first1=Mike Jr. |title='Shang-Chi's Michelle Yeoh & Destin Daniel Cretton Reunite For Disney+ Series 'American Born Chinese;' Chin Han, Yeo Yann Yann & Daniel Wu Also Star |url=https://deadline.com/2022/02/shang-chi-michelle-yeoh-destin-daniel-cretton-american-born-chinese-disney-plus-series-chin-han-yeo-yann-yann-daniel-wu-also-star-1234927624/ |website=[[Deadline Hollywood]] |access-date=February 7, 2022 |date=February 7, 2022}}</ref> 

The show premiered on [[Disney+]] on May 24, 2023, with all eight episodes premiering at once to mostly positive reviews.

==References==
{{Reflist}}<!--added above External links/Sources by script-assisted edit-->

==Further reading==
* {{cite book|last=Chen|first=Shih-wen Sue|chapter=Sight, Blindness and Identity in Gene Luen Yang's ''American Born Chinese'' and ''Boxers & Saints''|editor=Stratman, Jacob|title=Teens and the New Religious Landscape: Essays on Contemporary Young Adult Fiction|publisher=[[McFarland & Company]]|date=2018-08-28|isbn=<!--Old: 1476630992-->9781476630991|pages=[https://books.google.com/books?id=L7VqDwAAQBAJ&pg=PT226 218]-<!--https://books.google.com/books?id=L7VqDwAAQBAJ&pg=PT217 is page 209, so-->}}
* {{cite journal|last=Wang|first=Jiahong|url=https://go.gale.com/ps/i.do?id=GALE%7CA479688082&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=00263451&p=LitRC&sw=w|title=Between Realism and Genre Fiction: American Born Chinese and Strange Fruit|journal=[[The Midwest Quarterly]]|date=Winter 2017|volume=58|issue=2|publisher=[[Pittsburg State University]]|via=[[Gale Literature Resource Center]]}}

== External links ==
{{Portal|Comics|San Francisco Bay Area|Catholicism|China<!--Includes global Chinese diaspora-->|Taiwan}}
*[https://firstsecondbooks.com/gene-yang-guest-blogger/gene_yang_origi/ First Second - Creators - Gene Yang - Blog], essay on the book by author Gene Yang

{{Journey to the West}}
{{Michael L. Printz Award Winners}}

[[Category:2006 graphic novels]]
[[Category:Eisner Award winners for Best Graphic Album: New]]
[[Category:Works based on Journey to the West]]
[[Category:American graphic novels]]
[[Category:2006 American novels]]
[[Category:Michael L. Printz Award–winning works]]
[[Category:Novels set in San Francisco]]
[[Category:2006 comics debuts]]
[[Category:Graphic novels by Gene Luen Yang]]
[[Category:First Second Books books]]
[[Category:Chinese-American literature]]
[[Category:Graphic novels set in California]]
[[Category:Graphic novels about race and ethnicity]]